We Speak Indie Artist
Loti Keeps It Real On Lotstar
Loti’s new EP Gorimapa Gangsta, Vol. 2: Lotstar is all about raw honesty. The Lagos artist has been rising steadily since his breakout track “Mainland,” and this latest project shows he is not slowing down.
The highlight is “Okirika,” featuring taves. The track captures the sting of love falling apart under financial strain. Taves sets a soulful tone, while Loti lays bare the frustration of being seen as a stepping stone rather than a partner. The hook, with its haunting “money no full my pocket,” sums up the heartbreak in just a few words.
Production throughout the EP is stripped-back, letting Loti’s storytelling shine. Instead of glossy beats, we get space and texture that match the rawness of his lyrics.
Lotstar is short, but that is also its strength. Every track feels deliberate and personal, leaving you with a strong impression of who Loti is and what he stands for. This isn’t background music. It’s a record that demands attention and rewards it with truth.
We Speak Indie Artist
Americana Newcomer JP Oldfield Makes A Case For Listening To An EP Properly
Music is increasingly consumed one track at a time. A song gets saved, shuffled, clipped, recommended and replaced. JP Oldfield’s Saltwater Gospel belongs to a different tradition.
Out now through Now Listen, it is built around a six-part story, so chopping it into isolated pieces changes what the release is doing. The Ferryman at the centre of the EP is not simply a character appearing in a few songs. His decisions carry from one track into the next, and the consequences accumulate.
That gives the tracklist a useful sense of progression.
“It’s Just Begun” establishes the situation. “The Preacher’s Noose” takes the Ferryman further into revenge and religious conflict. “Wash Me Away” pushes the story towards the water, while “Further from Heaven” widens the picture with the angel and the approaching flood. The final two tracks deal with what follows.
Oldfield is asking the listener to follow a sequence rather than cherry-pick the obvious single.
The subject matter helps. This is a story filled with burial, storms, scripture, punishment and death, so individual songs naturally raise questions that are answered later. Even the title points towards a larger idea, with the sea representing a force that operates according to its own cycles.
There is also no attempt to hide the fact that this is an independent project. Oldfield wrote the songs, created the linocut artwork and developed the mythology himself.
That combination makes Saltwater Gospel feel designed for an audience willing to give the whole release its proper running time.
In a culture that increasingly rewards the quickest possible listen, there is something appealing about an EP that says: start at track one and stay with it.
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