We Speak Music

Meet Velko, An Emerging Star Shaking Up the Rap and R&B Scene with “Séisme”

Published

2 years ago

July 4, 2024

Velko, hailing from the vibrant suburbs of Paris, is an artist who knows how to blend the worlds of Rap and R&B. His musical journey, which began with piano lessons in his childhood, has blossomed into a full-fledged passion for singing and songwriting. In 2016, Velko co-founded the rap group PULS with fellow artists Krippy, Efzedi, and Philtarr. Two years later, he embarked on a solo career, setting the stage for a series of EPs that showcase his diverse musical talents and inspirations, ranging from T-Pain and 50 Cent to Drake.

Now, Velko is taking the music scene by storm with his latest single, “Séisme”. This explosive track masterfully fuses elements of Rap and R&B to create a captivating sonic experience. From the very first note, Velko’s voice proves to be irresistibly addictive, drawing listeners into a world of vibrant intensity.

The lyrics of “Séisme” are as impactful as the title suggests, delving deep into themes of passion, desire, and motivation. Velko’s expressive delivery and the song’s dynamic production make for an unforgettable listening experience that resonates on multiple levels.

Join Velko on this exciting journey and feel the tremors of “Séisme” as it shakes up the Rap and R&B landscape.

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We Speak Music

Mané’s ‘The Goddess in the Room’ Turns Self-Discovery Into Sonic World-Building

Published

4 hours ago

June 2, 2026

Philomena Marie

There is a remarkable sense of intention running through The Goddess in the Room, the latest project from Swiss artist Mané. Blending alternative electronic pop with ritualistic percussion and spiritual symbolism, the album presents itself as both a personal statement and a carefully constructed narrative. Across its nine tracks, Mané explores identity, healing, queerness, and empowerment with impressive clarity of vision.

The opening track, “The GODDESS in the Room,” functions as both invitation and thesis statement. It introduces listeners to a world where intuition and self-trust become guiding principles, while establishing the atmospheric production style that shapes much of the record. The song’s spacious arrangement creates room for reflection, a quality that becomes one of the album’s defining characteristics.

That introspection deepens on “perles de sang” and “sappho.” The former grapples with inherited pain and bodily experience, while the latter offers a moving celebration of queer identity. Throughout these songs, Mané avoids reducing complex themes to slogans, instead allowing emotional nuance to emerge through carefully crafted songwriting and evocative imagery.

Musically, the album reaches some of its most intriguing moments on “)O(” and “moonstones.” Both tracks highlight Mané’s growing confidence as a sonic architect, blending electronic textures with organic rhythmic elements inspired by shamanic practice. The resulting sound feels immersive and transportive without losing its emotional immediacy.

Meanwhile, “j’serai tjr là” and “chocolate con sangre” provide some of the record’s most vulnerable moments. Here, Mané strips back some of the conceptual grandeur to focus on connection, memory, and emotional endurance. These songs reveal an artist equally capable of intimate storytelling and ambitious world-building.

The penultimate track, “Witches,” injects a surge of collective energy into the album’s narrative. Drawing on themes of resistance and feminine power, it stands as one of the project’s most direct statements while retaining its atmospheric sophistication. It is both politically resonant and emotionally charged.

By the time “ALIGNED” closes the record, the journey feels complete. Not because all questions have been answered, but because the search itself has become meaningful. The Goddess in the Room succeeds through its commitment to authenticity and vision, establishing Mané as an artist unafraid to follow her own path, wherever it may lead.

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