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Miss Machina Releases Stunning New Single ‘Talk’

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Ash Smith is a Dallas, Texas-born, Los Angeles-based pop-rock singer-songwriter who goes by the pseudonym Miss Machina

Her brand-new single ‘Talk’ is influenced by 70s disco flare, 80s synth-pop, and 90s grunge rock. The genre-blend within this particular offering showcases Miss Machina’s dynamic as a songstress. She elevates the production creating a sound exhilarating by the nostalgic music she listened to in her youth.

Along with her voice, the production uses electric guitars, synthesizers, programmed percussion, and other instruments to create a creepy, nostalgic vibe. While watching the movie Scream, Miss Machina was inspired to write this song. She was going through a breakup, but neither party was able to end things. She answered her ex’s calls as they came in, feeling unable to cut things off for good, at the time. She was moved by the film because it gave her a sense of an obsessive killer who was obsessed with her.

Miss Machina comments on the track,  “There aren’t really sides in a breakup, we just want someone to take the blame and be the villain.”

As the songstress demonstrates her effortless talents and personal growth in the music industry, she enthusiastically welcomes this release. Miss Machina’s catalog reflects her imaginative and unrestricted outlook, meanwhile, her unmatched creativity allows her to effortlessly transition between genres.

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EMEREE’s Cinematic Pivot in ‘Eyesore’ from Pop Star to Pop Assassin

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EMEREE doesn’t just make music—she curates moments. Her latest single “Eyesore” is a cinematic, sarcastic scorcher that sets a new tone for the rising Australian powerhouse. From the candy-coated production to the horror-tinged DIY music video, EMEREE is creating her own genre: camp pop noir.

The single is a masterclass in balancing artistry with attitude. Co-created with Christian Tjandrawinata, “Eyesore” proves EMEREE isn’t here to play safe. She plays sharp, with razor-lined harmonies and lyricism that stabs with a smile. It’s not just catchy—it’s calculated. The beat bounces, the vocals glide, but it’s the burn in the lines that lingers.

Visually, EMEREE doubles down. The music video is a bloody wink to 80s slasher films, with a narrative as satirical as it is symbolic. She doesn’t just kill her ex on screen—she kills the whole trope. Pop stars often tell stories of heartbreak. EMEREE turns it into performance art.

EMEREE says, “Eyesore” is the anthem for anyone who’s ever dated someone who treated them horribly and just wasn’t hot enough to get away with it.”

EMEREE is making noise for all the right reasons—and with creative backing from CAA and sessions alongside Nile Rodgers and Invisible Men, she’s not just rising. She’s plotting her pop empire. “Eyesore” is both a warning shot and a love letter to anyone who’s ever made revenge their aesthetic.

It’s the start of something bold—and we’re already obsessed.

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