We Speak Music

Monica Lynn’s ‘Sunshine Small Town Girl’ is Country-Pop with a Pulse and a Whole Lot of Heart

Published

10 months ago

July 29, 2025

Monica Lynn didn’t just show up out of nowhere—she emerged, bloomed, from years of real life, heartbreak, healing, and one hell of a lot of lived-in wisdom. Her debut album Sunshine Small Town Girl might sound like a warm breeze off a dusty country road, but don’t let the title fool you—this record’s got teeth, tenderness, and total girlboss energy.

Let’s talk about that opener—“Sunshine Small Town Girl” is more than a cutesy name-check of backroads and bonfires. It’s an anthem for grown-ass women who’ve been through the storm and are now dancing in the puddles. Monica rides the fine line between traditional country and glowy indie-pop, giving us Miranda Lambert vibes with the emotional sincerity of a late-night phone call.

Then there’s “Girl Gang,” which should come with its own themed merch. It’s pure empowerment juice. You will want to text your besties after this one. You will want to cry and sing and maybe punch the air a little (in a good way). It’s a tribute to female friendship that lands with as much honesty as it does groove.

“Let the Winter Come” shifts the mood, and it’s where Monica really flexes her songwriting muscle. She sings to her sons with the sort of poetic grace that sneaks up on you. You’re fine one minute, then sobbing into your coffee because she just nailed something you’ve never been able to say.

But don’t sleep on the darker cuts. “No One Left to Blame” and “Karmic Love” bring that messy, magnetic chaos we all pretend we’ve outgrown. They’re sonic proof that country and indie-pop can blend and bite, with lyrics sharp enough to cut through years of emotional noise.

If this is Monica Lynn’s opening chapter as a full-time artist, then damn—it’s a promising first page. Sunshine Small Town Girl is like your favorite pair of boots: well-worn, real, and absolutely made for walking into something new.

Purchase the Vinyl: https://monicalynn-music.com/

Find Monica Lynn: INSTAGRAM | FACEBOOK | TIKTOK | SPOTIFY

We Speak Music

Das Mörtal Announces Mini-Album DECVY I with Double Single “PARASITE” & “GHOST”

Published

1 hour ago

June 8, 2026

Joni Jones

Dark synthwave producer Das Mörtal returns with a striking new double single, “PARASITE” & “GHOST”, marking the first glimpse into his upcoming mini-album DECVY I, due 29 October 2026.

Across two contrasting but connected tracks, the Montréal-based artist continues to expand his signature blend of darkwave, techno, and cinematic electronic music.

“PARASITE” drives forward with urgent rhythm and sharp synth work, channeling tension into motion. Built on a fast-moving beat structure and glowing melodic fragments, the track carries a darker conceptual weight beneath its kinetic surface. As Das Mörtal explains, “An illness has affected my body for some time now, and PARASITE was made under a pain that I can’t quite shake off.”

That sense of internal pressure translates directly into the music. Rather than abstracting emotion, the track seems to process it in real time, turning discomfort into propulsion and fragility into momentum.

Its counterpart, “GHOST” shifts into a more spectral space. Infused with witch-house textures and melodic vocal elements, the track leans into atmosphere and contrast, balancing hypnotic rhythm with a more immediate, club-ready energy. Where “PARASITE” feels like tension held in motion, “GHOST” feels like release through repetition.

Together, the two tracks form a deliberate pairing: one grounded in physical strain, the other in fading presence. It’s a duality that reflects Das Mörtal’s broader artistic identity, music that sits between body and machine, emotion and distortion, dancefloor and interior world.

With this release, Das Mörtal sets the tone for DECVY I: a project that appears to move deeper into themes of transformation, fragility, and musical intensity, without losing sight of the club-focused energy that defines his work.