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MorMor’s ‘No One Alive Will Listen’ Is Out Now, With a 2027 Tour Across Europe and North America

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Black-and-white portrait of MorMor wearing a hooded puffer jacket, looking up toward the light.

Toronto’s MorMor has a new album in the world and a tour to take it on the road. No One Alive Will Listen, out now via Promised Land Records, closes its run-up with the final single “Ecstacy” and a run of European and US dates for 2027 that begins in London in January.

LISTEN: “Ecstacy” | No One Alive Will Listen

Toronto artist and multi-instrumentalist MorMor released his new album No One Alive Will Listen via Promised Land Records on October 30th, sharing a final single “Ecstacy” ahead of the album release. “Ecstacy” captures the magnetic pull of destructive patterns, exploring the fine line between desire and self-destruction, and the ways we can become addicted to the very things that unravel us.

Speaking about “Ecstacy,” MorMor shares, “The song draws a parallel between addiction and a person, less about substance itself and more about an addiction to chaos, to traumatic love, and that kind of emotional intensity. At the same time, it marked a shift for me sonically. I leaned into more modern production rather than shying away from it, exploring new technology and textures I might have avoided before for being too on-the-nose. It was about embracing that instinct instead of resisting it.”

Alongside the final single MorMor announces a run of European and US tour dates for 2027. Beginning in London in January and continuing on to Paris, Amsterdam, Berlin and more the tour then heads to North America for dates across Toronto, Montreal, Brooklyn and Los Angeles. Find full tour routing below.

MorMor’s album No One Alive Will Listen releasing via Promised Land Records was recorded between London, Toronto, and at Rick Rubin’s Shangri-La studios. The album is punchy, spacious, gentle, and richly textured. The new song also follows support of the album from Vince Staples who played MorMor’s previous track “Like Heaven” featuring Celeste on his Apple Radio show.

The album moves through sleek and confident electronic pop into moments of pure devastation, offering a cross-examination of Nyquist’s psyche and delving deep under his skin as he asks probing questions about the patterns of his life. Speaking about No One Alive Will Listen MorMor shares, “This album captures a time where I felt very alienated. I had felt hopelessly misunderstood. Within me was a desire for love, but I had looked for it in the wrong places. At first there was chaos, an old version of me was forced to perish, and then beauty slowly arose.”

The new track follows previous singles, “Hard To Say Goodbye”, “Hurt You”, “Dawn 2”, “Don’t Need It” and “Touch” as well as a the previously mentioned collaboration with Celeste on “Like Heaven”. Celeste’s contribution to “Like Heaven” emerged entirely unplanned, as she ended up joining the session and recording her vocal on the spot, capturing a raw, immediate energy that couldn’t be recreated. Other collaborators on the album include producers Hudson Mohawke (Ye, ANOHNI), Jack Peñate (SAULT), and Russell Boring (JOBA/Brockhampton) alongside Kane Ritchotte (Haim, Portugal. The Man), John Keek (Dijon, Mk.gee, Vegyn), and Caleb Laven (Frank Ocean, SZA, Joy Again).

Following two acclaimed EPs – Heaven’s Only Wishful in 2018 and Some Place Else in 2019 – his debut album Semblance (2022) was by turns contemplative, jittery, wistful, gentle, and generous. His distinctive voice – a svelte tenor that sits comfortably higher in pitch – leaps out of the speakers, alighting over the sturdy bass lines, guitar riffs, and drums he played himself. Celebrated for his unique blend of indie pop, R&B, and dreamlike synth textures, the artist soon cemented his reputation for emotionally rich soundscapes marked by vulnerability and sonic depth.

MorMor has garnered attention across the media landscape, earning praise and support from press outlets such as The Observer, The Times, The Fader, Pitchfork, NPR, Hypebeast, Pigeons & Planes, Wonderland, NME, Dazed, CLASH, DIY, The Line of Best Fit, PAPER, High Snobiety & more. On the airwaves, his music has been spun on the likes of BBC Radio 1, BBC 6Music, Apple Music 1 and NTS, with love from tastemakers including Jack Saunders, Jamz Supernova and Matt Wilkinson.

As a live phenomenon, MorMor has embarked on major headline tours across the US, UK and Europe, and has played festivals such as Field Day, Primavera Sound and Pitchfork Festival.

Listen to “Ecstacy” above, find album details below and stay tuned for more from MorMor coming soon.

Tour Dates

1/28 – London, UK @ ICA, London
1/29 – Paris, FR @ Le Point Éphémère
1/30 – Brussels @ Botanique
1/31 – Amsterdam @ Tolhuistuin
2/2 – Berlin @ Lark
2/4 – Istanbul @ Blind
2/23 – Toronto, ON @ Horseshoe Tavern
2/24 – Montreal @ Bar Le Ritz
2/25 – Brooklyn, NY @ Elsewhere Zone 1
2/27 – Los Angeles, CA @ The Echo

MorMor
No One Alive Will Listen
Promised Land Records
October 30th, 2026
Don’t Need It
Like Heaven (feat. Celeste)
Hurt You
Hard To Say Goodbye
Dawn 2 Interlude
Dawn 2
Ecstasy
It’s Alright
Hold
Wish I Had My Life Back
Touch
Erase Me
Open Wounds

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Maiya Blaney Shares “for you” Video as New EP ‘Mary bed’ Arrives via Lex Records

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Maiya Blaney in a soft-focus press portrait, eyes closed, her dreadlocks falling across her face.

New York City producer, songwriter and vocalist Maiya Blaney has released her new EP Mary bed via Lex Records, a six-track set of songs about yearning, and shared the music video for its single “for you.”

WATCH: “for you” | LISTEN / PRE-SAVE: maiyablaney.lnk.to/MarybedEP

New York City-based producer, songwriter, and vocalist Maiya Blaney shares new single “for you.” The track arrives days ahead of her new EP Mary bed, releasing this Friday, October 30th via Lex Records, and marks its second single following the previously shared “everneed.” Mary bed is six tracks of expansive and thoughtful songs about yearning from Blaney off the back of her noise project vulver released earlier this summer.

On November 4th, Maiya will be performing in London at Ormside Projects. Tickets available <a href=”https://ra.co/events/2569136″>HERE</a>.

Mary bed is the follow up to Blaney’s album A Room With A Door That Closes released last year, which included the singles “Fumbled,” “Honey I,” and “Recognize Me,” introducing Blaney’s cerebral sound to the world. A Room With A Door That Closes was created with Emerson Fossett (ideasforconversations) Alex Farrar (MJ Lenderman, Wednesday, Snail Mail), Harlan Steed (Show Me the Body) and. A Room With A Door That Closes is a collection of songs that rigorously pursue honesty, that present feelings as they arise without rushing to categorize them or explain them away. In the process of understanding her rage or discomfort, Blaney often lands on a sense of pride and assurance, but that’s never the ultimate goal. She eschews the easy comfort of neat resolution for the excitement of ongoing discovery.

Since 2019, Blaney has been releasing music lacquered with emotion. 2021 saw the release of her album 3, which meditated on neo-soul and R&B sonics. With her new material, Blaney fully dives into her unsavory feelings of anxiety and unease, creating a tumultuous and intricate sound where drum n bass weaves with droning guitars, blips of glitch ping pong against grating synth, and Blaney’s vocals range from searing punk exclamations to gentle, exploratory croons.

Pre-save Mary bed and check out “for you” above and stay tuned for more from Maiya Blaney coming very soon.

Upcoming Live Dates

11/4 – London, UK @ Ormside Projects

Mary bed EP

October 30, 2026

Lex Records

1. c
2. everneed
3. for you
4. Hype untitled
5. pump agony
6. havent i

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