We Speak Alternative
Jane Remover Marks Five Years of Frailty With Deluxe Reissue, Out Now
Five years after Frailty turned an underground upload into a defining moment for digicore and hyperpop, Jane Remover is bringing the album back in expanded form — a deluxe reissue that pairs the remastered original with five new tracks, arriving the same week she takes the stage at Tyler, The Creator’s Camp Flog Gnaw.
To celebrate five years since the release of her seminal debut album Frailty, Jane Remover releases Frailty (Deluxe) today. Frailty (Deluxe) includes remastered versions of the original album as well as five new deluxe tracks interspersed throughout the tracklist. Vinyl pre-order of Frailty (Deluxe) is available this Friday. Later this week, Remover will perform at Tyler, The Creator’s Camp Flog Gnaw in Los Angeles, California.
When Jane Remover uploaded Frailty in 2021, the album quickly rose from the underground music community to cement her as one of the brightest stars at the height of the digicore and hyperpop explosion. Upon release, Pitchfork described the album as “riveting, a shapeshifting emo-electronic record that sounds like new worlds seeping out of a digital abyss” in their raving review and Paste Magazine stated, “‘Frailty’ is an embrace of all that has preceded it and will eventually follow it.”
In the years since Frailty’s release, Jane has dropped two celebrated full-length albums, Census Designated (2023) and Revengeseekerz (2025), a fan favorite ♡ EP last year, performed sold-out headline shows and festival stages around the globe, dropped side projects as leroy and venturing, collaborated with artists like Akrilla, Danny Brown, Frost Children and more, and is now gearing up for a new album cycle with the release of her latest single “Beauty Sleep.”
Listen: http://janeremover.lnk.to/frailtydeluxe
Jane Remover
Frailty (Deluxe)
November 12, 2026
deadAir
Tracklist:
goldfish
might be crazy
your clothes
misplace
pretender
it’s a vicious cycle
search party
buzzcut, daisy
movies for guys
kodak moment
can you tell?
kill your composure
how to lie
champ
eyes off the wheel, I’m a star
let’s go home
kodak moment reprise
my summer in encino
Upcoming Live Dates
11/14 – Los Angeles, CA @ Camp Flog Gnaw
12/1 – Taipei City @ SUB LIVE
12/3 – Hangzhou @ LiveShop Uni
12/5 – Shanghai @ GT CH8 LIVE
12/8 – Tokyo, JP @ Duo Music Exchange
12/9 – Tokyo, JP @ WWW X
12/11 – Seoul, KOR @ Musinsa Garage
2/10 – Perth @ The Rechabite
2/12 – Sydney @ Laneway Festival
2/13 – Brisbane @ Laneway Festival
2/14 – Sydney @ Metro Theatre
2/16 – Melbourne @ 170 Russell
2/18 – Adelaide @ The Gov
2/19 – Melbourne @ Laneway Festival
2/21 – Auckland @ Laneway Festival
[Read Next block to be added at publish with three verified live links in the We Speak Music / We Speak Alternative lane. Featured photo: Jane Remover portrait by Brendon Burton from the release hi-res assets — see staged package notes. No dateline, no PR-contact block included above.]
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MorMor’s ‘No One Alive Will Listen’ Is Out Now, With a 2027 Tour Across Europe and North America
Toronto’s MorMor has a new album in the world and a tour to take it on the road. No One Alive Will Listen, out now via Promised Land Records, closes its run-up with the final single “Ecstacy” and a run of European and US dates for 2027 that begins in London in January.
LISTEN: “Ecstacy” | No One Alive Will Listen
Toronto artist and multi-instrumentalist MorMor released his new album No One Alive Will Listen via Promised Land Records on October 30th, sharing a final single “Ecstacy” ahead of the album release. “Ecstacy” captures the magnetic pull of destructive patterns, exploring the fine line between desire and self-destruction, and the ways we can become addicted to the very things that unravel us.
Speaking about “Ecstacy,” MorMor shares, “The song draws a parallel between addiction and a person, less about substance itself and more about an addiction to chaos, to traumatic love, and that kind of emotional intensity. At the same time, it marked a shift for me sonically. I leaned into more modern production rather than shying away from it, exploring new technology and textures I might have avoided before for being too on-the-nose. It was about embracing that instinct instead of resisting it.”
Alongside the final single MorMor announces a run of European and US tour dates for 2027. Beginning in London in January and continuing on to Paris, Amsterdam, Berlin and more the tour then heads to North America for dates across Toronto, Montreal, Brooklyn and Los Angeles. Find full tour routing below.
MorMor’s album No One Alive Will Listen releasing via Promised Land Records was recorded between London, Toronto, and at Rick Rubin’s Shangri-La studios. The album is punchy, spacious, gentle, and richly textured. The new song also follows support of the album from Vince Staples who played MorMor’s previous track “Like Heaven” featuring Celeste on his Apple Radio show.
The album moves through sleek and confident electronic pop into moments of pure devastation, offering a cross-examination of Nyquist’s psyche and delving deep under his skin as he asks probing questions about the patterns of his life. Speaking about No One Alive Will Listen MorMor shares, “This album captures a time where I felt very alienated. I had felt hopelessly misunderstood. Within me was a desire for love, but I had looked for it in the wrong places. At first there was chaos, an old version of me was forced to perish, and then beauty slowly arose.”
The new track follows previous singles, “Hard To Say Goodbye”, “Hurt You”, “Dawn 2”, “Don’t Need It” and “Touch” as well as a the previously mentioned collaboration with Celeste on “Like Heaven”. Celeste’s contribution to “Like Heaven” emerged entirely unplanned, as she ended up joining the session and recording her vocal on the spot, capturing a raw, immediate energy that couldn’t be recreated. Other collaborators on the album include producers Hudson Mohawke (Ye, ANOHNI), Jack Peñate (SAULT), and Russell Boring (JOBA/Brockhampton) alongside Kane Ritchotte (Haim, Portugal. The Man), John Keek (Dijon, Mk.gee, Vegyn), and Caleb Laven (Frank Ocean, SZA, Joy Again).
Following two acclaimed EPs – Heaven’s Only Wishful in 2018 and Some Place Else in 2019 – his debut album Semblance (2022) was by turns contemplative, jittery, wistful, gentle, and generous. His distinctive voice – a svelte tenor that sits comfortably higher in pitch – leaps out of the speakers, alighting over the sturdy bass lines, guitar riffs, and drums he played himself. Celebrated for his unique blend of indie pop, R&B, and dreamlike synth textures, the artist soon cemented his reputation for emotionally rich soundscapes marked by vulnerability and sonic depth.
MorMor has garnered attention across the media landscape, earning praise and support from press outlets such as The Observer, The Times, The Fader, Pitchfork, NPR, Hypebeast, Pigeons & Planes, Wonderland, NME, Dazed, CLASH, DIY, The Line of Best Fit, PAPER, High Snobiety & more. On the airwaves, his music has been spun on the likes of BBC Radio 1, BBC 6Music, Apple Music 1 and NTS, with love from tastemakers including Jack Saunders, Jamz Supernova and Matt Wilkinson.
As a live phenomenon, MorMor has embarked on major headline tours across the US, UK and Europe, and has played festivals such as Field Day, Primavera Sound and Pitchfork Festival.
Listen to “Ecstacy” above, find album details below and stay tuned for more from MorMor coming soon.
Tour Dates
1/28 – London, UK @ ICA, London
1/29 – Paris, FR @ Le Point Éphémère
1/30 – Brussels @ Botanique
1/31 – Amsterdam @ Tolhuistuin
2/2 – Berlin @ Lark
2/4 – Istanbul @ Blind
2/23 – Toronto, ON @ Horseshoe Tavern
2/24 – Montreal @ Bar Le Ritz
2/25 – Brooklyn, NY @ Elsewhere Zone 1
2/27 – Los Angeles, CA @ The Echo
MorMor
No One Alive Will Listen
Promised Land Records
October 30th, 2026
Don’t Need It
Like Heaven (feat. Celeste)
Hurt You
Hard To Say Goodbye
Dawn 2 Interlude
Dawn 2
Ecstasy
It’s Alright
Hold
Wish I Had My Life Back
Touch
Erase Me
Open Wounds
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