We Speak Music
Nia Perez’s ‘Things I Wish I Said’ Is A Journey Through Heartbreak and Healing
Some artists write songs; Nia Perez writes confessions. Her debut EP, Things I Wish I Said, feels like stepping into a private emotional journal—one she has generously decided to share with the world. The Venezuelan singer-songwriter blends indie-pop warmth with the introspective quiet of bedroom pop, approaching heartbreak not as spectacle but as a lived, unfolding process. The EP’s framing—five songs as five letters—gives the project its emotional backbone.
“If you had asked me two years ago to share these personal letters with the world, I would have run the other way,” Nia shares. “But writing these songs has helped me finally say things I kept inside for too long. We’ve all got those unsent letters; maybe hearing mine will help others send theirs.”
“Shapeshifting” introduces the theme of identity as something fragile within love. Perez explores the subtle ways one can disappear to make space for someone else, singing with a softness that makes the realization even more devastating. “Not Her” then pulls us deeper, its portrait of betrayal laced with longing and painful clarity. It’s no surprise the song has become Perez’s breakout moment—it says exactly what so many listeners have felt and never voiced.
“Oh Sweet July” is the emotional centerpiece of the collection. Perez transports us directly to the moment of a birthday breakup in New York, writing it with the raw immediacy of a memory that hasn’t faded. Each repetition of its central question sounds like a wound reopening, but also like someone finally giving themselves permission to speak.
The final track, “Little Old Flame,” acts as both emotional release and narrative closure. Here, Perez stops asking what she did wrong and instead asks the other party to look at themselves. The EP feels like a healing journey traced in real time—tender, incisive, and deeply human. With Things I Wish I Said, Perez establishes herself as an artist who turns silence into story, and story into connection.
We Speak Music
SCARECROW’s John Blaze Delivers a Career Milestone With “Twisted” and Earns Josie Music Awards Song of the Year Nomination
John Blaze has spent nearly four decades fronting SCARECROW, the New York hard-rock outfit he founded in 1989, and in 2026 he delivered one of the most ambitious releases of his career with “Twisted.” Now, the song has reached another major milestone: “Twisted” has been nominated for Song of the Year in the Metal/Alternative category at the Josie Music Awards.
The nomination places Blaze and SCARECROW among this year’s recognized independent artists and songwriters at the Josie Music Awards, with the awards ceremony set to take place at Nashville’s legendary Grand Ole Opry. For an artist whose career has been built on persistence, independence and decades of hard-rock storytelling, the recognition gives “Twisted” an entirely new chapter.

Written by John Blaze and Chaffin, “Twisted” pulls together a lineup of guest players that reads like a rock family reunion, built around Blaze’s long-standing friendship with Dee Snider and the legacy of Twisted Sister, a band woven into SCARECROW’s story from its earliest days.
That connection goes all the way back to the beginning. SCARECROW’s original lineup featured guitarist Eddie Ojeda, best known for his work in Twisted Sister, and the two camps have remained connected ever since. “Twisted” makes that history explicit: Dee Snider appears on the record with guest vocals during the track’s climactic second verse and chorus, lending the song an instantly recognizable jolt of arena-rock power.
Snider isn’t the only marquee name in the credits. Mark Wood, founding violinist of Trans-Siberian Orchestra, contributes electrifying violin work that gives “Twisted” a cinematic sweep uncommon in modern hard rock. Rounding out the track are TJ Jordan on lead guitar and Bobby Marks on drums, creating a powerful, road-tested foundation behind Blaze’s signature gritty vocal delivery.
The Josie Music Awards nomination feels particularly fitting because “Twisted” isn’t simply another SCARECROW release. It brings together different eras of Blaze’s musical life while pushing the band’s sound forward. There’s history in the recording, but there’s also urgency. It doesn’t sound like a band looking backward. It sounds like one with unfinished business.

For Blaze, the nomination also represents recognition of a career that has largely been built outside the traditional machinery of the mainstream music business. Independent rock artists rarely survive for decades without a fierce commitment to what they do, and SCARECROW’s longevity speaks for itself. From the band’s early years and its 1991 debut, through the Blood, Sweat and 20 Years retrospective and the theatrical production I Am SCARECROW, Blaze has continued developing a world around the music rather than simply releasing songs.
That makes the Song of the Year nomination especially meaningful. After nearly four decades of building SCARECROW, Blaze now heads to the Josie Music Awards at the Grand Ole Opry with one of his most ambitious songs recognized in the Metal/Alternative category.
And there’s something wonderfully appropriate about the song that got him there.
“Twisted” connects SCARECROW’s beginnings to its present, reunites Blaze musically with figures tied to the band’s history, and demonstrates just how much fire remains in the project. With Snider and Wood contributing to the record and Blaze still driving the band he created from the ground up, the track feels less like a nostalgic reunion than a statement of survival.
Now it’s also an award-nominated song.
For John Blaze and SCARECROW, nearly four decades into the journey, “Twisted” has become more than another entry in the catalog. It’s a career milestone — and this September, that milestone is taking SCARECROW all the way to the Grand Ole Opry.
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