Connect with us

We Speak Music

One Last Job Shares New Album ‘Been Here Ever Since’

Published

on

One Last Job is a folk-rock project based out of Austin, TX. Combining intimate lyricism and a blend of instrumentation from soft acoustics to whirling synths, their most recent album, Been Here Ever Since, was recorded entirely by frontman Travis Klein from a laptop while travelling between Austin, TX, and Las Vegas, NV.

The album’s focus track ‘Beneath the Ocean’ is a genre-blend of indie-folk, lo-fi, and bedroom pop. It was entirely recorded in frontman Travis Klein’s living room on a 2012 Macbook running Ableton 11, then polished from various hotels and Airbnbs while travelling around the US. there is a pensive and slow-burn vibe present with the interface recording for guitar, bass, and vocals, then MIDI for drums and keys. It was mixed and mastered by Michael Briggs in Denton, TX. “It’s a song about gratitude. About being dizzied by what it means to be truly grateful but attempting to accept the proposition anyway. It’s my favorite song on the album.” 

Been Here Ever Since, is an intriguing musical journey from One Last Job. There is a renowned sound that weaves influences from the likes of Bright Eyes, Phoebe Bridgers, Car Seat Headrest, and Nana Grizol. They invite listeners into the multifaceted nuances throughout the twelve tracks.

Created solely by the frontman Travis Klein, the twelve tracks explore the concept of gratitude and his analysis of the scariness of acceptance, it’s a record filled with heart, sweat, and tears. Been Here Ever Since, showcases the musician’s superb range and versatility with an infectious atmosphere.

Each track is lyrically driven, with cohesive storytelling, with the overall theme throughout the album being about gratitude. It begins with a story that takes place toward the middle of college, where Travis is confronted with the idea that a lot of people don’t end up actively charting the courses of their lives – they fall into one decision after another until their whole lives go by. This project was a terrifying realization as it called the whole idea of free will into question. Throughout the collection of tunes, Travis analyzes what’s scary about acceptance, and eventually arrives at a new perspective.

Been Here Ever Since, showcases One Last Jobs’ artistic contrast, and energy, and is full of melodies that will capture the listener’s attention from the very first track. They strut an impassioned indie-rock sound creating a narrative of emotional and energetic exhaustion of the musician ending the musical journey with mastery. There are profound existential themes discussed throughout the twelve tracks combined with mesmerising soundscapes, raw vocals, and unadulterated honest lyrics.

Travis was travelling during the time of creating Been Here Ever Since, flying back and forth from his home in Austin, TX to Las Vegas NV. The album was almost exclusively recorded on jet-lagged Saturdays in his living room and tweaked on his laptop from different hotels and Airbnb’s.

On the album, One Last Job comments, “This album is a dialogue between gratitude and ambition. I start from a sort of standard “Western” worldview where individuality and ambition are of primary value, and then throughout the album, we go on a journey following that worldview to its logical extent before arriving at a new perspective grounded in gratitude and giving up some of that need for control. I hope it makes you smile.”

One Last Job is paving their way into the music scene with their promising sound on ‘Been Here Ever Since’. For more updates on them, please visit their social media and streaming platforms.

More from We Speak Media:

We Speak Jazz

Zahili Zamora Wins Two Global Music Awards and Brings Her Afro-Cuban Jazz Quartet to Regattabar

Published

on

Zahili Zamora seated in a burgundy dress, her braided hair styled in a top bun
Zahili González Zamora. Photo by Robert Torres.

Afro Cuban jazz pianist Zahili Zamora brings her Afro Cuban Jazz Quartet to The Regattabar at The Charles Hotel in Harvard Square, Cambridge, on Friday, November 6 at 7 pm, with special guest Yosvany Terry on saxophone. The quartet features Gerson Lazo Quiroga on bass and Zack O’Farrill on drums. Tickets are $35 and $25 plus fees and are on sale now.

Zamora returns this week from a week in Seoul, Korea, where she was performing and auditioning students for Berklee. She has won two Global Music Awards for her recent album Overcoming, taking Silver Medals for Latin Jazz and Afro Cuban music and for album art and graphics. She is also nominated for the Boston Music Awards 2026 Latin Artist of the Year, with winners announced at Big Night Live on Wednesday, December 16, and WBUR has saluted her as one of its 2026 Makers, its annual series highlighting creatives of color making an impact in the local arts scene. Earlier this year she also won the InterContinental Music Award 2026 for Best of Latin America for her composition “Negra.”

The run of dates continues overseas and back in New York. The Zahili Zamora Afro Cuban Jazz Trio, with Gerson Lazo Quiroga on bass and Julien Miltenberger on drums, plays Upstairs at Ronnie Scott’s Jazz Club in London on Sunday, November 15, with shows at 2 pm and 8 pm. Zamora then plays duo sets with clarinetist Juan Fer Ruiz at So & So’s in New York on Saturday, November 28, Five Spot Jazz in New York on Sunday, November 29, Fat Swami’s Jazz Bar & Lounge in Guttenberg, New Jersey on Thursday, December 3, and The Delancey on Thursday, December 10.

About special guest Yosvany Terry, The New York Times has written that the Cuban saxophonist, percussionist and composer “has helped redefine Latin jazz as a complex new idiom.” Bassist Gerson Lazo Quiroga, a Chilean born Berklee Presidential Scholar, has performed at Carnegie Hall, SFJAZZ and the Montreal, Monterey, San Jose and Panama Jazz Festivals. Drummer Zack O’Farrill, son of pianist Arturo O’Farrill and grandson of composer Chico O’Farrill, performs regularly across the United States and the globe.

Continue Reading

Trending