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One Last Job Shares New Album ‘Been Here Ever Since’
One Last Job is a folk-rock project based out of Austin, TX. Combining intimate lyricism and a blend of instrumentation from soft acoustics to whirling synths, their most recent album, Been Here Ever Since, was recorded entirely by frontman Travis Klein from a laptop while travelling between Austin, TX, and Las Vegas, NV.
The album’s focus track ‘Beneath the Ocean’ is a genre-blend of indie-folk, lo-fi, and bedroom pop. It was entirely recorded in frontman Travis Klein’s living room on a 2012 Macbook running Ableton 11, then polished from various hotels and Airbnbs while travelling around the US. there is a pensive and slow-burn vibe present with the interface recording for guitar, bass, and vocals, then MIDI for drums and keys. It was mixed and mastered by Michael Briggs in Denton, TX. “It’s a song about gratitude. About being dizzied by what it means to be truly grateful but attempting to accept the proposition anyway. It’s my favorite song on the album.”
Been Here Ever Since, is an intriguing musical journey from One Last Job. There is a renowned sound that weaves influences from the likes of Bright Eyes, Phoebe Bridgers, Car Seat Headrest, and Nana Grizol. They invite listeners into the multifaceted nuances throughout the twelve tracks.
Created solely by the frontman Travis Klein, the twelve tracks explore the concept of gratitude and his analysis of the scariness of acceptance, it’s a record filled with heart, sweat, and tears. Been Here Ever Since, showcases the musician’s superb range and versatility with an infectious atmosphere.
Each track is lyrically driven, with cohesive storytelling, with the overall theme throughout the album being about gratitude. It begins with a story that takes place toward the middle of college, where Travis is confronted with the idea that a lot of people don’t end up actively charting the courses of their lives – they fall into one decision after another until their whole lives go by. This project was a terrifying realization as it called the whole idea of free will into question. Throughout the collection of tunes, Travis analyzes what’s scary about acceptance, and eventually arrives at a new perspective.
Been Here Ever Since, showcases One Last Jobs’ artistic contrast, and energy, and is full of melodies that will capture the listener’s attention from the very first track. They strut an impassioned indie-rock sound creating a narrative of emotional and energetic exhaustion of the musician ending the musical journey with mastery. There are profound existential themes discussed throughout the twelve tracks combined with mesmerising soundscapes, raw vocals, and unadulterated honest lyrics.
Travis was travelling during the time of creating Been Here Ever Since, flying back and forth from his home in Austin, TX to Las Vegas NV. The album was almost exclusively recorded on jet-lagged Saturdays in his living room and tweaked on his laptop from different hotels and Airbnb’s.
On the album, One Last Job comments, “This album is a dialogue between gratitude and ambition. I start from a sort of standard “Western” worldview where individuality and ambition are of primary value, and then throughout the album, we go on a journey following that worldview to its logical extent before arriving at a new perspective grounded in gratitude and giving up some of that need for control. I hope it makes you smile.”
One Last Job is paving their way into the music scene with their promising sound on ‘Been Here Ever Since’. For more updates on them, please visit their social media and streaming platforms.
We Speak Music
Michele Ducci teases new album with uplifting indie single ‘Woman Like You’
Michele Ducci has unveiled the second single, ‘Woman Like You’, from his forthcoming album and animated film ‘Snail in the Clouds’.
‘Woman Like You’ pairs bright distorted electric guitar with an electronic drumbeat, adding in Ducci’s soulful vocals and a catchy uplifting chorus with Letizia Mandoleisi’s sweet vocal harmonies. A vintage organ pedalboard operated by Ducci simultaneously generates chords, bass and rhythm, like a one-man band. Shane Kennedy (Girl in the Year Above) joins in on guitar. Simon Milner (Is Tropical, Ysing) recorded and produced the track at his 4am Studios in London.
The album and film tell the story of a planet called ‘Snail’, inhabited by hybrids – primarily a mixture between scorpions, snails and humans – who lead a life according to the style of Pythagoras, devoted to music. There is also a cloud man named Agostos, a writer of musical operettas, who together with a talking smoke machine called Doctor Subtilis, begins to kill all hybrids, targeting in particular the hybrid musician Diodoros and his band, in an effort to steal the ark of melodies, an ancient ship that allows the whole planet to survive with music and joy.
The video for the single, created and animated by Ducci and Mandoleisi, delves further into the realm of planet ‘Snail’:
Says Ducci, “The ark of melodies, after various attempts, finally starts to work and fly in the planet Snail, while the shady Doc. Sub. and Agostos, with their platoon of soldiers made of foggy smoke, spy the miracle, planning to steal the ark for their evil and tyrannical purposes.”
About the track, Michele says, “I wrote this song for my love Letizia. Love seen from the mind is the sound we make. Sound is the love of matter.
We used a Technics synthesizer organ from a flea market. I tried to find a mood that was right for the song and I started using the bass of the pedal board together with the synth and the drums, and it was magical to hear the song reveal itself all coming from a single instrument. Leti was singing with me and we recorded everything live in one shot. Then we made Shane do the guitar flight, as if he came out of the window. The idea was to maintain disproportions, guitar thrust and synth drum thinness a la Haroumi Hosono, so as to create an estrangement, but naturally: it’s about how I listen, with close up something that captures me in its nuance as element of a larger orchestra somewhere. I’m glad we decided in the studio with Simon to use the layers of arrangement as the close-ups in the cinema; they look like strange enlargements that perch on parts of a mutated orchestra. I’m happy to come back with this love song at a time when everything seems to opt, even my labor in managing the flows of selfishness that have poured out on me while doing this album, for the sound of war. I’m here happy to be able to say that the sound of love always wins as did for me. Snail in the clouds is one of the most important works in my life and I am glad to start from pure love for this album that is my son.”
The album and full-length film will be released on the 5th of June on Monotreme Records.
Michele and Letizia’s previous musical short film, ‘The Great Book of Nature’, is an official selection for the 2026 Venice Shorts Film Festival.

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