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One Last Job Shares New Album ‘Been Here Ever Since’

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One Last Job is a folk-rock project based out of Austin, TX. Combining intimate lyricism and a blend of instrumentation from soft acoustics to whirling synths, their most recent album, Been Here Ever Since, was recorded entirely by frontman Travis Klein from a laptop while travelling between Austin, TX, and Las Vegas, NV.

The album’s focus track ‘Beneath the Ocean’ is a genre-blend of indie-folk, lo-fi, and bedroom pop. It was entirely recorded in frontman Travis Klein’s living room on a 2012 Macbook running Ableton 11, then polished from various hotels and Airbnbs while travelling around the US. there is a pensive and slow-burn vibe present with the interface recording for guitar, bass, and vocals, then MIDI for drums and keys. It was mixed and mastered by Michael Briggs in Denton, TX. “It’s a song about gratitude. About being dizzied by what it means to be truly grateful but attempting to accept the proposition anyway. It’s my favorite song on the album.” 

Been Here Ever Since, is an intriguing musical journey from One Last Job. There is a renowned sound that weaves influences from the likes of Bright Eyes, Phoebe Bridgers, Car Seat Headrest, and Nana Grizol. They invite listeners into the multifaceted nuances throughout the twelve tracks.

Created solely by the frontman Travis Klein, the twelve tracks explore the concept of gratitude and his analysis of the scariness of acceptance, it’s a record filled with heart, sweat, and tears. Been Here Ever Since, showcases the musician’s superb range and versatility with an infectious atmosphere.

Each track is lyrically driven, with cohesive storytelling, with the overall theme throughout the album being about gratitude. It begins with a story that takes place toward the middle of college, where Travis is confronted with the idea that a lot of people don’t end up actively charting the courses of their lives – they fall into one decision after another until their whole lives go by. This project was a terrifying realization as it called the whole idea of free will into question. Throughout the collection of tunes, Travis analyzes what’s scary about acceptance, and eventually arrives at a new perspective.

Been Here Ever Since, showcases One Last Jobs’ artistic contrast, and energy, and is full of melodies that will capture the listener’s attention from the very first track. They strut an impassioned indie-rock sound creating a narrative of emotional and energetic exhaustion of the musician ending the musical journey with mastery. There are profound existential themes discussed throughout the twelve tracks combined with mesmerising soundscapes, raw vocals, and unadulterated honest lyrics.

Travis was travelling during the time of creating Been Here Ever Since, flying back and forth from his home in Austin, TX to Las Vegas NV. The album was almost exclusively recorded on jet-lagged Saturdays in his living room and tweaked on his laptop from different hotels and Airbnb’s.

On the album, One Last Job comments, “This album is a dialogue between gratitude and ambition. I start from a sort of standard “Western” worldview where individuality and ambition are of primary value, and then throughout the album, we go on a journey following that worldview to its logical extent before arriving at a new perspective grounded in gratitude and giving up some of that need for control. I hope it makes you smile.”

One Last Job is paving their way into the music scene with their promising sound on ‘Been Here Ever Since’. For more updates on them, please visit their social media and streaming platforms.

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2AP – Two Alien Planets Find Beauty in the Noise with “Sweet Harmony”

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What if the world isn’t too loud… what if it’s just your head?

Brno-based duo 2AP – Two Alien Planets tackle that familiar feeling in their new single “Sweet Harmony”: a warm, guitar-driven alternative track about finding your way back to the present when your mind refuses to switch off.

It starts with a bright guitar riff and Lenka K.’s airy soprano, sounding almost like a breath of fresh air. Then the song begins to expand. Guitars gather momentum, the rhythm lifts, and Jarek H.’s warm baritone joins the picture.

By the final chorus, it’s no longer one voice trying to quiet the noise. It’s two voices finding their way through it together.

And that’s where “Sweet Harmony” really hits.

The lyrics balance simple, beautiful things — wind, sunshine, rain, a strand of hair in the breeze — against a much less peaceful inner landscape: a “stormy brain,” angry birds and snakes of grief.

There are no wellness clichés here. No promise that everything suddenly becomes fine.

Instead, the song suggests something more realistic: maybe the beauty is already there. We just have to hear it.

Musically, 2AP blend the melodic warmth of alternative pop-rock with a cinematic indie atmosphere. It’s dreamy without drifting away, emotional without becoming gloomy, and driven by the chemistry between Lenka’s soprano and Jarek’s baritone.

Think 90s/2000s alternative warmth meeting contemporary indie songwriting, with enough guitar to keep things moving and enough space to let the lyrics breathe.

The artwork captures the same tension: warm flowers behind a dark fence. Beauty on one side. Something getting in the way on the other.

“Sweet Harmony” doesn’t ask you to tear the fence down.

It just asks you to look through it.

3:42 of dreamy guitars, two voices, and one very restless brain.

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