We Speak Music
Optacure Shines On New Single ‘With The Moon’
Optacure’s new single, “With The Moon,” is like a perfect soundtrack for your favorite late-night beach memory—dreamy, heartfelt, and just a little bit magical. Edmund Gemelo Jr., the Australian indie pop artist behind Optacure, drew inspiration from a moonlit night on the beach with friends, capturing the warmth and wonder of a simple but unforgettable experience. With its blend of indie pop and electro-pop, the song feels like a wave of nostalgia washing over you, pulling you into a soundscape that’s both expansive and comforting.
The opening notes are delicate and inviting, setting a tranquil vibe that feels like watching the moon rise over calm water. Optacure’s voice comes in soft and steady, almost like he’s whispering a secret to the listener. His lyrics focus on the beauty of fleeting moments and the closeness that makes them so precious, bringing a refreshing vulnerability to the song. It’s hard not to feel wrapped up in the moment as he takes us back to that moonlit beach, creating a sense of connection that feels incredibly personal yet universal.
One of the standout elements of “With The Moon” is its lush, layered production, courtesy of longtime collaborator Ean Aguila. Working remotely from the Philippines, Aguila brought a mix of ambient synths, steady beats, and a touch of experimental flair inspired by Filipino artist Manic Mundane. The production is intricate but never overpowering, balancing perfectly with Optacure’s vocals to create a dreamlike soundscape. It’s the kind of track where every listen reveals a new detail—like the subtle echo of a synth line or the delicate, almost whispered background vocals.
Optacure has a talent for making music that feels deeply personal and inviting, and “With The Moon” is no exception. This isn’t just a song about a nice night with friends; it’s an exploration of the joy and nostalgia that come with shared experiences. Optacure invites listeners to pause, remember, and hold onto those fleeting moments that make life feel rich and meaningful. It’s music that reminds us to cherish the people we’re with, making it easy to feel like you’re right there on the beach with him, soaking in the beauty of a perfect moonrise.
With “With The Moon,” Optacure is proving he’s more than just another indie pop artist—he’s a storyteller who knows how to craft songs that resonate far beyond borders. His sound is as comforting as it is captivating, and he’s building an audience that stretches from Australia to South America. If you’re a fan of introspective indie pop that hits you right in the feels, “With The Moon” is a must-listen. Optacure has delivered a song that’s perfect for stargazing, road trips, or any moment when you want to slow down and just take it all in.
In “You Never Do Shit,” Brooklyn’s Dead Tooth deliver a snarling, urgent post-punk single that distills their barbed energy into under four minutes of sharp-tongued wit and scuffed-up sonics. It’s a track that bristles with disdain—Zach Ellis’ vocal delivery is acidic, at times theatrical, and often more spoken than sung. There’s a punk rock immediacy here, but with the knowing wink of someone who’s watched the scene curdle and still wants to dance through the ashes.
The song began its life in a different medium—written for a fictional band on City on Fire—but the real-life iteration carries more weight. There’s a palpable satisfaction in Ellis’ decision to reclaim it, and that freedom seeps into every detail: the unkempt rhythm section, the jarring saxophone lines from John Stanesco, and the deliberate looseness that characterizes its structure.
Dead Tooth are at once participants and commentators in the culture they inhabit. Their songs are alive with noise, but also with intent—tracking the psychic hangover of nightlife, subcultural collapse, and underground scenes that burn bright and disappear too soon. Ellis’ lyrical observations land like tossed-off critiques, but underneath the smirk is something deeper, almost desperate: a desire for connection, even through chaos.
With their debut album looming, “You Never Do Shit” feels like a thesis statement. Not just of sound, but of ethos: reject slickness, embrace noise, tell the truth—even if it’s ugly. In a year when punk has mostly whispered or wandered, Dead Tooth has chosen to scream.
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