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Patti LaBelle Named BMI Icon at the 2017 BMI R&B/Hip-Hop Awards

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Micheal Walker/Umeek Images
PATTI LABELLE NAMED BMI ICON AT THE
2017 BMI R&B/HIP-HOP AWARDS
 

DJ Khaled, Future, and Rihanna tied for Songwriter of the Year;
“Me, Myself & I” named Song of the Year; Metro Boomin awarded Producer of the Year and Universal Music Publishing Group presented with Publisher of the Year

Last night, Broadcast Music Inc. (BMI) celebrated the songwriters, producers and publishers of the year’s most-performed R&B/hip-hop songs during the 2017 BMI R&B/Hip-HopAwards held at The Woodruff Arts Center’s Symphony Hall in Atlanta. Multiple Grammy Award-winning singer-songwriter Patti LaBelle took home the night’s highest honor as BMI Icon in recognition of her distinguished career, spanning more than 50 years.

Hosted by BMI President & CEO Mike O’Neill and BMI Vice President, Writer/Publisher Relations Catherine Brewton with Lifestyle Specialist Kenny Burns as co-host, the evening included stellar performances by some of the hottest talent on the music scene. The night kicked off with Atlanta’s own Big Boi from OutKast performing a medley of two of their biggest hits, “B.O.B.” and “GhettoMusick.” Hip-hop brother duo Ayo and Teo went on to give a dynamic performance of their Billboard Hot 100 hit song “Rolex,” before Keke Palmer and BMI’s Wardell Malloy named Detroit-based rapper Kash Doll BMI’s Social Star, voted on by fans across BMI’s Instagram and Twitter accounts. Jacquees serenaded the audience with his Billboard R&B charting single, “B.E.D.” while Rick Ross kept the energy flowing with a medley of his biggest hits including “Hustlin,’” “Trap, Trap, Trap” and “B.M.F. (Blowin’ Money Fast).”

The second half of the evening featured an array of outstanding tribute performances honoring Patti LaBelle beginning with BMI Trailblazers of Gospel Music honoree, BeBe Winans singing his beautiful version of Ms. LaBelle’s number one single duet with Michael McDonald, “On My Own.”  Next up, Avery Sunshine gave a moving rendition of “Love, Need and Want You.” The tributes continued with Gospel vocalist Kierra Sheard’s powerful performance of “When You’ve Been Blessed,” followed by Tasha Cobbs-Leonard singing the classic hit, “You Are My Friend.” Sheard joined Cobbs-Leonard to finish the song, and together they brought the crowd to their feet. Closing out the night, Grammy-nominated singer-songwriter Ledisi gave an energetic performance of the massive classic hit, “Lady Marmalade” before calling Ms. LaBelle to the stage where she gave an impromptu performance of “Over the Rainbow” and thanked those who paid tribute to her throughout the evening. 
 
The show also honored the songwriters of the 35 best-performing R&B/Hip-Hop songs in the U.S. from BMI’s repertoire of over 12 million musical works. Metro Boomin took home the Producer of the Year award for the second year in a row and the coveted Song of the Year honor went to “Me, Myself & I” written by Tom Barnes, Lauren Christy, Michael Keenan and Bebe Rexha. Universal Music Publishing Group claimed Publisher of the Year and hitmakers Future, DJ Khaled and Rihanna tied for Songwriter of the Year.

As a BMI Icon, Ms. LaBelle joined an elite group of songwriters who have received BMI’s Icon Award for their “unique and indelible influence on generations of music makers.” Previous recipients include Nile Rodgers, Kenneth “Babyface” Edmonds, James Brown, Al Green and Snoop Dogg, among others.   

 

The event was sponsored by the Swisher Sweets Artist Project which increases awareness and exposure for emerging musical talent.
For a complete list of 2017 winners, visit bmi.com.
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The Publicist Who Changed Everything: Howard Bloom and the Art of Making Legends

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Before there was a science of influence, before algorithms decided who mattered and viral moments manufactured stars overnight, there was Howard Bloom — working the phones, shaping narratives, and building some of the most enduring legends in the history of popular music.



In an era when the music industry ran on relationships, instinct, and the sheer force of personality, Bloom was operating on a different level entirely. He wasn’t just doing publicity. He was doing something closer to cultural architecture — understanding not just how to get an artist covered, but how to make them mean something. How to make them matter. How to embed them into the fabric of American life in a way that outlasted any single hit, any single moment, any single headline.

The roster tells the story. Prince. Billy Joel. Kiss. Lionel Richie. Michael Jackson. Bob Marley. These were not simply clients. They were cultural phenomena — and Howard Bloom was one of the key minds helping to shape what those phenomena meant to the world. At a time when rock and roll was the most powerful cultural force on the planet, Bloom was at the center of it, helping to translate raw talent into enduring mythology.



What set him apart was not hustle alone — though there was plenty of that. It was his relentless intellectual curiosity, his insistence on understanding the deeper forces at work beneath the surface of pop culture. While others in the industry were counting chart positions, Bloom was asking bigger questions. Why does this artist connect? What need are they meeting? What truth are they telling that the culture is desperate to hear? Those questions drove everything — and the results spoke for themselves.

His approach was years ahead of its time. The strategies he developed intuitively in the back rooms of the music industry would later be validated by neuroscience, sociology, and the emerging study of how ideas spread through human populations. Howard Bloom was not just a publicist. He was, without fully knowing it yet, a theorist of cultural contagion — and the music world was his laboratory.



The industry has changed beyond recognition since those years. The gatekeepers are gone, the major label system has been disrupted, and the very concept of a music publicist has been transformed by social media and the democratization of attention. But the principles Bloom operated by — find the truth in the artist, find the human need they speak to, and tell that story with everything you have — remain as relevant as ever. Perhaps more so, in a landscape where genuine meaning is harder to find and easier to fake.

Howard Bloom didn’t just help make stars. He helped define what stardom meant in the most electric and consequential era in the history of popular music. That is a legacy worth understanding — and one the industry is still catching up to.

The official website for Howard Bloom may be found at https://www.howardbloom.net

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