We Speak Music
Phonseca release new deep electronica-pop single ‘When Night Equals Day’
‘When Night Equals Day’ is the superb new single from Indie Synthpop duo, Phonseca, which brings together Bristol’s much respected keys/synth player Matthew O’Connor and radiant Swedish vocalist Kristina Sheppard.
Matthew has a rich musical background, bringing his talent to bands across the musical spectrum from House to Shoegaze, Psyche to Soundtrack, Electronica, Britpop and Rock. Both touring and featuring on albums released on labels as diverse as Rocket Recordings, Invada Records and Dishy Recordings, his creative input has featured on many projects. Inevitably the urge to form a more personal musical landscape saw him starting to write his own music. This began the process which resulted in ‘Between A Dream’, the debut Phonseca album, which came out in 2019.
The album was championed in the UK on BBC Radio 6 Music by both Gideon Coe and Steve Lamacq. With Steve Lamacq featuring it in his “Recommends” show. It also picked up lots of airplay and excellent reviews around the world. Matthew’s classical piano training has an influence on his work. In addition to Phonseca, he has composed Library Music where his work has been synched on primetime TV like BBC1’s – The One Show, Channel 5 programs and National TV in most of Europe. This was the catalyst for first writing with Kristina, initially working on songs for a Disney project which followed a chance meeting at a wedding fayre, where they had stalls directly opposite each other. Since its release, the pair have spent the past few years promoting the debut album while writing/recording the second ‘Everything Lasts Forever’, which is now ready for release via Old Bad Habits Label.
‘When Night Equals Day’, the second single to come from the new album, captures the emotional heartbeat of Phonseca’s indie synthpop, electronica sound. The track’s unhurried pulsing beats, icy ambient synths, desolate piano and sweeping drones make for a deep, contemplative listen. A wintry, never ending glacial atmosphere pervades the track, conjuring lonely and dark winter nights. What begins as a fragile cry for help, evolves into something more resilient. Then by the refrain ‘When Night Equals Day’, it’s realistically introspective again.
.“As with the whole album, these songs have a nocturnal feel and this one is no exception”, says O’Connor. “Lyrically I was inspired by classic songs like Kraftwerk – Computer Love and Soft Cell – Bedsitter and other songs too that are so evocative the images freely play out in your mind. The title refers to the Spring equinox, and by complete coincidence this was when we were recording the vocals at Invada. It’s my favourite lyric and possibly my favourite song on the album and another amazing vocal from Kristina, completely embracing the song and meaning”, he further reveals.
An unflinching song about relationships, capturing a sense of disbelief, when a spark you saw in someone has long faded, ‘When Night Equals Day’ is full of heart on your sleeve emotions and a wistful melancholy. It’s ultimately though, a song of strength and independence.

We Speak Music
Concrete Club Pull Off Something Special on “People Like Us”
Concrete Club have always had that thing going on where they’re pulling from post-punk and indie rock without sounding like they’re trying to prove anything. This track takes that further. The synths sit in a way that makes you listen, and there’s this rhythm that just locks in and makes you want to move without thinking about it. It’s the kind of song structure that works on you after a few listens, not just the first time through.
What I’ve noticed about Concrete Club is that they’re not interested in smoothing out the rough parts. They’ve been grinding the Manchester circuit, building an actual following, and their songs aren’t about sounding polished. They’re about real things: what it’s like living in a city, losing track of time on nights out, trying to find something that makes sense when nothing does. “People Like Us” fits right into that.
Rowetta’s featured spot here is the thing that makes it work. Her voice against Jonny Brewster’s, with Kallum Delf on guitar, Mark Demuth holding down the bass, and Jamie Butterworth on drums, it all just clicks. They brought in Jonny McGill to handle the drums on this one, and you can feel the fresh energy that brought, but it still sounds unmistakably like them.
This is a song that gets better the more you sit with it. If you’ve been sleeping on Concrete Club, this is the one to start with. Listen here.
-
We Speak Music1 week agoPaul Archer Unleashes New Single ‘No Fear’
-
We Speak Music1 week agoBrunhilde Releases Fierce New Single ‘Rising From The Ashes’
-
We Speak Actors1 week agoActress Marta Svetek talks ‘Five Nights at Freddy’s’, ‘VALORANT’, and expanding her career from Games to Film
-
We Speak Hip-Hop7 days agoNY Rapper Kendu 718 Defines “Gritty” (Single & Exclusive Interview)
