We Speak Music
Rare London shows with awesome Franco-Japanese artist Maia Barouh

Off the back of critical acclaim for her recent album release ‘Aida’, Franco-Japanese singer, rapper, producer, and musician Maïa Barouh will be heading to London this April for a string of solo dates across the capital which will show her performing both a full electronic and acoustic set.
“Aida” means “between” in Japanese: between France and Japan, between the mainland and the islands, between the ancient and the modern. The character for the word is 間, a sun caught between two doors and it also means “silence”.
Written, arranged, and produced by Maïa over the past few years, she has built a distinctive soundworld around her two main instruments, flute and voice. The resulting album is raw, spacious, and thought-provoking whilst also being playful, quirky, and sometimes disconcerting, for example when she explores anti-Asian racism and feminism.
Tracks like ‘TOKYO ONDO’ and ‘HAFU’ are fierce, bass loaded, explorations of unconventional beats and tasty Asian motifs that twist and turn embedding more and more in the psyche on each listen. Elsewhere on the album, Maia moves into more ambient cinematic territory with the intriguing & surreal ‘RINGO’ and the experimental flute-bounce of anti-Brexit anthem ‘EXIT’, with its loaded Theresa May sample and hook line “Do you wanna Brexit with me?”.
Embracing the challenge of combining her two native languages, Maia collaborated with rapper Elea Braaz to find the perfect French lyrics for traditional Japanese melodies and to find a Japanese rhythmic flow when rapping in French.
Daughter of French film composer Pierre Barouh, Maia comes from a rich creative lineage. Her lyrics and production take inspiration from the eccentric Tokyo underground scene, traditional folk singing, tribal grooves, French rap and electronic elements: a sonically and culturally blended album which fluctuates between roots and reinvention.
Maia Barouh April 2023 London tour:
21st April- Finnish Church
22nd April- Brave Poets, Cromwell Place
23rd April- The Tent At The End Of The Universe (with surprise full band show)

We Speak Music
SCARECROW’s John Blaze Delivers a Career Milestone With “Twisted” and Earns Josie Music Awards Song of the Year Nomination
John Blaze has spent nearly four decades fronting SCARECROW, the New York hard-rock outfit he founded in 1989, and in 2026 he delivered one of the most ambitious releases of his career with “Twisted.” Now, the song has reached another major milestone: “Twisted” has been nominated for Song of the Year in the Metal/Alternative category at the Josie Music Awards.
The nomination places Blaze and SCARECROW among this year’s recognized independent artists and songwriters at the Josie Music Awards, with the awards ceremony set to take place at Nashville’s legendary Grand Ole Opry. For an artist whose career has been built on persistence, independence and decades of hard-rock storytelling, the recognition gives “Twisted” an entirely new chapter.

Written by John Blaze and Chaffin, “Twisted” pulls together a lineup of guest players that reads like a rock family reunion, built around Blaze’s long-standing friendship with Dee Snider and the legacy of Twisted Sister, a band woven into SCARECROW’s story from its earliest days.
That connection goes all the way back to the beginning. SCARECROW’s original lineup featured guitarist Eddie Ojeda, best known for his work in Twisted Sister, and the two camps have remained connected ever since. “Twisted” makes that history explicit: Dee Snider appears on the record with guest vocals during the track’s climactic second verse and chorus, lending the song an instantly recognizable jolt of arena-rock power.
Snider isn’t the only marquee name in the credits. Mark Wood, founding violinist of Trans-Siberian Orchestra, contributes electrifying violin work that gives “Twisted” a cinematic sweep uncommon in modern hard rock. Rounding out the track are TJ Jordan on lead guitar and Bobby Marks on drums, creating a powerful, road-tested foundation behind Blaze’s signature gritty vocal delivery.
The Josie Music Awards nomination feels particularly fitting because “Twisted” isn’t simply another SCARECROW release. It brings together different eras of Blaze’s musical life while pushing the band’s sound forward. There’s history in the recording, but there’s also urgency. It doesn’t sound like a band looking backward. It sounds like one with unfinished business.

For Blaze, the nomination also represents recognition of a career that has largely been built outside the traditional machinery of the mainstream music business. Independent rock artists rarely survive for decades without a fierce commitment to what they do, and SCARECROW’s longevity speaks for itself. From the band’s early years and its 1991 debut, through the Blood, Sweat and 20 Years retrospective and the theatrical production I Am SCARECROW, Blaze has continued developing a world around the music rather than simply releasing songs.
That makes the Song of the Year nomination especially meaningful. After nearly four decades of building SCARECROW, Blaze now heads to the Josie Music Awards at the Grand Ole Opry with one of his most ambitious songs recognized in the Metal/Alternative category.
And there’s something wonderfully appropriate about the song that got him there.
“Twisted” connects SCARECROW’s beginnings to its present, reunites Blaze musically with figures tied to the band’s history, and demonstrates just how much fire remains in the project. With Snider and Wood contributing to the record and Blaze still driving the band he created from the ground up, the track feels less like a nostalgic reunion than a statement of survival.
Now it’s also an award-nominated song.
For John Blaze and SCARECROW, nearly four decades into the journey, “Twisted” has become more than another entry in the catalog. It’s a career milestone — and this September, that milestone is taking SCARECROW all the way to the Grand Ole Opry.
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