We Speak Music
Iconic Japanese guitarist Tomoyasu Hotei features on ‘Sensei’ by Freddie & The Scenarios!
Freddie & The Scenarios is nothing short of a supergroup. On record and future live plans, the line-up is a musician’s dream, and the record vibes seamlessly across genres, creating its own form of indie, dream pop, world soul sounds that’s parts Beck, and Bach. Not totally, but you get the idea, all the songs were written by Freddie, and he conducts the band as though a full orchestra.
The album consists of twelve tracks of joy, pain and just about everything in between. Freddie’s guitar is flawless, and hopping for the first time onto vocals delivered with an earnestness that touches genuinely. Backed by a brass section and other musicians, Freddie describes working with Vaccine’s old drummer and other past and new friends as follows,
“Pete is such an incredible drummer. He’s phenomenal – calm and so conversational, he just speaks with the drums. In fact, all the musicians on this album were people I’d just unconsciously earmarked over the years. Ethan Johns, the producer, played percussion and he’s the best percussionist probably in the country. Then we went to Mexico and recorded the brass section with players there because we thought if we got a bunch of English brass players, it wouldn’t sound like what we’re looking for. It’s this certain sound. The same way there’s Mexican boxing, there’s a certain fire to it you can’t really replicate.”
And it was, indeed whilst living in a curious time in Mexico City in 2019, Freddie had several serendipitous encounters with some of the musicians living and working there, especially around the city’s Centro Historico neighbourhood – Diego Herrera from Mexico’s legendary Caifanes, who has become a mentor, resident string and brass arranger Dan Zlotnik, and Moises Garcia, the trumpet player for Mexican hero, Juan Gabriel, among many others. These encounters inspired ‘Answer Machine’, a celebration of creative freedom and collaboration, life, growth, and restoration.
The album was recorded in both Mexico City and Somerset and somehow captures both perfectly.
After the album’s release, The Scenarios will tour Mexico in April, with plans to bring the live show to the UK later this year. Freddie explains,
“I want to do a small amount of shows and do them really well and make it really, really interesting, the music business in the ‘60s and ‘70s was much more based around records and when people did play shows, they were amazing. So I only want to play a small amount of shows with the best people.”
Reece Rosé is not trying to reinvent the wheel. He is here to remind you why it worked in the first place. With “Misbehaving”, the rising electronic artist taps into something instantly familiar, then flips it into a feel-good house cut that lands right where nostalgia meets the dancefloor.
Teaming up with Capri Everitt, Reece Rosé leans into warm textures and groove-driven production that echo the roots of early ’90s house and UK garage. The result is effortless but intentional. Smooth chords, playful rhythms, and just enough bounce to keep things moving without overcomplicating the mood.
“Misbehaving” plays like a memory you did not realize you still had. Late nights, no responsibilities, music loud enough to blur everything else. It pulls from that space where time felt slower but nights somehow lasted longer. “It’s a reminder of those carefree high school days, when life felt simple, the nights felt endless, and the only thing that mattered was the music and the memories we were making,” Rosé explains. And that feeling runs through every second of the track.
What makes it click is that it never gets stuck in the past. The influences are clear, but the execution stays sharp and current. This is not revival for the sake of it. It is a continuation. Rosé understands the DNA of dance music and builds on it, keeping the energy light, summery, and forward-facing.
That balance is quickly becoming his signature. With international airplay on Kiss FM UK and Insomniac Radio, plus support from names like AC Slater, Zeds Dead, Boombox Cartel, DJ Q, REH4B, and DJ Craze, his momentum is building in all the right places. On Beatport, his releases are already making noise, proving that his sound connects both in clubs and beyond.
“Misbehaving” does not try too hard. It does not need to. It is light, nostalgic, and built to move. The kind of track that makes you look back for a second, then pulls you straight into the moment.
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