We Speak Music
Rising R&B Star ZT Drops Smooth New Single Exploring Nightlife and Introspection
ZT’s “AFTER PARTY / AFTER HOURS” is a striking example of contemporary R&B done right. From the first notes, the track immerses the listener in lush, cinematic production, courtesy of Grammy-nominated producer Riley Urick and Grammy-winning engineer Bob Horn. There’s a sophistication to the sound that balances intimacy with expansive, polished pop sensibilities, immediately marking ZT as an artist with a clear vision.
Lyrically, the song explores the thrill of nightlife in London and LA while threading in moments of introspection. ZT manages to make a party anthem that doesn’t feel shallow—there’s vulnerability beneath the glitz, and it’s this duality that makes the track resonate. His storytelling feels authentic, drawing from lived experience rather than manufactured tropes.
ZT’s vocal performance is commanding. His baritone carries a weight and warmth that brings every lyric to life, allowing listeners to feel the emotion in each note. There’s an effortless blend of control and rawness that ensures the track never feels overproduced, and the balance between melody and narrative is flawless.
The production is layered yet never overcrowded. Smooth synths and subtle percussion create an elegant backdrop for ZT’s voice, giving the track a cinematic feel without losing the intimacy that makes R&B so compelling. It’s a delicate balance, and ZT nails it, making the song both radio-ready and artistically credible.
“AFTER PARTY / AFTER HOURS” is a confident, fully-formed statement from an artist poised to make a lasting mark. With nods to The Weeknd, Giveon, and Chris Brown, ZT clearly has influences, but he fuses them into something entirely his own. This is R&B with heart, polish, and a story that lingers long after the last note fades.
It is easy to see why a songwriter might be drawn to a story like this. Relationships rarely finish as neatly as people would like, and the space between “it is over” and “maybe we should try again” can produce plenty of material. For Dysmusia, that space becomes the setting for latest single “In your eyes”, out now through Now Listen.
The Irish singer-songwriter has a knack for keeping his writing close to everyday life, and this track benefits from that approach. He looks at an old relationship that has already gone through several attempts at making things work, then focuses on what happens when those feelings start creeping back in.
What makes the song appealing is the balance between sincerity and a lighter touch. Dysmusia is clearly invested in the situation, but he does not turn every moment into a grand declaration. There is room for a bit of humour and hesitation along the way, which keeps the song feeling natural.
The arrangement gives the song a pleasing lift. Acoustic guitar sits at the heart of it, with the dropped tuning adding some richness and a second guitar bringing extra colour. The result has folk at its core but carries enough indie-rock influence to give it a little extra punch.
Dysmusia’s Irish background is another part of the picture. Based between Antrim and Dublin and coming from a musical family, he has developed a style that puts storytelling alongside contemporary guitar sounds.
“In your eyes” brings those influences together without making a fuss about them. It is a personable, melodic track about feelings that refuse to follow a neat timetable, delivered with enough warmth to make the story easy to get behind.
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