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Aliza Li Elevates R&B with ‘TRU’

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Atlanta singer-songwriter Aliza Li is turning heads with the release of her latest EP, TRU, a three-track exploration of truth, growth, and emotional clarity. Known for her soulful voice and thoughtful lyricism, Li takes her artistry to a new level here, blending introspection with infectious energy. Fans of neo-soul and R&B will find themselves enveloped in her intimate yet expansive soundscapes.

The EP kicks off with “Call Tru,” a bold and decisive opener that sets the thematic stage. Li sings with sincerity about letting go of old habits and committing to self-alignment. It’s a song that feels like a private manifesto, signaling that this EP isn’t just about music—it’s about personal evolution and the courage to confront oneself.

“Glow” follows, radiating positivity and self-assuredness. The track feels like a celebration, both personal and universal, as Li’s voice rises over airy, polished instrumentation. There’s a warmth and confidence here that makes it easy to imagine listeners nodding along, inspired by her lyrical reflections on growth and trust.

“Occasionally Telepathic” closes TRU on a contemplative note, embracing the messy, nonlinear process of healing. The haunting melodies mirror the introspective lyrics, capturing the tension between past loops and forward momentum. It’s a gentle, honest reminder that emotional growth is as much about patience as it is about insight.

Commenting on the EP, Aliza Li shares, “Now that I have discovered who I am and the person I want to be, it’s time to do the work and make sure that everything in my life is ‘TRU’”. 

Li’s sound evokes comparisons to artists like Ari Lennox and Cleo Sol, but she brings a distinct, modern edge to neo-soul. Her voice glides effortlessly, blending sultry textures with lyrical depth, while the production allows her artistry to breathe. Each track feels carefully curated, designed to resonate on multiple levels—emotional, spiritual, and sonic.

TRU is proof that Aliza Li is an artist to watch. With a concise but impactful release, she solidifies her place in contemporary R&B and neo-soul, offering listeners a blend of introspection, empowerment, and sonic elegance. This EP isn’t just music—it’s an invitation to reflect, heal, and glow along with her.

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Michele Ducci teases new album with uplifting indie single ‘Woman Like You’

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Michele Ducci has unveiled the second single, ‘Woman Like You’, from his forthcoming album and animated film ‘Snail in the Clouds’.

‘Woman Like You’ pairs bright distorted electric guitar with an electronic drumbeat, adding in Ducci’s soulful vocals and a catchy uplifting chorus with Letizia Mandoleisi’s sweet vocal harmonies. A vintage organ pedalboard operated by Ducci simultaneously generates chords, bass and rhythm, like a one-man band. Shane Kennedy (Girl in the Year Above) joins in on guitar. Simon Milner (Is Tropical, Ysing) recorded and produced the track at his 4am Studios in London.

The album and film tell the story of a planet called ‘Snail’, inhabited by hybrids – primarily a mixture between scorpions, snails and humans – who lead a life according to the style of Pythagoras, devoted to music. There is also a cloud man named Agostos, a writer of musical operettas, who together with a talking smoke machine called Doctor Subtilis, begins to kill all hybrids, targeting in particular the hybrid musician Diodoros and his band, in an effort to steal the ark of melodies, an ancient ship that allows the whole planet to survive with music and joy.

The video for the single, created and animated by Ducci and Mandoleisi, delves further into the realm of planet ‘Snail’:

Says Ducci, “The ark of melodies, after various attempts, finally starts to work and fly in the planet Snail, while the shady Doc. Sub. and Agostos, with their platoon of soldiers made of foggy smoke, spy the miracle, planning to steal the ark for their evil and tyrannical purposes.


About the track, Michele says, I wrote this song for my love Letizia. Love seen from the mind is the sound we make. Sound is the love of matter.

We used a Technics synthesizer organ from a flea market. I tried to find a mood that was right for the song and I started using the bass of the pedal board together with the synth and the drums, and it was magical to hear the song reveal itself all coming from a single instrument. Leti was singing with me and we recorded everything live in one shot. Then we made Shane do the guitar flight, as if he came out of the window. The idea was to maintain disproportions, guitar thrust and synth drum thinness a la Haroumi Hosono, so as to create an estrangement, but naturally: it’s about how I listen, with close up something that captures me in its nuance as element of a larger orchestra somewhere. I’m glad we decided in the studio with Simon to use the layers of arrangement as the close-ups in the cinema; they look like strange enlargements that perch on parts of a mutated orchestra. I’m happy to come back with this love song at a time when everything seems to opt, even my labor in managing the flows of selfishness that have poured out on me while doing this album, for the sound of war. I’m here happy to be able to say that the sound of love always wins as did for me. Snail in the clouds is one of the most important works in my life and I am glad to start from pure love for this album that is my son.

The album and full-length film will be released on the 5th of June on Monotreme Records.

Michele and Letizia’s previous musical short film, ‘The Great Book of Nature’, is an official selection for the 2026 Venice Shorts Film Festival.

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