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‘Roseanne’ reboot opens big with about 18 million viewers

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Viewers were eager to see ABC’s reboot of “Roseanne,” with an estimated 18.4 million tuning in to its debut.

The updated sitcom starring Roseanne Barr returned Tuesday, more than two decades after the original ended its hit run. The hour-long debut episode was watched by 10 percent more viewers than saw the May 1997 finale of ABC’s original “Roseanne.”

That’s impressive, given the explosion of alternate platforms and series since then and compared to other successful sitcom reboots.

For its freshman year, NBC’s show is averaging 5.7 million people watching episodes on the day they air. But with the time-shifting viewership that networks are focusing on, its audience averages 9 million per episode over a seven-day period.

Another promising sign for “Roseanne” was the estimated audience growth from the first half-hour (18 million) to the second (18.9 million), a sign that viewers liked what they saw. Future episodes are a half-hour, airing at 8 p.m. EDT Tuesday.

The revival had a coat-tail effect for the ABC shows that followed, significantly boosting viewership for “black-ish” and helping to launch the new Jenna Fischer-Oliver Hudson comedy “Splitting Up Together.”

Barr is back as the matriarch of the Conner family, with other returning cast mates including John Goodman, Laurie Metcalf, Sara Gilbert, Michael Fishman and Lecy Goranson.

The family is grappling with new sets of personal issues and political realities: Roseanne embraces President Donald Trump, her sister Jackie (Metcalf) is a staunch opponent, and the two are at odds.

Barr says she thought it was important to show how the Conners deal with the same issues that many American families currently face.

“It shows people’s different opinions and how they resolve them,” Barr, who counts herself as a Trump supporter, said at the show’s New York premiere Monday.

“I saw it happening in all the families I know, so I thought, ‘Well this is, you know, it’s good, hopefully it will get people talking to each other.’”

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We Speak Entertainment

“To Love Is To Perform”: Jada Di’Larosa’s Poetic Meditation on Love, Identity, and Solitude

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On April 17, 2026, independent artist Jada Di’Larosa introduces a deeply evocative new chapter in her creative journey with the release of To Love Is To Perform. Emerging from the rich cultural undercurrent of New Orleans, Di’Larosa delivers a project that feels intimate, cinematic, and emotionally unguarded—an album that quietly lingers long after the final note fades.

Blending elements of alternative, indie, and nu-jazz, the record is less about traditional structure and more about atmosphere and emotional storytelling. It unfolds like a series of late-night reflections—soft, immersive, and deeply personal. Each track carries a sense of stillness, where restraint becomes a powerful artistic choice, allowing listeners to fully absorb the subtle complexities within her sound.

Between the Spotlight and the Shadows

Jada Di’Larosa’s artistry is shaped by a compelling dual existence. As a professional dancer and showgirl, her nights are filled with performance, light, and spectacle. Yet beyond the stage, she retreats into solitude—writing music that mirrors her introspective nature. This contrast is the emotional backbone of To Love Is To Perform, where themes of identity, vulnerability, and perception are explored with striking honesty.

Rather than presenting a polished, conventional album, Di’Larosa embraces imperfection. The project carries the raw essence of demos—unfiltered, organic, and alive. In her own words, it is “a diary” of her experiences, offering a glimpse into a world that is both quietly glamorous and deeply introspective. That authenticity gives the album its emotional weight, transforming it into something profoundly human.

Sound as Atmosphere, Silence as Language

Musically, the album is guided by minimalism and mood. Piano and violin arrangements intertwine with her haunting vocal delivery, creating a soundscape that feels almost suspended in time. Di’Larosa’s voice is uniquely her own—delicate yet assured, drifting through each composition with a poetic cadence that enhances the storytelling.

Tracks such as “showgirl” and “movie star” reflect the tension between persona and reality, while “bayou st. john” grounds the album in a sense of place and memory. The title track, “to love is to perform,” offers a philosophical lens on relationships, suggesting that love itself can be an act shaped by roles and expectations. Meanwhile, “costume” emerges as a defining moment—an exploration of identity, illusion, and the masks we wear.

Tracklist

  1. showgirl
  2. movie star
  3. bayou st. john
  4. to love is to perform
  5. candy
  6. blackbird
  7. spinster
  8. a love noir
  9. costume
  10. curtain call

A Quietly Powerful Artistic Statement

What makes To Love Is To Perform so compelling is its refusal to conform. It does not chase trends or demand attention—it invites it. The album thrives in its subtlety, rewarding listeners who are willing to slow down and engage with its emotional depth.

There is a cinematic quality throughout the record, as if each track is a scene from an unseen film—rich with symbolism, mood, and introspection. It’s an experience designed not just to be heard, but to be felt.

Defining Her Own Space

In an industry often driven by visibility and constant output, Jada Di’Larosa stands apart through intentional distance and artistic focus. She allows her work to speak on her behalf, cultivating a sense of mystery that only enhances her presence.

With To Love Is To Perform, she offers more than music—she offers perspective. It is a body of work that explores the delicate balance between who we are and who we present to the world, capturing the beauty and complexity of both.

As the release date approaches, the album positions Di’Larosa as a distinctive voice in contemporary alternative jazz—an artist unafraid to embrace vulnerability, ambiguity, and the quiet power of self-expression.

Connect with Jada Di’Larosa
Official Website: www.jadadilarosa.com
Instagram: @jada.dilarosa
Available on Spotify, Bandcamp, SoundCloud, and YouTube

For inquiries: jadadilarosa@yahoo.com

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