We Speak Music
Shannon Smith unveils “Valentine’s Day”: A Song of Redemption
Today Shannon Smith unveils his latest single “Valentine’s Day,” a poignant reflection on love, truth, and the power of confession. In a revealing twist, Smith shares that this song was born from a deeply personal moment – a confession to his partner, Helen Townsend, that nearly unravelled their relationship.
Crafted amidst the emotional turbulence and subsequent healing, “Valentine’s Day” transcends the typical love song. It delves into the heart-wrenching moments that test the bonds of love, echoing Smith’s journey towards redemption and the resilience of a relationship weathering its stormiest hour. This narrative of vulnerability and honesty is masterfully woven into the soulful melodies and poignant lyrics of the track.
The single’s release sets the stage for an equally compelling music video, scheduled to premiere on Valentine’s Day itself. This visual accompaniment is expected to further explore the themes of the song, offering a deeper insight into the story of love and redemption that Smith bravely lays bare.
Recorded across three renowned studios, including Nashville’s Compass Studios, “Valentine’s Day” is a rich tapestry of Americana and pop soul, brought to life with the gospel-infused backing vocals of the acclaimed McCrary Sisters. Their Grammy-nominated talent adds a profound depth to a song that is not just an ode to love but a testament to the courage it takes to face one’s truths.
As Valentine’s Day approaches, Shannon Smith’s “Valentine’s Day” stands out as a bold, heartfelt reminder of the complexities of love – a reminder that sometimes, the greatest declarations of love are those that survive the toughest trials.

We Speak Rock
Strawhouses Have Made An Album That Needs To Be Heard
Some records give the impression they’ve been lived with for a long time. Not because they’re nostalgic, but because they carry a quiet confidence that’s difficult to manufacture. That’s the feeling Time in the Light leaves behind.
Strawhouses never sound as though they’re trying to impress with sheer scale. The arrangements expand when they need to, then step aside just as easily, leaving plenty of space for the album’s ideas to settle. That gives the music a natural pace, allowing each track to find its own character without pushing too hard for attention.
The record also avoids taking the same route twice. “Fireworks” opens with a striking historical setting, while “No Other Way Round” explores how timing can change the course of a relationship. Elsewhere, the title track finds meaning in everyday life, before the closing songs gradually shift the focus towards life’s final chapter.
One of the album’s biggest strengths is its sense of perspective. Big themes are approached through recognisable situations rather than grand statements, making the songs easy to connect with without ever feeling overplayed.
Out now via Now Listen, Time in the Light leaves a lasting impression because it never tries to force one. Strawhouses trust the listener to spend time with these songs, and that quiet confidence gives the album a character that’s increasingly uncommon.
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