We Speak Music
Sky Canyon Reimagines a Jazz Masterpiece with New Single “Equinox”
A heartfelt tribute to the enduring legacy of John Coltrane, interpreted through vibraphone-driven artistry and decades of musical mastery
Sky Canyon returns with another terrific jazz recording: The release of his new single, “Equinox,” a deeply personal and beautifully crafted interpretation of the classic composition originally recorded by jazz legend John Coltrane in 1960 and released in 1964. Rooted in reverence for the original while infused with Sky Canyon’s own unmistakable musical voice, the new recording captures the spirit of the timeless piece through a fresh and emotionally resonant lens.
The story behind the title “Equinox” has long fascinated jazz fans. According to Coltrane, the tune was named by his wife because his birthday fell on September 23 — the autumn equinox — inspiring even the cover imagery for Sky Canyon’s version of the composition.
“I’ve loved this classic since I first heard it as a teenager in the 1960s,” says Sky Canyon. “I decided to do a cover, taking a traditional approach to the arrangement, with the Latin-feel eight-bar intro, then into the two heads, solos, two heads at the end and similar outro, just as Coltrane did.”
While the arrangement honors the architecture of the original recording, the performance is not just another re-hash of the original. Rather, it is an authentic expression of these gifted musicians, each bringing their own identity and artistry to the piece.
“Of course it’s me on vibraphone, and the extraordinary Eric Gunnison on piano, for the solos,” he adds. “I LOVE Eric’s inspired performance, and we’re both doing what we do, rather than attempting to invoke Coltrane and McCoy Tyner.”
Joining Sky Canyon and Eric Gunnison on the recording are acclaimed musicians Ron Bland on upright bass and Mike Marlier on drums, both contributing dynamic performances that give the track its own character, feel, and momentum. The resulting recording stretches to approximately 8 minutes and 40 seconds — nearly mirroring the length of Coltrane’s iconic version — creating an immersive listening experience that balances tradition with individuality.
“My desire and hope for the listener are that it invokes the classic arrangement feel,” notes Sky Canyon, “and with this version that it is as engaging and transformative as Coltrane’s original.”
A veteran musician with more than five decades in the music world, Sky Canyon has built a remarkable career spanning jazz, rock, classical, Latin, and new age music. A former principal percussionist in symphony orchestras and a student of legendary jazz vibraphonist Terry Gibbs, Sky Canyon draws upon a lifetime of musical exploration and technical mastery in his work. His latest release reflects both his deep respect for jazz history and his enduring passion for artistic expression.
With “Equinox,” Sky Canyon delivers more than a cover — he offers a thoughtful conversation between generations of jazz musicians, preserving the soul of a classic while allowing it to breathe anew through his own creative spirit.
We Speak Music
Host Bodies’ track ‘On A Roll’ Gets a Psychedelic Reinvention from Soul Glitch
Ten years after Host Bodies first released the album Daily Apparatus, “On A Roll” has found a completely new groove.
For the Daily Apparatus: 10 Year Remixes project, multi-instrumentalist and producer Nicholas Hasty, under his Soul Glitch moniker, takes the original electronic-rock track and pulls it into deeper, more psychedelic territory.
The remix keeps the energy of Host Bodies intact while opening up the track with new beats, electronic textures and expressive saxophone solos. Electric guitar, bass and layered production give it a rich, genre-blurring sound that sits somewhere between indie electronic, jazztronica, soultronica and alternative dance.
There’s something particularly satisfying about hearing a decade-old track treated not as a relic, but as raw material. Soul Glitch reshapes “On A Roll” , finding new spaces within the original and bringing his own musical language into the mix.
The result is energetic, sensual, psychedelic and unapologetically expansive.
Ten years on, “On A Roll” proves that sometimes the best way to celebrate where a song came from is to find somewhere completely new for it to go.
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