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Sky Canyon Reimagines a Jazz Masterpiece with New Single “Equinox”

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A heartfelt tribute to the enduring legacy of John Coltrane, interpreted through vibraphone-driven artistry and decades of musical mastery

Sky Canyon returns with another terrific jazz recording: The release of his new single, “Equinox,” a deeply personal and beautifully crafted interpretation of the classic composition originally recorded by jazz legend John Coltrane in 1960 and released in 1964. Rooted in reverence for the original while infused with Sky Canyon’s own unmistakable musical voice, the new recording captures the spirit of the timeless piece through a fresh and emotionally resonant lens.

The story behind the title “Equinox” has long fascinated jazz fans. According to Coltrane, the tune was named by his wife because his birthday fell on September 23 — the autumn equinox — inspiring even the cover imagery for Sky Canyon’s version of the composition.

“I’ve loved this classic since I first heard it as a teenager in the 1960s,” says Sky Canyon. “I decided to do a cover, taking a traditional approach to the arrangement, with the Latin-feel eight-bar intro, then into the two heads, solos, two heads at the end and similar outro, just as Coltrane did.”

While the arrangement honors the architecture of the original recording, the performance is not just another re-hash of the original. Rather, it is an authentic expression of these gifted musicians, each bringing their own identity and artistry to the piece.

“Of course it’s me on vibraphone, and the extraordinary Eric Gunnison on piano, for the solos,” he adds. “I LOVE Eric’s inspired performance, and we’re both doing what we do, rather than attempting to invoke Coltrane and McCoy Tyner.”

Joining Sky Canyon and Eric Gunnison on the recording are acclaimed musicians Ron Bland on upright bass and Mike Marlier on drums, both contributing dynamic performances that give the track its own character, feel, and momentum. The resulting recording stretches to approximately 8 minutes and 40 seconds — nearly mirroring the length of Coltrane’s iconic version — creating an immersive listening experience that balances tradition with individuality.

“My desire and hope for the listener are that it invokes the classic arrangement feel,” notes Sky Canyon, “and with this version that it is as engaging and transformative as Coltrane’s original.”

A veteran musician with more than five decades in the music world, Sky Canyon has built a remarkable career spanning jazz, rock, classical, Latin, and new age music. A former principal percussionist in symphony orchestras and a student of legendary jazz vibraphonist Terry Gibbs, Sky Canyon draws upon a lifetime of musical exploration and technical mastery in his work. His latest release reflects both his deep respect for jazz history and his enduring passion for artistic expression.

With “Equinox,” Sky Canyon delivers more than a cover — he offers a thoughtful conversation between generations of jazz musicians, preserving the soul of a classic while allowing it to breathe anew through his own creative spirit.

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The Songs of Butler & Cupples Prioritise Craft on Intimate New Single ‘Better off Lost’

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Following the momentum of their first three breakout releases earlier this year, genre-fluid project The Songs of Butler & Cupples have returned with ‘Better off Lost’. A stripped-back, intimate offering that further sharpens their songcraft-first ethos, the release reinforces the duo’s position as one of the most forward-thinking, emerging songwriting projects operating outside the traditional band framework.

Conceived entirely as a vehicle where pure songcraft remains the central focus, The Songs of Butler & Cupples was formed in direct response to a contemporary music landscape increasingly shaped by image, algorithms, and visual perception rather than musical composition.

Led by two highly experienced industry songwriters, the project is intentionally fluid. It allows musical ideas to dictate their own final form without being restricted by rigid genre conventions or commercial chart expectations. With ‘Better off Lost’, the pair turn inward, embracing an acoustic-led direction underpinned by Americana-leaning textures and delicate, emotive vocal arrangements.


Sonically, the track marks a further evolution in their rapidly expanding creative palette. Built around a gentle acoustic guitar foundation, ‘Better off Lost’ foregrounds vulnerability and vocal performance above all else. The raw emotional delivery is elevated by subtle, layered harmonies and understated pop sensibilities that give the track its modern, polished edge.

The duo’s stylistic range has already drawn comparisons to boundary-pushing artists such as Miley Cyrus and Kacey Musgraves, whose recent celebrated works have helped reframe contemporary Americana within the broader pop landscape. Like those icons, Butler & Cupples demonstrate a versatile range that fiercely resists easy categorization.

Across their 2026 discography, they have proven comfortable shifting between entirely different sonic worlds, including: Electronic-Leaning Production: Utilising sleek, modern digital textures. Experimental & Rock Influence: Embracing grittier, guitar-driven edge and unpredictable structures. Acoustic Minimalism: As heard on the new single, proving that a strong emotional through-line remains intact regardless of the instrumentation.


Rather than chasing viral TikTok trends or tailoring their masters for playlist algorithms, the project remains deeply rooted in strong structural songwriting, genuine emotional resonance, and absolute creative freedom.

At its core, The Songs of Butler & Cupples functions as an open creative framework without built-in limitations or outside expectations. ‘Better off Lost’ stands as another clear statement of intent from the duo: that well-crafted songs, when given proper breathing room and unfiltered honesty, still possess the power to cut through the modern noise.

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