We Speak Music
Sohodolls delve into rich swarming trap vibes with new single ‘Last Night Was A Mistake’
The tantalising, ever evolving, dark electro-pop musical world of Sohodolls is now delving into rich, swarming trap vibes, with new single ‘Last Night Was A Mistake’, an evocative song about a brief encounter with a kind stranger.
Having recently featured in Netflix’s top 10 series ‘Geek Girl’ with their song ‘Bad’, the new single brings similar St. Trinian’s punk-girl attitude but buried deep within a haze of beats and pulsating electronics, which escalate into an infectious sweaty club banger for all the gamers and misfits who, like the band, also blend between genres.
Whilst on the surface an anthem for regretting the night before, ‘Last Night Was A Mistake’, goes much deeper to fantasize how things may have turned out, combining dreamy atmospheres with fast-paced, dystopian moods as the story twists and turns from hangover recollections to imaginary future romantic scenarios.
“It’s about that unexpected encounter with someone who has a dream-like quality and never being able to forget them. It’s about an instant connection that completely caught me off-guard”, explains Sohodolls’ Maya von Doll. “Lyrically I wanted to continue the story the way I wanted it to go before being pulled away from that magical moment.”
Produced by Marcus Andersson and mixed by Austin Leeds, ‘Last Night Was A Mistake’continues an exciting new era for Sohodolls as they limber up to launch their long-awaited new album this year. Known for their 00’s hit ‘Bang Bang Bang Bang’, which Madonna’s daughter recently sent viral via TikTok, Sohodolls prove once again with ‘Last Night Was A Mistake’ that they are up there with the best alt-pop artists around at the moment whilst retaining their London goth-scene roots.

We Speak Music
Michele Ducci teases new album with uplifting indie single ‘Woman Like You’
Michele Ducci has unveiled the second single, ‘Woman Like You’, from his forthcoming album and animated film ‘Snail in the Clouds’.
‘Woman Like You’ pairs bright distorted electric guitar with an electronic drumbeat, adding in Ducci’s soulful vocals and a catchy uplifting chorus with Letizia Mandoleisi’s sweet vocal harmonies. A vintage organ pedalboard operated by Ducci simultaneously generates chords, bass and rhythm, like a one-man band. Shane Kennedy (Girl in the Year Above) joins in on guitar. Simon Milner (Is Tropical, Ysing) recorded and produced the track at his 4am Studios in London.
The album and film tell the story of a planet called ‘Snail’, inhabited by hybrids – primarily a mixture between scorpions, snails and humans – who lead a life according to the style of Pythagoras, devoted to music. There is also a cloud man named Agostos, a writer of musical operettas, who together with a talking smoke machine called Doctor Subtilis, begins to kill all hybrids, targeting in particular the hybrid musician Diodoros and his band, in an effort to steal the ark of melodies, an ancient ship that allows the whole planet to survive with music and joy.
The video for the single, created and animated by Ducci and Mandoleisi, delves further into the realm of planet ‘Snail’:
Says Ducci, “The ark of melodies, after various attempts, finally starts to work and fly in the planet Snail, while the shady Doc. Sub. and Agostos, with their platoon of soldiers made of foggy smoke, spy the miracle, planning to steal the ark for their evil and tyrannical purposes.”
About the track, Michele says, “I wrote this song for my love Letizia. Love seen from the mind is the sound we make. Sound is the love of matter.
We used a Technics synthesizer organ from a flea market. I tried to find a mood that was right for the song and I started using the bass of the pedal board together with the synth and the drums, and it was magical to hear the song reveal itself all coming from a single instrument. Leti was singing with me and we recorded everything live in one shot. Then we made Shane do the guitar flight, as if he came out of the window. The idea was to maintain disproportions, guitar thrust and synth drum thinness a la Haroumi Hosono, so as to create an estrangement, but naturally: it’s about how I listen, with close up something that captures me in its nuance as element of a larger orchestra somewhere. I’m glad we decided in the studio with Simon to use the layers of arrangement as the close-ups in the cinema; they look like strange enlargements that perch on parts of a mutated orchestra. I’m happy to come back with this love song at a time when everything seems to opt, even my labor in managing the flows of selfishness that have poured out on me while doing this album, for the sound of war. I’m here happy to be able to say that the sound of love always wins as did for me. Snail in the clouds is one of the most important works in my life and I am glad to start from pure love for this album that is my son.”
The album and full-length film will be released on the 5th of June on Monotreme Records.
Michele and Letizia’s previous musical short film, ‘The Great Book of Nature’, is an official selection for the 2026 Venice Shorts Film Festival.

-
We Speak Music1 week agoMemory Spells Unleashes An Album That Glows With Human Connection
-
We Speak Music6 days agoPaul Archer Unleashes New Single ‘No Fear’
-
We Speak Music1 week ago
They Might Be Giants release video for Raspberries cover ‘Overnight Sensation (Hit Record)’
-
We Speak Music1 week ago
Christian Balvig offers up stunning first taster of new album in collaboration with Ensemble Hermes
