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Blue Foundation announce tour and release ‘Harsh Love’ featuring Helena Gao!
Blue Foundation return with ‘Harsh Love’, a haunting, intimate new track added to their latest album ‘Close to the Knife’. Featuring the ethereal vocals of Helena Gao, the song captures the ache of emotional dissonance, the quiet collapse between two people trying to love through damage.
Written during the same sessions that birthed ‘Close to the Knife’, ‘Harsh Love’ carries the same emotional weight: minimal yet lush, driven by ambient textures, fractured rhythms, and lyrical honesty. Helena Gao’s voice weaves through the track like a distant memory, fragile, questioning, unresolved.
“I guess I took it out on you,” the song begins, disarmed and direct. It’s a confession, not an apology. The kind of truth you whisper in the dark when everything else has already come undone.
In the words of Blue Foundation’s Tobias Wilner:
“It’s about the moment where you realize love has turned into something else, something harder, colder. But still, you’re reaching. You’re trying to hold on. Helena understood that from the inside.”
Helena Gao also appears on ‘Ecstasy in Space’ and ‘Voyage to the Stars’, but ‘Harsh Love’ stands apart in its stark emotional clarity. Sparse production, slow-burn synths, and whispered harmonies unfold like smoke. It’s not a song about closure. It’s a song about what happens when there isn’t any.
The track features atmospheric guitar textures by Xie Yugang of Wang Wen and Jonas Munk (Manual, Causa Sui), whose layered work expands the sonic space, stretching tension into something strangely beautiful. Together, their guitars give ‘Harsh Love’ its cinematic weight, floating just above the wreckage.
More songs will be added to ‘Close to the Knife’ in the coming months, each one an extension of the same world: fractured, beautiful, and brutally honest.
The band have also announced a new tour for later this year, including a London date at Oslo, Hackney on October 17th.

We Speak Music
Michele Ducci teases new album with uplifting indie single ‘Woman Like You’
Michele Ducci has unveiled the second single, ‘Woman Like You’, from his forthcoming album and animated film ‘Snail in the Clouds’.
‘Woman Like You’ pairs bright distorted electric guitar with an electronic drumbeat, adding in Ducci’s soulful vocals and a catchy uplifting chorus with Letizia Mandoleisi’s sweet vocal harmonies. A vintage organ pedalboard operated by Ducci simultaneously generates chords, bass and rhythm, like a one-man band. Shane Kennedy (Girl in the Year Above) joins in on guitar. Simon Milner (Is Tropical, Ysing) recorded and produced the track at his 4am Studios in London.
The album and film tell the story of a planet called ‘Snail’, inhabited by hybrids – primarily a mixture between scorpions, snails and humans – who lead a life according to the style of Pythagoras, devoted to music. There is also a cloud man named Agostos, a writer of musical operettas, who together with a talking smoke machine called Doctor Subtilis, begins to kill all hybrids, targeting in particular the hybrid musician Diodoros and his band, in an effort to steal the ark of melodies, an ancient ship that allows the whole planet to survive with music and joy.
The video for the single, created and animated by Ducci and Mandoleisi, delves further into the realm of planet ‘Snail’:
Says Ducci, “The ark of melodies, after various attempts, finally starts to work and fly in the planet Snail, while the shady Doc. Sub. and Agostos, with their platoon of soldiers made of foggy smoke, spy the miracle, planning to steal the ark for their evil and tyrannical purposes.”
About the track, Michele says, “I wrote this song for my love Letizia. Love seen from the mind is the sound we make. Sound is the love of matter.
We used a Technics synthesizer organ from a flea market. I tried to find a mood that was right for the song and I started using the bass of the pedal board together with the synth and the drums, and it was magical to hear the song reveal itself all coming from a single instrument. Leti was singing with me and we recorded everything live in one shot. Then we made Shane do the guitar flight, as if he came out of the window. The idea was to maintain disproportions, guitar thrust and synth drum thinness a la Haroumi Hosono, so as to create an estrangement, but naturally: it’s about how I listen, with close up something that captures me in its nuance as element of a larger orchestra somewhere. I’m glad we decided in the studio with Simon to use the layers of arrangement as the close-ups in the cinema; they look like strange enlargements that perch on parts of a mutated orchestra. I’m happy to come back with this love song at a time when everything seems to opt, even my labor in managing the flows of selfishness that have poured out on me while doing this album, for the sound of war. I’m here happy to be able to say that the sound of love always wins as did for me. Snail in the clouds is one of the most important works in my life and I am glad to start from pure love for this album that is my son.”
The album and full-length film will be released on the 5th of June on Monotreme Records.
Michele and Letizia’s previous musical short film, ‘The Great Book of Nature’, is an official selection for the 2026 Venice Shorts Film Festival.

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