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Sohodolls turn up their pop side ‘Napoleon Baby’

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New Sohodolls single ‘Napoleon Baby’ was recorded in Tashkent, Uzbekistan. It’s a pounding slow-disco floor-filler that makes you want to dance – it’s definitely the most pop song on the band’s upcoming new album and the most pop-sounding song Sohodolls has ever made.

Inspired by Eurythmics’ ‘Sweet Dreams’, Kate Bush’s ‘Running up that Hill’, Girls Aloud’s ’No Good Advice’ (Sohodolls’ Maya Von Doll has written for both Nadine Coyle and Nicola Roberts) and Donna Summers’ ‘I Feel Love’, the Otabek Salamov (aka Needshes) produced track sees Sohodolls unleash a pop side that has been bubbling away in the background of their recent singles, but now comes fully to the forefront.

“The song is about the pursuit of ambition at all costs.” says Maya von Doll. “I talk about what pursuing a music career has cost me – friendships, relationships and even the loss of better financial opportunities”, she explains.

“I wanted to write and be successful above all else. I swore I’d never give up. But never giving up can mean subjecting yourself to more bruising and more humiliation. This song is a reflection on that irrational wiring. That’s why I linked the track to ‘Napoleon’ because there’s been a historic suggestion (whether true or not) that his ambition and drive was born out of an inferiority complex. So, in the song I’m imagining success and I’m imagining thanking my inferiority complex for the art I’ve created”, she reveals.

The result is a catchy, bass loaded, electro-pop anthem for wrestling all distractions and negative voices to the ground and continuing to rise in creativity.

Complete with a French spoken outro and some retro sounding synths by Robert Harder, who produced Sohodolls 00’s hits ‘Bang Bang Bang Bang’ and ‘Stripper’, the track is a departure from Sohodolls’ recent singles like alt-rock track ‘Bad’ which recently featured in Netflix’s top 10 series ‘Geek Girl’. An exciting twist, the track is brimming with the band’s trademark catchy hooks and seductive attitude, but ventures into different territories and is set to take both old and new fans on an odyssey through the 80s, 00s, back to 2024 and beyond!

We Speak Music

Jeoff Harris Elevates ‘Cathartic Fall’ with a Poetic and Emotional Re-Release

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Jeoff Harris has once again proven his mastery in blending music with deep emotional narratives in the re-release of Cathartic Falls debut album. Known for crafting RIAA-certified hits that dominate both pop and indie scenes, Harris ventures into even more vulnerable and intimate territory with this project. The re-release is not just a rehash of the original album, but a significant evolution, pushing the boundaries of his creative expression. Harris explores themes of grief, loss, anxiety, and personal growth with renewed intensity.

The most striking addition to the re-release is the integration of spoken word performances. Collaborating with some of today’s most compelling voices in poetry and mental health advocacy, Harris has crafted a project that feels both emotionally raw and thoughtfully constructed. Tracks like “Before The Fall,” “Breathe,” and “Sometimes Words Just Get In The Way” now feature poetic interludes from Whitney Hanson, Allie Michelle, and Trev Cimenski. These poets inject their words into Harris’ ambient soundscapes, creating moments of profound reflection. Matthias J Barker, a noted figure in the mental health space, also adds a powerful layer of psychological depth to the music, making the project not only an artistic endeavor but also an emotional exploration.

The fusion of music and spoken word proves to be more than just an artistic choice—it deepens the connection between listener and artist. Harris’ ambient compositions provide the perfect backdrop for these spoken word passages, enhancing their impact without overshadowing the words. There’s a synergy between sound and speech that invites the listener into an introspective journey, exploring their own emotional experiences alongside those expressed in the album. It’s as though Harris has created a space for the listener to grieve, heal, and grow in tandem with the music.

The spoken word performances, in particular, add a fresh dimension to, Cathartic Fall. The personal nature of the poems, combined with Harris’ atmospheric production, ensures that each track feels both intimate and universal. Listeners are invited to dwell on the words, to sit in the emotional spaces created by the interplay between the music and poetry. This layered approach makes the album feel deeply personal, yet approachable, offering solace to those who may be grappling with similar emotional challenges.

One of the standout moments of this re-release was its live launch event, where the featured poets experienced the completed project for the first time. This collective unveiling, shared with fans and collaborators alike, underscored the collaborative heart of, Cathartic Fall. It’s a testament to the power of art as a shared experience and how music, in particular, can bridge personal emotions with collective understanding.

With this re-release, Jeoff Harris has transformed, Cathartic Fall, from a musical album into an immersive, multi-dimensional experience. By weaving together music, poetry, and mental health advocacy, Harris has crafted a project that not only resonates on an emotional level but also encourages reflection and healing. Fans of Harris’ work will appreciate the emotional growth and sonic depth he brings to this re-imagined album, while new listeners will find themselves captivated by the intimate dialogue between music and words.

In a time where music often feels fleeting, Cathartic Fall, stands as a project that demands to be absorbed, felt, and reflected upon. It’s not just an album—it’s an experience.

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