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Sohodolls turn up their pop side ‘Napoleon Baby’

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New Sohodolls single ‘Napoleon Baby’ was recorded in Tashkent, Uzbekistan. It’s a pounding slow-disco floor-filler that makes you want to dance – it’s definitely the most pop song on the band’s upcoming new album and the most pop-sounding song Sohodolls has ever made.

Inspired by Eurythmics’ ‘Sweet Dreams’, Kate Bush’s ‘Running up that Hill’, Girls Aloud’s ’No Good Advice’ (Sohodolls’ Maya Von Doll has written for both Nadine Coyle and Nicola Roberts) and Donna Summers’ ‘I Feel Love’, the Otabek Salamov (aka Needshes) produced track sees Sohodolls unleash a pop side that has been bubbling away in the background of their recent singles, but now comes fully to the forefront.

“The song is about the pursuit of ambition at all costs.” says Maya von Doll. “I talk about what pursuing a music career has cost me – friendships, relationships and even the loss of better financial opportunities”, she explains.

“I wanted to write and be successful above all else. I swore I’d never give up. But never giving up can mean subjecting yourself to more bruising and more humiliation. This song is a reflection on that irrational wiring. That’s why I linked the track to ‘Napoleon’ because there’s been a historic suggestion (whether true or not) that his ambition and drive was born out of an inferiority complex. So, in the song I’m imagining success and I’m imagining thanking my inferiority complex for the art I’ve created”, she reveals.

The result is a catchy, bass loaded, electro-pop anthem for wrestling all distractions and negative voices to the ground and continuing to rise in creativity.

Complete with a French spoken outro and some retro sounding synths by Robert Harder, who produced Sohodolls 00’s hits ‘Bang Bang Bang Bang’ and ‘Stripper’, the track is a departure from Sohodolls’ recent singles like alt-rock track ‘Bad’ which recently featured in Netflix’s top 10 series ‘Geek Girl’. An exciting twist, the track is brimming with the band’s trademark catchy hooks and seductive attitude, but ventures into different territories and is set to take both old and new fans on an odyssey through the 80s, 00s, back to 2024 and beyond!

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SCARECROW’s John Blaze Delivers a Career Milestone With “Twisted” and Earns Josie Music Awards Song of the Year Nomination

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John Blaze has spent nearly four decades fronting SCARECROW, the New York hard-rock outfit he founded in 1989, and in 2026 he delivered one of the most ambitious releases of his career with “Twisted.” Now, the song has reached another major milestone: “Twisted” has been nominated for Song of the Year in the Metal/Alternative category at the Josie Music Awards.

The nomination places Blaze and SCARECROW among this year’s recognized independent artists and songwriters at the Josie Music Awards, with the awards ceremony set to take place at Nashville’s legendary Grand Ole Opry. For an artist whose career has been built on persistence, independence and decades of hard-rock storytelling, the recognition gives “Twisted” an entirely new chapter.

Written by John Blaze and Chaffin, “Twisted” pulls together a lineup of guest players that reads like a rock family reunion, built around Blaze’s long-standing friendship with Dee Snider and the legacy of Twisted Sister, a band woven into SCARECROW’s story from its earliest days.

That connection goes all the way back to the beginning. SCARECROW’s original lineup featured guitarist Eddie Ojeda, best known for his work in Twisted Sister, and the two camps have remained connected ever since. “Twisted” makes that history explicit: Dee Snider appears on the record with guest vocals during the track’s climactic second verse and chorus, lending the song an instantly recognizable jolt of arena-rock power.

Snider isn’t the only marquee name in the credits. Mark Wood, founding violinist of Trans-Siberian Orchestra, contributes electrifying violin work that gives “Twisted” a cinematic sweep uncommon in modern hard rock. Rounding out the track are TJ Jordan on lead guitar and Bobby Marks on drums, creating a powerful, road-tested foundation behind Blaze’s signature gritty vocal delivery.

The Josie Music Awards nomination feels particularly fitting because “Twisted” isn’t simply another SCARECROW release. It brings together different eras of Blaze’s musical life while pushing the band’s sound forward. There’s history in the recording, but there’s also urgency. It doesn’t sound like a band looking backward. It sounds like one with unfinished business.

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For Blaze, the nomination also represents recognition of a career that has largely been built outside the traditional machinery of the mainstream music business. Independent rock artists rarely survive for decades without a fierce commitment to what they do, and SCARECROW’s longevity speaks for itself. From the band’s early years and its 1991 debut, through the Blood, Sweat and 20 Years retrospective and the theatrical production I Am SCARECROW, Blaze has continued developing a world around the music rather than simply releasing songs.

That makes the Song of the Year nomination especially meaningful. After nearly four decades of building SCARECROW, Blaze now heads to the Josie Music Awards at the Grand Ole Opry with one of his most ambitious songs recognized in the Metal/Alternative category.

And there’s something wonderfully appropriate about the song that got him there.

“Twisted” connects SCARECROW’s beginnings to its present, reunites Blaze musically with figures tied to the band’s history, and demonstrates just how much fire remains in the project. With Snider and Wood contributing to the record and Blaze still driving the band he created from the ground up, the track feels less like a nostalgic reunion than a statement of survival.

Now it’s also an award-nominated song.

For John Blaze and SCARECROW, nearly four decades into the journey, “Twisted” has become more than another entry in the catalog. It’s a career milestone — and this September, that milestone is taking SCARECROW all the way to the Grand Ole Opry.

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