We Speak Music
Philippa Healey releases ‘I Used To Be Fun’
“Philippa is so refreshingly adventurous with harmony, melody, and rhythm.” – Paul Turner – Jamiroquai – bass
Highly acclaimed Philippa Healey unveils a cheeky tribute to tired mums everywhere on tongue in cheek future funk classic ‘I Used to Be Fun’.
Giving Prince and Stevie a firm nod, London singer Miss Healey, alongside legendary guests from Jamiroquai, combine a sophisticated and seductive sound on this highly relatable cut which pays homage to the struggles of long-term relationships.
Philippa’s masterful vocal phrasing – which ranges from girlish breathlessness to an impassioned belt – perfectly portrays the paradox of the song’s narrative; a frazzled mother determined to seduce, and therefore overcome her own exhaustion, if only just for one night. Hilarious lines like, “If it all gets too familiar, I’ll picture Milo Ventimiglia” conjure memories of Victoria Wood’s live piano classic, ‘Ballad of Barry & Freda (Let’s Do It)’.
However, Philippa, brings her canned heat under a heavy influence of 70s, 80s and 90s jazz funk. Philippa Healey is what some might class a musician’s musician, though we suspect the public will soon become aware of this new genie in a bottle. Highly revered among her peers, an Oxford University music graduate & West End leading lady who started life as a classical pianist and opera singer at the highly competitive Chetham’s School Of Music, Philippa developed – not only as a singer and pianist – but also composer & arranger who was lured by the chance to star in the West End’s record-breaking London production of ‘Les Miserables’. Philippa went on to develop her own Vegas-style cabaret show and has headlined relentlessly all over the globe for the world’s most luxurious cruise lines.
As she enters this new phase in her musical journey she returns to original composition and her true passion of soul and funk, and in 2024 has begun to release her own music with a little help from the Jamiroquai rhythm section, which is where you’ll note the irrepressible sounds of Rob Harris (guitar), Paul Turner (bass), and Derrick McKenzie (drums); a.k.a the “Dream Team Of Funk” (as lovingly nicknamed by Philippa herself.) Honourable mention also goes to Hammond organ whizz-kid Liam Dunachie, a staunch favourite on the London jazz circuit, who delivers exquisite voice leading and additional harmonic colours. To quote Miss Healey: “The track was already sounding sublime in the studio…and then Liam just came in, and sprinkled magic fairy dust all over it in about 5 minutes flat. The Jamiroquai lads and I were in awe!”
Reece Rosé is not trying to reinvent the wheel. He is here to remind you why it worked in the first place. With “Misbehaving”, the rising electronic artist taps into something instantly familiar, then flips it into a feel-good house cut that lands right where nostalgia meets the dancefloor.
Teaming up with Capri Everitt, Reece Rosé leans into warm textures and groove-driven production that echo the roots of early ’90s house and UK garage. The result is effortless but intentional. Smooth chords, playful rhythms, and just enough bounce to keep things moving without overcomplicating the mood.
“Misbehaving” plays like a memory you did not realize you still had. Late nights, no responsibilities, music loud enough to blur everything else. It pulls from that space where time felt slower but nights somehow lasted longer. “It’s a reminder of those carefree high school days, when life felt simple, the nights felt endless, and the only thing that mattered was the music and the memories we were making,” Rosé explains. And that feeling runs through every second of the track.
What makes it click is that it never gets stuck in the past. The influences are clear, but the execution stays sharp and current. This is not revival for the sake of it. It is a continuation. Rosé understands the DNA of dance music and builds on it, keeping the energy light, summery, and forward-facing.
That balance is quickly becoming his signature. With international airplay on Kiss FM UK and Insomniac Radio, plus support from names like AC Slater, Zeds Dead, Boombox Cartel, DJ Q, REH4B, and DJ Craze, his momentum is building in all the right places. On Beatport, his releases are already making noise, proving that his sound connects both in clubs and beyond.
“Misbehaving” does not try too hard. It does not need to. It is light, nostalgic, and built to move. The kind of track that makes you look back for a second, then pulls you straight into the moment.
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