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Sour Blood Delivers Masterful Debut Album ‘Suas’

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Sour Blood, the brainchild of Tipperary-born artist Kevin Gleeson, offers a captivating exploration of musical landscapes with the release of their debut album, Suas. Known for his unique blend of theatre and music, Gleeson has crafted an album that seamlessly merges rich orchestration with deeply introspective themes, setting a high bar for his burgeoning project.

Suas is a symphonic journey, composed of eight tracks that ebb and flow with nocturnal balladry and sweeping orchestration. Gleeson’s talent for sound design shines through as he weaves together a tapestry of lush arrangements and haunting melodies. The album feels like a carefully curated voyage through waking dreams and reflective reveries, offering listeners a profound auditory experience.

The project, which began with a sold-out debut at the Dublin Dance Festival in 2019, has evolved significantly since then. Gleeson’s previous EP, Good Nevers, introduced his innovative sonic language, characterized by a fusion of varied influences and a penchant for stirring song structures. However, Suas marks a monumental leap in both artistic breadth and execution.

Written and recorded between Gothenburg and Dublin from 2022 to 2023, Suas benefits from the collaborative efforts of Brendan Jenkinson, known for his work with Villagers and Aoife Nessa Francis. The album’s production imbues it with a wintery warmth, creating a soundscape that is both pastoral and otherworldly. Gleeson’s vocal versatility is a standout feature, adding depth and emotion to each track.

Highlights of the album include the R&B-inflected “Mysterious Creature,” which combines forlorn lyrics with a boom-bap rhythm, and “Bruise,” a piano-driven ballad where Gleeson’s voice takes center stage. In tracks like “The Devil” and “Clot,” his vocals are cleverly manipulated, blending seamlessly with the instrumental layers to create a euphoric harmony. The closing track, “Overgrowing,” features delicate acoustic guitar and faint organ strains, offering a haunting and open-ended conclusion to the album.

Suas is a complex and beautiful exploration of sound, positioning Sour Blood as a noteworthy and gifted artist. The album not only showcases Gleeson’s meticulous artistry but also his ability to craft music that resonates on an emotional and intellectual level. It stands as a testament to his vision, blending introspective lyrics with grandiose compositions to create a work that is as thought-provoking as it is sonically pleasing.

In conclusion, Suas is a stunning debut that solidifies Sour Blood’s place in the contemporary music scene. Available on all major streaming platforms, this album is a must-listen for anyone looking to explore new musical territories.

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EMEREE’s Cinematic Pivot in ‘Eyesore’ from Pop Star to Pop Assassin

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EMEREE doesn’t just make music—she curates moments. Her latest single “Eyesore” is a cinematic, sarcastic scorcher that sets a new tone for the rising Australian powerhouse. From the candy-coated production to the horror-tinged DIY music video, EMEREE is creating her own genre: camp pop noir.

The single is a masterclass in balancing artistry with attitude. Co-created with Christian Tjandrawinata, “Eyesore” proves EMEREE isn’t here to play safe. She plays sharp, with razor-lined harmonies and lyricism that stabs with a smile. It’s not just catchy—it’s calculated. The beat bounces, the vocals glide, but it’s the burn in the lines that lingers.

Visually, EMEREE doubles down. The music video is a bloody wink to 80s slasher films, with a narrative as satirical as it is symbolic. She doesn’t just kill her ex on screen—she kills the whole trope. Pop stars often tell stories of heartbreak. EMEREE turns it into performance art.

EMEREE says, “Eyesore” is the anthem for anyone who’s ever dated someone who treated them horribly and just wasn’t hot enough to get away with it.”

EMEREE is making noise for all the right reasons—and with creative backing from CAA and sessions alongside Nile Rodgers and Invisible Men, she’s not just rising. She’s plotting her pop empire. “Eyesore” is both a warning shot and a love letter to anyone who’s ever made revenge their aesthetic.

It’s the start of something bold—and we’re already obsessed.

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