We Speak Music

The Reckless Delivers Masterful Tune ‘Sexy Back’

Published

2 years ago

August 5, 2024

In the ever-evolving landscape of modern music, few bands manage to leave a lasting impact by reinterpreting classics in ways that both honour the original and introduce something entirely new. The Reckless, a rising force in the San Diego music scene, achieves this with aplomb in their latest release—a rock-infused rendition of Justin Timberlake’s iconic R&B hit, “SexyBack.” This reimagining exemplifies the band’s ability to blend the raw energy of rock with the slick allure of contemporary pop, creating a sound that is both nostalgic and exhilarating.

Imagine the sultry beats of “SexyBack,” now electrified with chunky guitar hooks and propulsive drum beats. The Reckless brings a fresh, exhilarating twist to Timberlake’s classic, infusing it with their signature rock attitude. Fayman’s intense vocals elevate the track, providing a powerful and unforgettable edge that makes this cover stand out in a sea of remixes. The band’s approach is not merely a homage; it’s a reinvention that captures the spirit of the original while injecting it with a high-octane rock dynamism.

Formed during the Covid-19 pandemic, The Reckless emerged from a period of global uncertainty as a beacon of creative resilience. What began as a private creative outlet for guitarist, singer, and songwriter Fritz Fayman soon blossomed into a larger vision. Fayman’s potential extended far beyond his individual scope, leading to the dynamic formation of The Reckless. The band’s guitar-driven force is bolstered by John Kelly’s lightning-fast licks, Michael Kennedy’s melodic bass runs, and Riku Myllykoski’s rhythmic dynamo, each member bringing their unique flair to the collective sound.

The Reckless’ self-titled debut album solidified their place in the rock genre, showcasing their catchy rhythms and pulse-pounding energy. Tracks like “Get In A Fight” and “Darling Please” exemplify their ability to craft infectious rock anthems, while “Get Loud” raises the stakes with its raucous intensity. Each song on the album is a testament to the band’s cohesive synergy and their knack for blending raw emotion with technical prowess.

As they reinterpret “SexyBack,” fans can expect a classic reborn into a guitar-driven juggernaut. The Reckless transforms Timberlake’s smooth, seductive groove into a high-energy rock anthem, marked by Fayman’s searing vocals and the band’s robust instrumentation. This cover is not just a reinterpretation; it’s a redefinition that showcases The Reckless’ ability to innovate within the framework of established hits.

The Reckless is more than just a band; they are game-changers who blend retro rock with today’s soundtrack, transforming stages with their raw energy and infectious covers. As they continue to push boundaries and shatter the status quo, The Reckless is poised to leave an indelible mark on the music industry. With their dynamic reimagining of “SexyBack,” they invite fans old and new to join them on a journey where classic meets contemporary, and where the energy of rock music is amplified to exhilarating new heights.

Get ready for The Reckless, a band that embodies the spirit of innovation and the power of rock, redefining what it means to bring sexy back.

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We Speak Jazz

Zahili Zamora Wins Two Global Music Awards and Brings Her Afro-Cuban Jazz Quartet to Regattabar

Published

2 hours ago

November 2, 2026

We Speak Media

Zahili Zamora seated in a burgundy dress, her braided hair styled in a top bun

Zahili González Zamora. Photo by Robert Torres.

Afro Cuban jazz pianist Zahili Zamora brings her Afro Cuban Jazz Quartet to The Regattabar at The Charles Hotel in Harvard Square, Cambridge, on Friday, November 6 at 7 pm, with special guest Yosvany Terry on saxophone. The quartet features Gerson Lazo Quiroga on bass and Zack O’Farrill on drums. Tickets are $35 and $25 plus fees and are on sale now.

Zamora returns this week from a week in Seoul, Korea, where she was performing and auditioning students for Berklee. She has won two Global Music Awards for her recent album Overcoming, taking Silver Medals for Latin Jazz and Afro Cuban music and for album art and graphics. She is also nominated for the Boston Music Awards 2026 Latin Artist of the Year, with winners announced at Big Night Live on Wednesday, December 16, and WBUR has saluted her as one of its 2026 Makers, its annual series highlighting creatives of color making an impact in the local arts scene. Earlier this year she also won the InterContinental Music Award 2026 for Best of Latin America for her composition “Negra.”

The run of dates continues overseas and back in New York. The Zahili Zamora Afro Cuban Jazz Trio, with Gerson Lazo Quiroga on bass and Julien Miltenberger on drums, plays Upstairs at Ronnie Scott’s Jazz Club in London on Sunday, November 15, with shows at 2 pm and 8 pm. Zamora then plays duo sets with clarinetist Juan Fer Ruiz at So & So’s in New York on Saturday, November 28, Five Spot Jazz in New York on Sunday, November 29, Fat Swami’s Jazz Bar & Lounge in Guttenberg, New Jersey on Thursday, December 3, and The Delancey on Thursday, December 10.

About special guest Yosvany Terry, The New York Times has written that the Cuban saxophonist, percussionist and composer “has helped redefine Latin jazz as a complex new idiom.” Bassist Gerson Lazo Quiroga, a Chilean born Berklee Presidential Scholar, has performed at Carnegie Hall, SFJAZZ and the Montreal, Monterey, San Jose and Panama Jazz Festivals. Drummer Zack O’Farrill, son of pianist Arturo O’Farrill and grandson of composer Chico O’Farrill, performs regularly across the United States and the globe.