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Spike Lee Host 30th Anniversary “School Daze” at the Fox Theater Which Brought Out Many HBCU Students and Alumni

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Thirty years ago this month – right when “A Different World” had debuted, but a generation before “The Quad,” Atlanta-born filmmaker Spike Lee introduced a large portion of the culture to black colleges with his landmark film, “School Daze.”

“Today, 30 years later, people still come up to me and say, ‘Spike, you are the reason I went to a black school. I didn’t even know there were black schools. You are the reason I went to college. You the reason I am in this job,” Lee said. “That film really changed people’s lives.”

Lee, a 1979 graduate of Morehouse College, was in Atlanta Monday for a special anniversary screening of the movie at the Fox Theater.

Atlanta Mayor Keisha Lance Bottoms presented Lee with a Phoenix Award, one of the city’s highest civic honors.

Lee called Presidents Day “Barack Obama Day.”

“School Daze,” when it debuted in 1988, told of a homecoming weekend at the fictional Mission College in Atlanta.

The film, which was shot in Atlanta around the Atlanta University Center, was one of the first modern features shot in the city that has become a Southern Hollywood.

This weekend’s blockbuster, “Black Panther,” was shot in Atlanta.

Fresh off his feature debut, “She’s Gotta Have It,” Lee’s “School Daze,” tackled several controversial issues that had been otherwise self-contained as interior problems within the black community like class, gender, sex and ethnicity.

Over one weekend at Homecoming, students at Mission College addressed South Africa apartied and political activism, the politics of skin color and hair texture, sexual violence and indifference, and Greek life and hazing.

All set to music.

One of the driving narratives in the film is the conflict between the light-skinned “Wannabees” and the dark-skinned “jigaboos.” Two weeks after filming started, Hugh Morris Gloster the then-president of Morehouse College kicked the production off campus – in part, because he feared that the film would air, “dirty laundry.”

“The sad thing is that some of the stuff we were addressing in the film was happening to us,” Lee said.

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FRGN-SPCMN’s RIDE AROUND THE SUN: A Masterpiece of Sound, Reflection, and Emotional Depth

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North Carolina-based producer duo FRGN-SPCMN, composed of Ronnie Belle and André Jones, have crafted an album that feels as much like a personal diary as it does a universal meditation. RIDE AROUND THE SUN is a vivid exploration of life’s complexities, set against a backdrop of experimental beats, rich instrumentation, and hauntingly introspective lyrics. Known for their collaborations with Coast Contra and TDE’s Lance Skiiiwalker, as well as their contributions to Issa Rae’s Insecure soundtrack, FRGN-SPCMN have taken their own artistry to new heights with this release.

At its core, RIDE AROUND THE SUN is a reflection on the dualities that define our existence—pain and pleasure, chaos and calm, struggle and growth. The title track, featuring Mez and Ace Henderson, serves as the album’s emotional anchor. Mez’s poignant storytelling tackles systemic struggles and personal resilience, while Henderson’s smooth, reflective chorus encapsulates the perpetual search for peace and meaning. The lyric, “Round and round the sun again, I feel like I should go,” feels like a mantra for anyone grappling with the cyclical nature of life’s challenges.

The production throughout the album is strikingly cinematic. Inspired by a transformative trip to Joshua Tree, Belle and Jones weave together sounds that evoke the vastness of the desert. Tracks like “TO THE SKY” and “LOVE IN VEIN” combine earthy guitar riffs, subtle electronic flourishes, and layered percussion, creating a soundscape that feels both grounded and surreal. The duo’s ability to create space within their music allows listeners to lose themselves in its expansiveness while connecting deeply to the themes it explores.

What sets this album apart is its pacing and cohesion. FRGN-SPCMN have mastered the art of creating a narrative arc within their music. From the contemplative opener (“DAWN”) to the meditative closer (“CABANA BLUE”), each track feels intentional and interconnected. The tempos remain largely laid-back, but there’s an underlying tension—a pull that mirrors the unpredictability of life. It’s the kind of album that rewards repeated listens, with new details revealing themselves each time.

Beyond the sonics, RIDE AROUND THE SUN is a call for empathy and understanding. The duo’s message is clear: while our individual journeys may differ, we are all passengers on this shared ride around the sun. It’s an album that doesn’t just entertain but challenges the listener to reflect on their place in the world.

In a time when music often feels disposable, FRGN-SPCMN have delivered a project that demands attention and reflection. RIDE AROUND THE SUN is a masterpiece of sound and substance—a reminder of the beauty and complexity of the human experience. For those seeking depth, emotion, and artistry, this album is not to be missed.

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