We Speak Music
Stephen Sol & The 7 Share A Stunning EP Debut ‘Sunshine Wine’
Sunshine Wine is a debut EP that feels less like an introduction and more like a revelation. Washington D.C.’s Stephen Sol & The 7 arrive fully formed, armed with an expansive sound that blends folk-rock intimacy with the electricity of a nine-piece band. From the opening title track, it’s clear this is a project concerned with joy, reflection, and connection, all delivered with a warmth that makes the record feel instantly familiar.
The EP thrives on its dualities: it is nostalgic yet fresh, gentle yet powerful, intimate yet cinematic. Tracks like “Forever Changed” highlight the group’s ability to strip down to raw emotion, while “Spring (I Made It)” showcases their energy in full flight, driving forward with alternative grit and resilience.
Perhaps the most impressive achievement is how cohesive the project feels. Each of the five tracks exists as its own moment but contributes to a larger arc — one that takes listeners through love, heartbreak, rebirth, and celebration. The thoughtful sequencing mirrors the natural cycles of the seasons, grounding the music in something universal.
Vocalist Stephen Sol anchors the record with a delivery that is at once earnest and theatrical, inviting comparisons to both folk storytellers like Bob Dylan and genre-benders like Bo Burnham. Layered harmonies, brass flourishes, and gospel-tinged backing vocals elevate the sound into something much bigger than the sum of its parts.
As debut statements go, Sunshine Wine is bold, heartfelt, and utterly captivating. It’s an EP that doesn’t just showcase potential — it proves Stephen Sol & The 7 are already a band worth paying serious attention to.
Some records ask to be heard. Do You Like Me Now? asks to be felt. Sakai’s debut EP is an elegant meditation on vulnerability, identity and emotional contradiction, unfolding across four songs that blur the boundaries between indie rock, soul, jazz and traditional Japanese musical influence. It is a release that favours atmosphere over excess, finding beauty in restraint while never sacrificing emotional impact.
The emotional core belongs to Marié Sakai, whose songwriting transforms deeply personal experiences into universally resonant narratives. Rather than presenting vulnerability as something to overcome, the EP embraces uncertainty as an essential part of human connection. Questions remain unanswered throughout, allowing listeners to inhabit the emotional spaces between certainty and doubt.
That openness extends to the music itself. “Orange Tree” stands as a quietly remarkable composition, inspired by an eighth century Japanese poem and enriched through the Hirajoshi scale and Marié’s return to the flute. The arrangement feels graceful without becoming delicate, balancing cultural heritage with contemporary alternative songwriting in a way that feels instinctive rather than self conscious.
The remaining songs each reveal different emotional textures. “Out” captures the internal friction between ambition and avoidance through expansive arrangements that continually shift beneath Marié’s expressive vocals. “Wanted” radiates quiet intimacy, its shimmering guitar harmonics adding warmth to an already affecting performance. The title track provides an emotionally satisfying conclusion, examining people pleasing and identity through dynamic instrumentation that builds naturally towards its memorable piano driven finale.
Recorded between Tiny Telephone Recording and Women’s Audio Mission, and brought together through Danielle Goldsmith’s spacious production, the EP possesses a tactile sense of place that complements its lyrical introspection. Do You Like Me Now? introduces Sakai not simply as accomplished musicians, but as thoughtful storytellers whose willingness to embrace complexity feels increasingly valuable within today’s alternative landscape.
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