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‘THE PRODIGAL SON’: $STEEN’S SELF-PRODUCED COMEBACK ALBUM

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Super-talented Ghanaian producer and artiste, $STEEN has finally returned to action with the release of a self-produced project dubbed “The Prodigal Son” – a title that best fits his comeback. Listen Here.

Returning from a long musical hiatus, $STEEN draws inspiration and comparison with the biblical story of a father’s long-lost son returning home. However, unlike the biblical prodigal son, $STEEN returns with his new found production ability and seven songs ranging from Afro Pop to Amapiano, artistically compiled into a master project.

“The Prodigal Son,” officially announces his comeback with two moderato tracks; “Nirvana” and “Jago,” as cautions for the listener to probably call 911 before lightning up gasoline on the entire body of work.

$STEEN – THE PRODIGAL SON (TRACKLIST)

Not even the impatient fan heard on the intro of “Gasolina” might be fully ready for the breakneck speed, energetic vibes and overdose of Amapiano on the track.

Halfway through the project and it’s evident that adequate time and work has been invested in producing this classic. Mid-journey still, $STEEN’s hopeless romantic past comes haunting again on “Sister Fatima” – a likely sequel to his last release. His luscious vocals failed to win the damsel but just enough to get the listener’s sympathy with resonating lyrics.

He talks unreciprocated energy, heartbreak and sheds light on a local taboo subject – drug use as a coping mechanism. $STEEN taps superbly into the Afro Pop instrumentals as sweet-flowing melodies gush out nonstop. He again proves to be a problem on “Asem” before switching from moderato to allegro on “Bust Down.”

$STEEN completes the journey as a “Prodigal Son” on the ultimate song which delightsomely features the lyrics “don’t let me go.”

Hold on to $STEEN, “The Prodigal Son,” a potential classic forever and stream on all digital streaming platforms.

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ABOUT $STEEN

Augustine Blay otherwise known as $STEEN is a Ghanaian artist and producer who experiments with afro- beats and rap music. Despite the life changing move from Waldorf Maryland to the hectic streets of Accra Ghana at the age of 15, he came to his own, constantly learning the ins and outs of the music industry. $STEEN prides himself in his versatility which can be seen throughout his discography. Having always been surrounded by music, he participated in mainly musical instruments at a young age such as the clarinet and bass guitar; as well as the church choir which would soon manifest into his love for music today. His life’s story continues to unfold through his music; we can only listen to where he’ll go next.

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Jeoff Harris Elevates ‘Cathartic Fall’ with a Poetic and Emotional Re-Release

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Jeoff Harris has once again proven his mastery in blending music with deep emotional narratives in the re-release of Cathartic Falls debut album. Known for crafting RIAA-certified hits that dominate both pop and indie scenes, Harris ventures into even more vulnerable and intimate territory with this project. The re-release is not just a rehash of the original album, but a significant evolution, pushing the boundaries of his creative expression. Harris explores themes of grief, loss, anxiety, and personal growth with renewed intensity.

The most striking addition to the re-release is the integration of spoken word performances. Collaborating with some of today’s most compelling voices in poetry and mental health advocacy, Harris has crafted a project that feels both emotionally raw and thoughtfully constructed. Tracks like “Before The Fall,” “Breathe,” and “Sometimes Words Just Get In The Way” now feature poetic interludes from Whitney Hanson, Allie Michelle, and Trev Cimenski. These poets inject their words into Harris’ ambient soundscapes, creating moments of profound reflection. Matthias J Barker, a noted figure in the mental health space, also adds a powerful layer of psychological depth to the music, making the project not only an artistic endeavor but also an emotional exploration.

The fusion of music and spoken word proves to be more than just an artistic choice—it deepens the connection between listener and artist. Harris’ ambient compositions provide the perfect backdrop for these spoken word passages, enhancing their impact without overshadowing the words. There’s a synergy between sound and speech that invites the listener into an introspective journey, exploring their own emotional experiences alongside those expressed in the album. It’s as though Harris has created a space for the listener to grieve, heal, and grow in tandem with the music.

The spoken word performances, in particular, add a fresh dimension to, Cathartic Fall. The personal nature of the poems, combined with Harris’ atmospheric production, ensures that each track feels both intimate and universal. Listeners are invited to dwell on the words, to sit in the emotional spaces created by the interplay between the music and poetry. This layered approach makes the album feel deeply personal, yet approachable, offering solace to those who may be grappling with similar emotional challenges.

One of the standout moments of this re-release was its live launch event, where the featured poets experienced the completed project for the first time. This collective unveiling, shared with fans and collaborators alike, underscored the collaborative heart of, Cathartic Fall. It’s a testament to the power of art as a shared experience and how music, in particular, can bridge personal emotions with collective understanding.

With this re-release, Jeoff Harris has transformed, Cathartic Fall, from a musical album into an immersive, multi-dimensional experience. By weaving together music, poetry, and mental health advocacy, Harris has crafted a project that not only resonates on an emotional level but also encourages reflection and healing. Fans of Harris’ work will appreciate the emotional growth and sonic depth he brings to this re-imagined album, while new listeners will find themselves captivated by the intimate dialogue between music and words.

In a time where music often feels fleeting, Cathartic Fall, stands as a project that demands to be absorbed, felt, and reflected upon. It’s not just an album—it’s an experience.

Listen here:

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