We Speak Music

The Secret Radio Release “Swimming Pool On Mars”

Published

1 year ago

April 23, 2025

Emily

Indie rock band The Secret Radio are back with their new single, “Swimming Pool On Mars” and it is a bold, atmospheric tune that blends poetic lyrics with sweeping, cinematic soundscapes. It’s out now on all major streaming platforms and stands as a clear highlight from their newly released debut album, “Shortwave”.

Originally formed in Queens, New York back in 2006, The Secret Radio is led by English singer-songwriter Damian Fowler and it features a revolving lineup of international collaborators. Known for fusing diverse influences—from David Bowie and Radiohead to Regina Spektor—their music is a unique mix of experimental and accessible, with a clear artistic vision.

“Swimming Pool On Mars” progresses with vigour with layers of synths, violins, horns, and more rising to a lush, cinematic crescendo. The song features contributions from Bebbo (guitar), Asen Doykin (synths), JungSang Yoo (bass), and Tom Cottone (drums), with production and mixing handled by Doykin. The result is rich and textured, yet still grounded in the organic, heartfelt sound that defines the band.

Their debut album Shortwave expands on this sound even further. Alongside the single, the album features appearances from Martin Doykin (bass), Jane Kittredge (violins), Naeemah Z. Maddox (backing vocals), Dean Olsher (accordion), and Nick Vayenas (horns). Mastered by Adrian Morgan at Timeless Mastering, the project is a true team effort—one that highlights The Secret Radio’s collaborative spirit and commitment to exploration.

You can listen here.

We Speak Music

Mané’s ‘The Goddess in the Room’ Turns Self-Discovery Into Sonic World-Building

Published

5 hours ago

June 2, 2026

Philomena Marie

There is a remarkable sense of intention running through The Goddess in the Room, the latest project from Swiss artist Mané. Blending alternative electronic pop with ritualistic percussion and spiritual symbolism, the album presents itself as both a personal statement and a carefully constructed narrative. Across its nine tracks, Mané explores identity, healing, queerness, and empowerment with impressive clarity of vision.

The opening track, “The GODDESS in the Room,” functions as both invitation and thesis statement. It introduces listeners to a world where intuition and self-trust become guiding principles, while establishing the atmospheric production style that shapes much of the record. The song’s spacious arrangement creates room for reflection, a quality that becomes one of the album’s defining characteristics.

That introspection deepens on “perles de sang” and “sappho.” The former grapples with inherited pain and bodily experience, while the latter offers a moving celebration of queer identity. Throughout these songs, Mané avoids reducing complex themes to slogans, instead allowing emotional nuance to emerge through carefully crafted songwriting and evocative imagery.

Musically, the album reaches some of its most intriguing moments on “)O(” and “moonstones.” Both tracks highlight Mané’s growing confidence as a sonic architect, blending electronic textures with organic rhythmic elements inspired by shamanic practice. The resulting sound feels immersive and transportive without losing its emotional immediacy.

Meanwhile, “j’serai tjr là” and “chocolate con sangre” provide some of the record’s most vulnerable moments. Here, Mané strips back some of the conceptual grandeur to focus on connection, memory, and emotional endurance. These songs reveal an artist equally capable of intimate storytelling and ambitious world-building.

The penultimate track, “Witches,” injects a surge of collective energy into the album’s narrative. Drawing on themes of resistance and feminine power, it stands as one of the project’s most direct statements while retaining its atmospheric sophistication. It is both politically resonant and emotionally charged.

By the time “ALIGNED” closes the record, the journey feels complete. Not because all questions have been answered, but because the search itself has become meaningful. The Goddess in the Room succeeds through its commitment to authenticity and vision, establishing Mané as an artist unafraid to follow her own path, wherever it may lead.

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