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The SHUTTLEMAN: Flyght Frm Miami’s Ascent to Hip-Hop Greatness

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Artist Spotlight: Flyght Frm Miami

Flyght Frm Miami, known to his fans as The SHUTTLEMAN, is a force to be reckoned with in the hip-hop world. Hailing from the vibrant city of Miami, Florida, Flyght has been carving out his own unique path in the music industry.

Influences and Inspiration

Tupac and Master P are the pillars that hold up Flyght’s musical foundation. Their influence can be seen in his lyrics and the passion he brings to his craft.

What Sets Flyght Apart

Flyght’s individuality shines through in his music. He refuses to conform to the norms, instead choosing to forge his own path. His lyrics are a reflection of his unique perspective, and his sound is unlike anything else in the industry.

Ambition and Drive

Flyght’s motivation stems from a desire for greatness. He’s constantly pushing himself to outdo his previous work, and his sights are set on building his own company. His vision is clear: to be a major player in the music industry.

Upcoming Projects

Flyght has several exciting projects on the horizon. His upcoming single, “APEX,” is a taste of what’s to come from his highly anticipated album, “Elephant on the Moon.” He’s also collaborating with rising R&B artist C.A.S, further solidifying his position as a versatile and innovative artist.

A Multifaceted Talent

Flyght’s expertise extends far beyond music. He’s a skilled professional with experience in radio, artist development, and brand building. He’s helped launch the careers of up-and-coming artists and is dedicated to paying it forward.

Follow Flyght Frm Miami

Stay up-to-date on Flyght’s latest music, projects, and insights by following him on Instagram @SHUTTLEMANFLYGHT. With his unique sound, impressive work ethic, and dedication to his craft, Flyght Frm Miami is an artist you won’t want to miss.

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Art Basel Paris 2026: A $100 Million Modigliani, Two $10 Million Richters, and a Grand Palais at Full Stretch

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Paris in October belongs to art — and this year, the art world showed up determined. The fifth edition of Art Basel Paris opened its public days Friday at the Grand Palais, running October 23–25 under the glass vaults of the great exhibition hall, in the fair’s first edition under new director Karim Crippa.

The scale is serious: 211 galleries from 41 countries and regions — 183 in the main Galeries sector, 16 in Emergence and 12 in Premise — including 64 galleries operating in France and 32 first-time participants. Around the fair, Paris art week hums with satellites including Paris Internationale and Design Miami.Paris, while inside the Grand Palais the fair keeps inventing: the Premise sector moved into a larger Salon Seine space, the Conversations program took over the Grand Palais Auditorium, and Oh La La! — mid-fair booth rehangs art-directed by Philippine Leroy-Beaulieu — rewrote stands on October 23–24. An expanded Public Program carried a first presentation to the Parvis des Droits de l’Homme by Tracey Emin.

And then there is the money. The fair’s biggest ticket hangs at Pace Di Donna Schrader: Modigliani’s 1917 Nu étendu (Lolotte), priced at over $100 million. The sales that have landed are led by Hauser & Wirth, which placed Gerhard Richter’s Rokokotisch (1965) at around $10 million and Georg Baselitz’s Der Hirte (1965) at around $10 million. White Cube sold two Julie Mehretu paintings at $7.85 million each, David Zwirner placed a Richter at $8.5 million, and Pace sold Dubuffet’s La chaise for just over $5 million. The crowd-stopper, meanwhile, is Jeff Koons’ ten-foot bronze Corks (Couple) — the selfie backdrop of the fair.

The context made the turnout its own headline: the fair opened days after a weekend of unrest across France, with barriers and dog patrols around the Grand Palais. Some collectors stayed home — but a great many came anyway, and the Grand Palais at full stretch suggests Paris’s grip on the art calendar is only tightening. Public days run through Sunday, October 25, 11 a.m. to 7 p.m.

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