We Speak Latin
TINI Captures the Stadium Stage on Live Album ‘FUTTTURA LIVE’
Some albums are made in studios. This one was made in stadiums. TINI released FUTTTURA LIVE on Thursday, October 22, through Sony Music Latin — a 32-track live album recorded at the Buenos Aires launch of her FUTTTURA tour, capturing a career that runs from her Violetta beginnings to solo smashes like “La Triple T,” “Miénteme” and “Cupido.”
Because it is a live album, the guest list reads like a festival bill. Coldplay join her on “We Pray,” and María Becerra, Manuel Turizo, Beéle, Greeicy and Miranda! all appear across the set, with live videos for “La Loto” (with Anitta and Becky G) and “Muñecas” (with La Joaqui) in the package. TINI announced the release herself on Instagram, posting the full 32-song tracklist for her fans.
The scale behind the record is real: the FUTTTURA tour has sold more than 600,000 tickets across Latin American stadiums, according to her team, and it heads to Spain in January 2027.
Live albums are documents, and this one documents an artist at her commercial peak — a stadium headliner bottling the exact nights her audience will be describing for years.
FUTTTURA LIVE is out now.
TINI announced the album on her own Instagram with the full tracklist in hand, and the rollout treated the live record like an event release rather than a souvenir — fitting, since the FUTTTURA shows themselves have become the biggest production of her career. For fans who were in those stadiums, this is the recording of their night. For everyone else, it is the invitation to the next one.
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Víctor Manuelle is starting Christmas early — and inviting everybody. The Puerto Rican salsa star released La parranda es nuestra on Friday, October 23, through Sony Music Latin: 12 songs, his fourth Christmas album, expanding last year’s six-track EP La parranda es mía into a full-length celebration.
The guest list reads like a tropical hall of fame. Gilberto Santa Rosa, Tito Nieves, José Alberto “El Canario,” Elvis Crespo, Joseph Fonseca and Alfonso Vélez all appear, turning the album into a cross-generational parranda — the door-to-door Christmas party tradition at the heart of Puerto Rican holiday culture.
The night before release, Manuelle premiered “La gozadera en Navidad” with Elvis Crespo live on stage at the Billboard Latin Music Awards in Miami. It was a fitting stage: that same week, his 2025 holiday EP stood as a Billboard Latin Music Awards finalist for Tropical Album of the Year.
The album also refreshes his own holiday staples in new 2026 versions, including “Quiero parranda,” “Ya se ven las bombillitas” and “Los polvos del Sahara.” His favorite, he says, is “Yo me voy para mi tierra,” the story of an emigrant who never makes it home — and the album is dedicated to the Puerto Rican diaspora celebrating far from the island.
La parranda es nuestra is out now: salsa, aguinaldos and an open door, wherever Puerto Ricans gather.
That the album expands a six-song EP into a 12-song event says something about the demand: last year’s La parranda es mía was strong enough to earn a Billboard Latin Music Awards finalist slot for Tropical Album of the Year, and this year’s edition answers with more songs, more legends and a full season to run.
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