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Tom Andes Releases New Single “Oh Man This Country Living’s Got Me Down”

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A witty and textured Americana track that challenges romanticized rural living through twangy country storytelling and rich musical experimentation

ALBUQUERQUE, NM — Americana singer-songwriter Tom Andes is back with his latest single, “Oh Man This Country Living’s Got Me Down,” a sharp, humorous, and deeply observant track that explores the realities behind the dream of escaping to the countryside. Rooted in traditional American music but layered with unexpected sonic textures, the song showcases Andes’ knack for pairing compelling storytelling with infectious energy.

Inspired by people he knew growing up who fantasized about abandoning modern life for a rustic rural existence, Andes wrote the song from the perspective of a relatively privileged man who believes country living will magically solve his problems — only to discover the hardships that come with it.

“I went to school with a lot of people who had fantasies about dropping out, moving to the country, living an idyllic rural life,” says Andes. “But having grown up on a semi-functional farm with parents who’d done the ‘back to the land’ thing, I always thought that was funny because I knew the rural life wasn’t easy.”

The song’s lyrics came quickly, paired with chord progressions partly inspired by the classic rockabilly hit “Hello, Mary Lou.” Recorded live in the studio with acoustic guitar, bass, and drums tracked together to capture an authentic feel, the song evolved into something far more textured and unconventional than a standard country tune.

“We knew we needed a Telecaster for that lick at the beginning of the song, so I borrowed one,” Andes explains. “Alex McMahon added pedal steel and maybe some mellotron that really brought a lot of texture. Then Clark Andrew Libbey and Carson Barry added backing vocals that gave the song a certain weirdness I really love.”

The result is a vibrant Americana track that balances humor, grit, and musical sophistication while maintaining the rowdy spirit that has become a hallmark of Andes’ songwriting.

Known for setting stories of loneliness, heartbreak, and working-class struggle against upbeat traditional American music, Andes blends country blues, gospel, indie rock influences, and classic Americana into a sound that feels timeless yet distinctively modern.

Originally from New Hampshire, Andes discovered his passion for American roots music after visiting New Orleans at eighteen. Immersing himself in the city’s thriving Americana scene, he built a reputation as both a solo performer and bandleader, sharing stages with accomplished Louisiana musicians and appearing at festivals including the Mississippi Songwriters Festival and the Ozone Songwriter Festival.

In 2022, Andes released his debut EP, Static on Every Station, earning praise for its “infectious charge-ahead energy” from Offbeat magazine. Its follow-up, Those LA Nights, arrived in 2023, further cementing his reputation as an emerging voice in Americana music.

Now based in Albuquerque, Andes continues to perform extensively throughout the Southwest with groups including the High Desert Playboys, DBGomez and the Bosque Boys, Juanita, and as part of a duo with pianist Keith Burnstein.

 In 2025, Southern Crescent Recording Co. released The Ones That Brought You Home, a vinyl collection of his first two EPs. That same year, Andes was named a finalist in the Telluride Blues Challenge and performed at the Crawdaddy Blues Fest.

His first full-length LP, Wonderful Days, produced by Matthew Tobias, is slated for release in 2026.

Beyond music, Andes is also an accomplished fiction writer whose work has appeared in Best American Mystery and Suspense Stories 2025 and Ellery Queen’s Mystery Magazine. His debut novel, Wait There Till You Hear from Me, was published in 2025 by Crescent City Books.

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Solomon King & The Chosen Sounds the Alarm with “Blood on the Streets (In the USA)”

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Solomon King & The Chosen’s “Blood on the Streets (In the USA)” hits with the force of a warning siren echoing through a fractured nation. Dark, urgent, and emotionally charged, the song captures the tension, fear, and emotional exhaustion so many people feel when looking at the state of the world today.

The production carries a cinematic heaviness, blending haunting melodies with a pulse that feels almost apocalyptic. Solomon King delivers the track with conviction and intensity, never sounding manufactured or performative. Instead, the song feels deeply personal — a reflection of heartbreak, frustration, and concern for humanity itself.

What makes “Blood on the Streets (In the USA)” resonate is that it avoids empty slogans. It speaks more to the emotional climate than politics, painting a portrait of anxiety, division, violence, and uncertainty without losing its artistic edge. The track feels timely because it channels emotions many people struggle to articulate.

There’s also something fearless about the release. Solomon King leans into uncomfortable realities while still crafting a song that is compelling musically. The result is both provocative and unforgettable — part protest anthem, part emotional outcry, and part cinematic soundtrack for uneasy times.

“Blood on the Streets (In the USA)” is not background music. It demands attention.

Watch the “Blood on the Streets” music video by Solomon King & The Chosen on Youtube here:

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