We Speak Music
FITZ BROTHERS Reveals New Tune ‘Unsatisfied’
FITZ BROTHERS’ “Unsatisfied” is a sharply written piece of modern indie-pop songwriting that leans heavily into emotional realism without losing its melodic clarity. The Vienna-based duo continue to position themselves as storytellers of relational tension rather than straightforward pop narrators.
The song’s emotional anchor, “I know I’m not the only one for you,” is repeated throughout with increasing weight. What begins as vulnerability gradually shifts into something closer to resignation, suggesting a relationship defined by imbalance and unmet expectations.
Instrumentally, the track embraces a warmer, more organic rock sound than some of their earlier work. Guitars are front and centre, but never aggressive; instead, they provide a steady emotional framework that allows the lyrics to do most of the heavy lifting.
As the song builds toward its final moments, the tension tightens rather than explodes. The climactic “So run, run” feels less like catharsis and more like inevitability; a final acknowledgement that something has already broken beyond repair.
Following radio support across stations like FM4, Radio 88.6, and ORF outlets, “Unsatisfied” reinforces FITZ BROTHERS’ growing reputation for emotionally intelligent pop writing. It’s concise, affecting, and quietly unsettling in how familiar its emotional landscape feels.
Instagram, Spotify | PR: Decent Music PR
We Speak Music
Host Bodies’ track ‘On A Roll’ Gets a Psychedelic Reinvention from Soul Glitch
Ten years after Host Bodies first released the album Daily Apparatus, “On A Roll” has found a completely new groove.
For the Daily Apparatus: 10 Year Remixes project, multi-instrumentalist and producer Nicholas Hasty, under his Soul Glitch moniker, takes the original electronic-rock track and pulls it into deeper, more psychedelic territory.
The remix keeps the energy of Host Bodies intact while opening up the track with new beats, electronic textures and expressive saxophone solos. Electric guitar, bass and layered production give it a rich, genre-blurring sound that sits somewhere between indie electronic, jazztronica, soultronica and alternative dance.
There’s something particularly satisfying about hearing a decade-old track treated not as a relic, but as raw material. Soul Glitch reshapes “On A Roll” , finding new spaces within the original and bringing his own musical language into the mix.
The result is energetic, sensual, psychedelic and unapologetically expansive.
Ten years on, “On A Roll” proves that sometimes the best way to celebrate where a song came from is to find somewhere completely new for it to go.
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