We Speak Music
VIAA Sets the Alt-Pop Scene Ablaze with ‘Arson’
VIAA’s “Arson” is the kind of track that feels like it was made to be shouted in bedrooms, blasted from car windows, and cried to at 2AM. It’s messy, loud, and gloriously alive — a fiery slice of alt-pop that captures the chaos of letting go and the thrill of starting over.
From the first distorted chord, VIAA sounds unstoppable. Having spent years lending her voice to the likes of Anderson .Paak and Doja Cat, she’s more than ready to command her own spotlight. Here, she throws herself into the flames — burning past heartbreak and expectation with a chorus that demands to be screamed.
It’s not just catharsis; it’s craftsmanship. VIAA and her collaborators, Mori Einsidler and Troi Irons, weave together pop-punk punch, emo vulnerability, and electronic sheen without ever losing the song’s raw pulse. It’s as gritty as it is glossy, and it works.
The mix by Bartees Strange brings “Arson” to life with an almost livewire intensity — like standing too close to an amp that’s about to blow. Every snare hit and synth line lands with purpose, amplifying the song’s emotional heat.
In a scene that’s been missing a voice like hers, VIAA’s arrival feels overdue. “Arson” is proof that alternative pop doesn’t have to play it cool — it can be fierce, flawed, and full of feeling. And if this is what her new era sounds like, we’re all ready to get burned.
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Represented by Decent Music PR, and supported by an Ohio Arts Council Grant Award | Artists with Disabilities Access Program.
We Speak Entertainment
Avohee Avoher Releases “Avohee Meets Bach”A Spiritual Collision of Bach, Choral Power and Modern Dance Energy -Now Available Worldwide
Johann Sebastian Bach wrote music that moved with force. Beneath the structure lived tension, release, devotion and emotion. More than three centuries later, that energy returns through Avohee Meets Bach, the third release in Avohee Avoher’s Addicted to Classics series.
This is not a remake. It is a rebirth.
Inspired by the emotional weight and architecture of Bach’s Chaconne in D minor from Partita No. 2, BWV 1004, and the legendary piano transcription tradition of Ferruccio Busoni, Avohee Meets Bach transforms classical intensity into a modern dance experience built for movement, atmosphere and emotional release.
Ancient meets modern.
Operatic choir rises through hypnotic rhythm. Sacred Latin phrases intertwine with haunting German whispers. Spiritual energy collides with underground pulse. Emotion builds, pressure rises, tension releases.
Kyrie eleison.
Lux aeterna.
The result is cinematic, uplifting, sensual and powerful.
Created for the dance floor but carrying the weight of classical tradition, Avohee Meets Bach moves between worlds. It belongs equally in the underground club, the international festival arena and the listener seeking something deeper inside electronic music.
This is not nostalgia.
It is transformation.
Watch the Avohee Meets Bach music video here:: https://youtu.be/gebEqQTo960
Stream Avohee Meets Bach on Spotify here:
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