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'Top 5' Weekly Music Round-Up

We Speak Media | ‘Top 5’ Weekly Music Round-Up (05.04.24)

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Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.

Nova Rose ‘we used to’

The heartbreaking song “we used to” features Nova Rose fusing her own style and powerful storytelling. The track was co-written and co-produced by Mark Vesprini and Kayla Diamond (The Strumbellas, Billboard Top 10 Artist), and opens with an evocative indie-pop soundtrack that is so heartbreakingly beautiful that you can hear a pin drop. With subtle and artistic interpretations of sorrow and agony, Nova Rose captivates listeners with violin snippets throughout the song.

Peached ‘Movie Star’

With guitars, drums, and bass in an addictive production, the disco-pop-infused offering sounds great on ‘Movie Star’. The catchy production is combined with enticing vocals that will grab the attention of listeners right away. Nile Rodgers inspired the groove. Peached pictured themselves in the late 1970s, meeting someone at a disco, having a good time, and falling deeply in love.

Rainer ILD ‘Honky’

With his provocative track “Honky,” boundary-pushing musician Rainer Ild, who is well-known for his inventive approach to music, makes a comeback. The catchy melody and thought-provoking lyrics of this popular song invite listeners to go on a journey of introspection and self-discovery. Rainer Ild captivates audiences with his captivating performances, showcasing his distinct musical abilities and commanding stage presence.

The Weekend Run Club ‘Price of Wales’

The five-piece draws from a wide range of genres, including rock, alternative, power pop, punk, and emo, and creates songs on identity, coming of age, and everything interpersonal. The Weekend Run Club makes music for the introverted party jammers, the reflective extraterrestrial, and everyone in between, with an emphasis on danceable rhythms, guitar licks, and emotional, self-revealing lyrics. The main track on the album, “Prince of Wales,” featured synth chords. Along with some bass lines that Mitchell carelessly played around with, the guitar parts were written on the spur of the moment. They enjoy taking old lyrics and turning them into something fresh. Pop rock, power pop, alternative, and indie rock all come together to create a catchy song.

Sami Rizk ‘sometimes I cry’

Sami Rizk is an incredibly talented rapper, producer, and composer. His record demonstrates his lifelong love of music and his artistic development. His most recent album, “idle,” is brimming with human comprehension and experience, including expressiveness, emotion, interpersonal conflict, and personal hardship. The song “sometimes I cry” is an extremely moving piece of music that will enthrall listeners while exhibiting his musical prowess, dedication to artistic development, and genuineness.

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'Top 5' Weekly Music Round-Up

WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (15.11.24)

Published

on

Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.

Laughing Cats ‘Jerk’

“Jerk,” the latest single from Laughing Cats, is a testament to the duo’s ability to transform classic influences into something wholly original. Lauren Schiff’s poignant lyrics tell a story of self-realization, while Tony Fredianelli’s musicianship delivers a punchy, melodic backdrop. The song’s roots in rock and new wave make it a nostalgic delight, but the duo’s inventive approach injects it with contemporary relevance. The introspective nature of “Jerk” and its anthemic message suggest Laughing Cats’ debut album, Funny Money, will be an album for fans who appreciate both the soul of classic rock and the allure of new-age sounds.

Longplayer ‘I Saw You Turning Around’

With “I Saw You Turning Around,” Mikey Long redefines the boundaries of contemporary rock through his solo project, Longplayer. The song intricately weaves a narrative of reflection and closure, inspired by an unexpected encounter with an ex-lover. The lush instrumentation, reminiscent of George Harrison’s work, is complemented by carefully crafted guitar layers that enhance the emotional weight of the lyrics. Long’s collaboration with Jay Watson brings an added rhythmic vitality to the track, while Shags Chamberlain’s synth contributions create an immersive listening experience. This single is a beautifully crafted piece that showcases Long’s growing prowess as a songwriter and producer.

Amelie Aldner ‘Touch Me’

Set against the lush, emotive backdrop of her Scandinavian roots, Amelie Aldner’s new single ‘Touch Me’ is an alluring glimpse into Aldner’s upcoming album, anticipated for release in 2025. ‘Touch Me’ shines with Aldner’s trademark style—gentle, layered vocals and deeply personal lyrics, inviting listeners to explore themes of intimacy and connection. With subtle gospel undertones, ‘Touch Me’ steps outside conventional pop, blending soul with a timeless warmth. Aldner’s emotional delivery is matched by a seamless fusion of folk, soul, and gospel sounds, showcasing her ability to create music that feels both deeply personal and universally relatable

ION ‘You Hear Her Too?’

ION’s new single “You Hear Her Too?” unfolds as a captivating exploration of the duality of witchcraft, presenting two contrasting perspectives in a seamless musical journey. The first part immerses listeners in the inner sanctum of witches, portraying them as benevolent healers deeply attuned to nature and its spirits. In stark contrast, the second half exposes the long-held societal perceptions that depict witches as malevolent and insane, creating a powerful commentary on the tension between acceptance and fear. The track masterfully blends alternative and ambient soundscapes with intense moments, inviting listeners to grapple with the choice of dismissing these voices as mere delusion or embracing the rich, mystical reality they have inhabited for centuries. In doing so, ION challenges us to reconsider our understanding of the occult and its profound connection to the human experience.

Kendra & The Bunnies ‘Manic Pixie Nightmare’

Kendra & the Bunnies’ latest release, “Manic Pixie Nightmare,” is a fierce commentary on self-identity and a sonic rebellion against the “manic pixie dream girl” stereotype. Kendra Muecke’s storytelling shines, as she narrates a journey of breaking free from the confining labels placed upon women, delivering a fresh perspective that’s refreshingly authentic. Her raspy, soulful voice carries an almost cathartic energy, blending seamlessly with the edgy instrumentals to evoke a sense of liberation and power. Set against the Los Angeles subway, the music video brings this ethos to life, showing Muecke at home among the city lights and chaos, unapologetically owning her individuality. “Manic Pixie Nightmare” is a manifesto for anyone ready to find themselves beyond the expectations and to “live for the plot.”

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