Connect with us

'Top 5' Weekly Music Round-Up

We Speak Media | ‘Top 5’ Weekly Music Round-Up (05.04.24)

Published

on

Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.

Nova Rose ‘we used to’

The heartbreaking song “we used to” features Nova Rose fusing her own style and powerful storytelling. The track was co-written and co-produced by Mark Vesprini and Kayla Diamond (The Strumbellas, Billboard Top 10 Artist), and opens with an evocative indie-pop soundtrack that is so heartbreakingly beautiful that you can hear a pin drop. With subtle and artistic interpretations of sorrow and agony, Nova Rose captivates listeners with violin snippets throughout the song.

Peached ‘Movie Star’

With guitars, drums, and bass in an addictive production, the disco-pop-infused offering sounds great on ‘Movie Star’. The catchy production is combined with enticing vocals that will grab the attention of listeners right away. Nile Rodgers inspired the groove. Peached pictured themselves in the late 1970s, meeting someone at a disco, having a good time, and falling deeply in love.

Rainer ILD ‘Honky’

With his provocative track “Honky,” boundary-pushing musician Rainer Ild, who is well-known for his inventive approach to music, makes a comeback. The catchy melody and thought-provoking lyrics of this popular song invite listeners to go on a journey of introspection and self-discovery. Rainer Ild captivates audiences with his captivating performances, showcasing his distinct musical abilities and commanding stage presence.

The Weekend Run Club ‘Price of Wales’

The five-piece draws from a wide range of genres, including rock, alternative, power pop, punk, and emo, and creates songs on identity, coming of age, and everything interpersonal. The Weekend Run Club makes music for the introverted party jammers, the reflective extraterrestrial, and everyone in between, with an emphasis on danceable rhythms, guitar licks, and emotional, self-revealing lyrics. The main track on the album, “Prince of Wales,” featured synth chords. Along with some bass lines that Mitchell carelessly played around with, the guitar parts were written on the spur of the moment. They enjoy taking old lyrics and turning them into something fresh. Pop rock, power pop, alternative, and indie rock all come together to create a catchy song.

Sami Rizk ‘sometimes I cry’

Sami Rizk is an incredibly talented rapper, producer, and composer. His record demonstrates his lifelong love of music and his artistic development. His most recent album, “idle,” is brimming with human comprehension and experience, including expressiveness, emotion, interpersonal conflict, and personal hardship. The song “sometimes I cry” is an extremely moving piece of music that will enthrall listeners while exhibiting his musical prowess, dedication to artistic development, and genuineness.

Continue Reading
Advertisement

'Top 5' Weekly Music Round-Up

WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (20.12.24)

Published

on

Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.

The Neon Sea ‘As I Wonder’

The Neon Sea didn’t just arrive; they stormed in with ‘As I Wonder’, a track that drips with atmospheric charm and sheer ambition. The song is a masterclass in blending influences—think Stone Roses grandeur meets Pink Floyd’s introspection—but it never loses its originality. Doyle’s lyrics float like smoke in a dream, grounding the cosmic production with raw humanity. Add in the personal touch of abstract artwork by Doyle’s son, and this single is more than music—it’s a bold, cohesive work of art.

Fitasha ‘FAMOUS’

Fitasha’s RUSH is an electrifying manifesto of self-determination, with ‘FAMOUS’ standing as its defiant opening roar. Her “villain song” isn’t just about biting back—it’s about commanding the room and rewriting her narrative. From its jazz-hip-hop fusions to its Latin inflections, RUSH feels like a pulsating heartbeat of resistance and ambition, a vibrant push against the limits others set for her. If you’re into artists who walk the line between bold and vulnerable, Fitasha’s layered lyricism and sonic adventurousness are here to grab you by the collar and demand your attention.

Lauri Järvilehto’s “Typhoon”

Lauri Järvilehto’s “Typhoon” hits hard with its mix of emotional depth and sweeping soundscapes. It’s the kind of song that grabs you right from the start, pulling you into the storm and propelling you through it with its uplifting energy and heartfelt lyrics. The track feels personal yet universal, perfectly capturing the chaos and beauty of navigating life’s challenges. Whether you’re listening for the mood or the message, “Typhoon” delivers a captivating experience that’s impossible to forget.

Josh Rifkin ‘Save it For The Morning’

Lifted from Josh Rifkin’s latest album, Lancaster Road, ‘Save it For The Morning’ is a testament to the art of crafting infectious, soulful pop. Its opening lines grip you with a confident swagger—vocals warm with a timeless flair, lyrics painted in vibrant, relatable storytelling. There’s a natural magnetism in the upbeat groove, a blend of old-school soul and contemporary charm. The track’s hook is an earworm in its own right, but what sets it apart are the intricate verses, peppered with crisp musicianship and surprise melodic turns. It’s a surefire standout to kickstart the album.

Jean-Loup Pinson ‘Tell All The Truth/Surrender’ 

Jean-Loup Pinson’s ‘Tell All The Truth/Surrender’ is a masterstroke of modern composition, boldly bridging centuries of artistry. In this standout track from A Moment of Deathlessness, Pinson pairs the haunting choral beauty of The Carice Singers with the hard-hitting spoken word of London poets Armanious and Tanaka Fuego. Dickinson’s timeless themes of truth and surrender become visceral and urgent in Pinson’s hands, carried by a production that seamlessly layers ethereal vocals with futuristic beats. The result is a track that feels revolutionary yet deeply human, cementing Pinson’s place at the forefront of contemporary musical storytelling.

Continue Reading

Trending