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'Top 5' Weekly Music Round-Up

We Speak Media | ‘Top 5’ Weekly Music Round-Up (15.03.24)

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Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.

Tone Levels ‘The Original Woman’

‘The Original Woman’, a powerful and motivating song from his just-released album, God Is Here, is highly vibratory. After hearing Tone Levels’ beat, Londrelle declared that he had a spirit-inspired desire to communicate to women on the song. He talked about his love and feelings for black ladies after opening up to them by connecting with his heart chakra. He leaves a lasting impression and establishes himself as a significant figure in the music industry with this release.

Tom Anthony ‘Little Boring Things’

Tom Anthony’s debut album, Little Morsels, blends punk, indie-rock, indie, and indie-pop. He describes his sound as “rock & roll for grownups.” It’s a terrific way to get started with his music. His musical skill is on full display in ‘Little Boring Things’, which also emphasises his sincerity, enthusiasm, and dedication to the advancement of art.

Lu.Ci ‘Freedom’

Lu.Ci is an independent, visionary singer-songwriter and artist who was raised in London, England. Her open heart and intense passion for spoken word poetry have an impact on her distinct and edgy style. Her honest, insightful lyrics demonstrate her talent. “Freedom,” her most recent offering, is her return. The song perfectly encapsulates the fiery complexity of her captivating narrative with its huge beat and passionate lyrics. The alternate tune, which Lu.Ci produced in her home studio, includes samples, bass, drums, guitars, mellotron, and samples in addition to her vocals, which are a combination of singing and rapping.

Circuit Faker ‘Ocular Therapy’

Circuit Faker, an electronic producer, singer, and multi-instrumentalist, released his single ‘Ocular Therapy’ as the first track on his upcoming debut album, CIRCUMVOLVE. He combines loud beats, soaring vocals, and buzzing synths. He also pulls from his experiences in the bands Wiping Out Thousands, Tired Tongues, and The New Monarchs. The electronica track, which was recorded, mixed, and engineered at a home studio, has a positive and upbeat production with guitar, drums, bass, synths, and drum machines. The fascinating vocals are coupled with a lively sound that will captivate listeners right away.

An-Ting 安婷 & Daniel York Loh ‘every dollar is a soldier/with money you’re a dragon’

An-Ting 安婷 created harmoniously integrates traditions from both East and West in this project. She embedded distinctive sounds of Chinese instruments into a contemporary style, conveying a different musical expression. Meanwhile, Daniel York Loh wanted to write about migrant journeys. “About loss and loneliness, about what we take with us and what we leave behind, and the legacy we want to impart to the next generation. And what we’ll do to ‘belong’”

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'Top 5' Weekly Music Round-Up

WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (20.12.24)

Published

on

Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.

The Neon Sea ‘As I Wonder’

The Neon Sea didn’t just arrive; they stormed in with ‘As I Wonder’, a track that drips with atmospheric charm and sheer ambition. The song is a masterclass in blending influences—think Stone Roses grandeur meets Pink Floyd’s introspection—but it never loses its originality. Doyle’s lyrics float like smoke in a dream, grounding the cosmic production with raw humanity. Add in the personal touch of abstract artwork by Doyle’s son, and this single is more than music—it’s a bold, cohesive work of art.

Fitasha ‘FAMOUS’

Fitasha’s RUSH is an electrifying manifesto of self-determination, with ‘FAMOUS’ standing as its defiant opening roar. Her “villain song” isn’t just about biting back—it’s about commanding the room and rewriting her narrative. From its jazz-hip-hop fusions to its Latin inflections, RUSH feels like a pulsating heartbeat of resistance and ambition, a vibrant push against the limits others set for her. If you’re into artists who walk the line between bold and vulnerable, Fitasha’s layered lyricism and sonic adventurousness are here to grab you by the collar and demand your attention.

Lauri Järvilehto’s “Typhoon”

Lauri Järvilehto’s “Typhoon” hits hard with its mix of emotional depth and sweeping soundscapes. It’s the kind of song that grabs you right from the start, pulling you into the storm and propelling you through it with its uplifting energy and heartfelt lyrics. The track feels personal yet universal, perfectly capturing the chaos and beauty of navigating life’s challenges. Whether you’re listening for the mood or the message, “Typhoon” delivers a captivating experience that’s impossible to forget.

Josh Rifkin ‘Save it For The Morning’

Lifted from Josh Rifkin’s latest album, Lancaster Road, ‘Save it For The Morning’ is a testament to the art of crafting infectious, soulful pop. Its opening lines grip you with a confident swagger—vocals warm with a timeless flair, lyrics painted in vibrant, relatable storytelling. There’s a natural magnetism in the upbeat groove, a blend of old-school soul and contemporary charm. The track’s hook is an earworm in its own right, but what sets it apart are the intricate verses, peppered with crisp musicianship and surprise melodic turns. It’s a surefire standout to kickstart the album.

Jean-Loup Pinson ‘Tell All The Truth/Surrender’ 

Jean-Loup Pinson’s ‘Tell All The Truth/Surrender’ is a masterstroke of modern composition, boldly bridging centuries of artistry. In this standout track from A Moment of Deathlessness, Pinson pairs the haunting choral beauty of The Carice Singers with the hard-hitting spoken word of London poets Armanious and Tanaka Fuego. Dickinson’s timeless themes of truth and surrender become visceral and urgent in Pinson’s hands, carried by a production that seamlessly layers ethereal vocals with futuristic beats. The result is a track that feels revolutionary yet deeply human, cementing Pinson’s place at the forefront of contemporary musical storytelling.

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