'Top 5' Weekly Music Round-Up
We Speak Media | ‘Top 5’ Weekly Music Round-Up (28.06.24)
Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.
BIRTHE ‘Strangers’
BIRTHE, a creative music artist, uses her songs to connect with her audience on a deeper level. Her latest release, ‘Strangers’, features introspective lyrics and moving orchestration, capturing the autobiographical tale of being in a terrible relationship. The production’s summery feelings and seductive voice transport listeners on a passionate journey.
Ronzoni Hines ‘Last Night’
Ronzoni Hines continues his successful single record with ‘Last Night’, a catchy R&B anthem with a grooving instrumental. Merging genres of R&B, pop, soul, disco, and rock, there are captivating sounds nodding inspiration from the likes of Bruno Mars, Usher, and Michael Jackson. He exemplifies his versatility in this offering.
Lucas Elliott ‘Fairytale’
UK-based singer-songwriter and producer Lucas Elliott released his new single, ‘Fairytale’, ahead of his upcoming EP. The song, featuring raw emotion, lyrical depth, and velvety vocals, addresses the media we grow up with, such as movies and novels, and criticizes the accuracy of these stories. Elliott aims to draw people’s attention to the truth behind these stories and create a refreshingly innovative listening experience.
X Revolution ‘Power Games’
Australian artist X Revolution returns with his latest single, ‘Power Games’, showcasing a polished style, exceptional productions, and dedication to the music scene, as well as his consistent high-quality releases.
Lydia the Bard ‘Afraid of Quiet’
In her song ‘Afraid of Quiet’, the UK-based singer-songwriter shares her personal experience with anxiety and mental health struggles. Together with her creative partner Ben Tomalin, she created the dynamic anthem, which is sure to leave a lasting impression on both longtime fans and casual listeners with its fast-paced, reflective lyrics and charming melodies.
'Top 5' Weekly Music Round-Up
WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (15.11.24)
Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.
Laughing Cats ‘Jerk’
“Jerk,” the latest single from Laughing Cats, is a testament to the duo’s ability to transform classic influences into something wholly original. Lauren Schiff’s poignant lyrics tell a story of self-realization, while Tony Fredianelli’s musicianship delivers a punchy, melodic backdrop. The song’s roots in rock and new wave make it a nostalgic delight, but the duo’s inventive approach injects it with contemporary relevance. The introspective nature of “Jerk” and its anthemic message suggest Laughing Cats’ debut album, Funny Money, will be an album for fans who appreciate both the soul of classic rock and the allure of new-age sounds.
Longplayer ‘I Saw You Turning Around’
With “I Saw You Turning Around,” Mikey Long redefines the boundaries of contemporary rock through his solo project, Longplayer. The song intricately weaves a narrative of reflection and closure, inspired by an unexpected encounter with an ex-lover. The lush instrumentation, reminiscent of George Harrison’s work, is complemented by carefully crafted guitar layers that enhance the emotional weight of the lyrics. Long’s collaboration with Jay Watson brings an added rhythmic vitality to the track, while Shags Chamberlain’s synth contributions create an immersive listening experience. This single is a beautifully crafted piece that showcases Long’s growing prowess as a songwriter and producer.
Amelie Aldner ‘Touch Me’
Set against the lush, emotive backdrop of her Scandinavian roots, Amelie Aldner’s new single ‘Touch Me’ is an alluring glimpse into Aldner’s upcoming album, anticipated for release in 2025. ‘Touch Me’ shines with Aldner’s trademark style—gentle, layered vocals and deeply personal lyrics, inviting listeners to explore themes of intimacy and connection. With subtle gospel undertones, ‘Touch Me’ steps outside conventional pop, blending soul with a timeless warmth. Aldner’s emotional delivery is matched by a seamless fusion of folk, soul, and gospel sounds, showcasing her ability to create music that feels both deeply personal and universally relatable
ION ‘You Hear Her Too?’
ION’s new single “You Hear Her Too?” unfolds as a captivating exploration of the duality of witchcraft, presenting two contrasting perspectives in a seamless musical journey. The first part immerses listeners in the inner sanctum of witches, portraying them as benevolent healers deeply attuned to nature and its spirits. In stark contrast, the second half exposes the long-held societal perceptions that depict witches as malevolent and insane, creating a powerful commentary on the tension between acceptance and fear. The track masterfully blends alternative and ambient soundscapes with intense moments, inviting listeners to grapple with the choice of dismissing these voices as mere delusion or embracing the rich, mystical reality they have inhabited for centuries. In doing so, ION challenges us to reconsider our understanding of the occult and its profound connection to the human experience.
Kendra & The Bunnies ‘Manic Pixie Nightmare’
Kendra & the Bunnies’ latest release, “Manic Pixie Nightmare,” is a fierce commentary on self-identity and a sonic rebellion against the “manic pixie dream girl” stereotype. Kendra Muecke’s storytelling shines, as she narrates a journey of breaking free from the confining labels placed upon women, delivering a fresh perspective that’s refreshingly authentic. Her raspy, soulful voice carries an almost cathartic energy, blending seamlessly with the edgy instrumentals to evoke a sense of liberation and power. Set against the Los Angeles subway, the music video brings this ethos to life, showing Muecke at home among the city lights and chaos, unapologetically owning her individuality. “Manic Pixie Nightmare” is a manifesto for anyone ready to find themselves beyond the expectations and to “live for the plot.”
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