'Top 5' Weekly Music Round-Up
We Speak Media | ‘Top 5’ Weekly Music Round-Up (28.06.24)

Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.
BIRTHE ‘Strangers’
BIRTHE, a creative music artist, uses her songs to connect with her audience on a deeper level. Her latest release, ‘Strangers’, features introspective lyrics and moving orchestration, capturing the autobiographical tale of being in a terrible relationship. The production’s summery feelings and seductive voice transport listeners on a passionate journey.
Ronzoni Hines ‘Last Night’
Ronzoni Hines continues his successful single record with ‘Last Night’, a catchy R&B anthem with a grooving instrumental. Merging genres of R&B, pop, soul, disco, and rock, there are captivating sounds nodding inspiration from the likes of Bruno Mars, Usher, and Michael Jackson. He exemplifies his versatility in this offering.
Lucas Elliott ‘Fairytale’
UK-based singer-songwriter and producer Lucas Elliott released his new single, ‘Fairytale’, ahead of his upcoming EP. The song, featuring raw emotion, lyrical depth, and velvety vocals, addresses the media we grow up with, such as movies and novels, and criticizes the accuracy of these stories. Elliott aims to draw people’s attention to the truth behind these stories and create a refreshingly innovative listening experience.
X Revolution ‘Power Games’
Australian artist X Revolution returns with his latest single, ‘Power Games’, showcasing a polished style, exceptional productions, and dedication to the music scene, as well as his consistent high-quality releases.
Lydia the Bard ‘Afraid of Quiet’
In her song ‘Afraid of Quiet’, the UK-based singer-songwriter shares her personal experience with anxiety and mental health struggles. Together with her creative partner Ben Tomalin, she created the dynamic anthem, which is sure to leave a lasting impression on both longtime fans and casual listeners with its fast-paced, reflective lyrics and charming melodies.
'Top 5' Weekly Music Round-Up
WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (09.05.25)

Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.
Soapman ‘Y. L. T. Y.’
Soapman’s “Y. L. T. Y.” doesn’t walk into the room—it kicks the door down with jittery guitars, caffeine-fueled vocals, and a tempo that refuses to sit still. It’s a wild, weird alt-pop ride that sounds like your inner monologue set to a mosh pit soundtrack, and somehow it’s both chaotic and incredibly catchy. If you’ve ever wanted to dance through an existential crisis, this one’s for you.
Shawn Matthew ‘Work To The Beat’
“Work to the Beat” feels like someone dropped a grenade in a rave—and we mean that as a compliment. Shawn Matthew’s new single is a reckless blend of gritty vocals, teeth-grinding bass, and trap drops that go full beast mode. It’s like a sonic rollercoaster with no brakes, and we’re grinning the whole way down.
Stephen Sol ‘Forever Changed’
Warning: “Forever Changed” may cause spontaneous staring out the window during a rainstorm, even if it’s sunny. Stephen Sol delivers a heartfelt indie folk gem that sounds like Ben Howard wandered into a candlelit therapy session. Equal parts soothing and soul-crushing, the track is a warm hug for anyone still emotionally invested in “what could’ve been.”
Peso The Misfit ‘New Age Love’
“New Age Love” by Peso The Misfit is like that cool friend who always smells good, gives great advice, and somehow turns every situation into a movie scene. Smooth R&B grooves meet hip-hop confidence in this flirty, laid-back track that’s built for warm nights, good company, and a little romantic chaos. Peso delivers a vibe that’s cheeky and charismatic, with just enough mystery to keep you hitting replay—and yes, there’s a line in here that’ll make you laugh out loud.
Zweng ‘Marianne’
Zweng’s Marianne is an achingly beautiful tribute to the maternal strength that often goes unnoticed. Written in honor of his mother, the track is a “persona” song that imagines what the partner she deserved—but never had—might have said. With tenderness and quiet grace, Zweng crafts a redemptive narrative, one that delves into the complex layers of generational pain, forgiveness, and love. The stripped-back arrangement lets his raw, emotive voice carry the weight of the song’s poignant message, while the subtle instrumentation adds a sense of timelessness to the track. Marianne is a soul-stirring meditation on healing and empathy, showcasing Zweng’s ability to transform personal experience into universal truth. It’s a song that quietly resonates, holding a mirror up to the often unspoken sacrifices of maternal love. Beautifully vulnerable and deeply reflective, Marianne is a standout moment in Zweng’s ongoing journey of self-discovery and artistic rebirth.
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