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'Top 5' Weekly Music Round-Up

We Speak Media | ‘Top 5’ Weekly Music Round-Up (22.03.24)

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Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.

Danny B The Airhead ‘Good Noise’

Danny B’s latest song, “Good Noise,” is a hip-hop and rap track with a lively production that includes electric piano, bass, percussion samples, and strings. The calm voice and lively production will grab the listener’s attention immediately.

Lisa Ramey ‘Better Than That’

“Better Than That” combines pop, soul, and R&B genres. Lisa Ramey has given a particular rendition of the catchy song. She had to write about how relationships, friendships, and the planet all ought to be better than they already are. Her career, which effortlessly and adaptably transitions between genres, is a testament to her creative and limitless attitude. The song has heartfelt vocals on the production, computer production, passionate piano, bass, drums, anthemic drumming, and soft piano chords.

Nervous City Nervous Self ‘Act V’

Nervous City Nervous Self’s new single merges pop, singer-songwriter, and folktronica are all blended on “Act V,” which is a compelling piece. The musical masterpiece is a melancholic romantic song with chilling vocals and a dreamy production with bass, bells, strings, guitar, drum machine, and synthesizer.

Devansh ‘The Brace’

Multi-instrumentalist, producer, and singer Devansh’s new single “The Brace” showcases his genre-bending music and combines elements of jazz, indie pop, world music, modern funk, and psychedelic soul. The single takes the listener on an emotional trip while capturing evocative narrative and laid-back feelings with its introspective lyricism and funky groove.

Catlea ‘Like Me’

Singer-songwriter and multi-instrumentalist Catlea has a broad range of musical inclinations, including pop, rock, alt-indie, and electronic dance music. The alt-indie singer has a voice that is simultaneously raw, powerful, and exquisite. To enhance their distinctive vocals, Catlea plays the piano, ukulele, acoustic guitar, and rhythm guitar. “Like Me” is a moving song with wonderful vocals that talks to our need for connection combined with a strong melody.

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'Top 5' Weekly Music Round-Up

WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (15.11.24)

Published

on

Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.

Laughing Cats ‘Jerk’

“Jerk,” the latest single from Laughing Cats, is a testament to the duo’s ability to transform classic influences into something wholly original. Lauren Schiff’s poignant lyrics tell a story of self-realization, while Tony Fredianelli’s musicianship delivers a punchy, melodic backdrop. The song’s roots in rock and new wave make it a nostalgic delight, but the duo’s inventive approach injects it with contemporary relevance. The introspective nature of “Jerk” and its anthemic message suggest Laughing Cats’ debut album, Funny Money, will be an album for fans who appreciate both the soul of classic rock and the allure of new-age sounds.

Longplayer ‘I Saw You Turning Around’

With “I Saw You Turning Around,” Mikey Long redefines the boundaries of contemporary rock through his solo project, Longplayer. The song intricately weaves a narrative of reflection and closure, inspired by an unexpected encounter with an ex-lover. The lush instrumentation, reminiscent of George Harrison’s work, is complemented by carefully crafted guitar layers that enhance the emotional weight of the lyrics. Long’s collaboration with Jay Watson brings an added rhythmic vitality to the track, while Shags Chamberlain’s synth contributions create an immersive listening experience. This single is a beautifully crafted piece that showcases Long’s growing prowess as a songwriter and producer.

Amelie Aldner ‘Touch Me’

Set against the lush, emotive backdrop of her Scandinavian roots, Amelie Aldner’s new single ‘Touch Me’ is an alluring glimpse into Aldner’s upcoming album, anticipated for release in 2025. ‘Touch Me’ shines with Aldner’s trademark style—gentle, layered vocals and deeply personal lyrics, inviting listeners to explore themes of intimacy and connection. With subtle gospel undertones, ‘Touch Me’ steps outside conventional pop, blending soul with a timeless warmth. Aldner’s emotional delivery is matched by a seamless fusion of folk, soul, and gospel sounds, showcasing her ability to create music that feels both deeply personal and universally relatable

ION ‘You Hear Her Too?’

ION’s new single “You Hear Her Too?” unfolds as a captivating exploration of the duality of witchcraft, presenting two contrasting perspectives in a seamless musical journey. The first part immerses listeners in the inner sanctum of witches, portraying them as benevolent healers deeply attuned to nature and its spirits. In stark contrast, the second half exposes the long-held societal perceptions that depict witches as malevolent and insane, creating a powerful commentary on the tension between acceptance and fear. The track masterfully blends alternative and ambient soundscapes with intense moments, inviting listeners to grapple with the choice of dismissing these voices as mere delusion or embracing the rich, mystical reality they have inhabited for centuries. In doing so, ION challenges us to reconsider our understanding of the occult and its profound connection to the human experience.

Kendra & The Bunnies ‘Manic Pixie Nightmare’

Kendra & the Bunnies’ latest release, “Manic Pixie Nightmare,” is a fierce commentary on self-identity and a sonic rebellion against the “manic pixie dream girl” stereotype. Kendra Muecke’s storytelling shines, as she narrates a journey of breaking free from the confining labels placed upon women, delivering a fresh perspective that’s refreshingly authentic. Her raspy, soulful voice carries an almost cathartic energy, blending seamlessly with the edgy instrumentals to evoke a sense of liberation and power. Set against the Los Angeles subway, the music video brings this ethos to life, showing Muecke at home among the city lights and chaos, unapologetically owning her individuality. “Manic Pixie Nightmare” is a manifesto for anyone ready to find themselves beyond the expectations and to “live for the plot.”

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