'Top 5' Weekly Music Round-Up
WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (09.05.25)
Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.
Soapman ‘Y. L. T. Y.’
Soapman’s “Y. L. T. Y.” doesn’t walk into the room—it kicks the door down with jittery guitars, caffeine-fueled vocals, and a tempo that refuses to sit still. It’s a wild, weird alt-pop ride that sounds like your inner monologue set to a mosh pit soundtrack, and somehow it’s both chaotic and incredibly catchy. If you’ve ever wanted to dance through an existential crisis, this one’s for you.
Shawn Matthew ‘Work To The Beat’
“Work to the Beat” feels like someone dropped a grenade in a rave—and we mean that as a compliment. Shawn Matthew’s new single is a reckless blend of gritty vocals, teeth-grinding bass, and trap drops that go full beast mode. It’s like a sonic rollercoaster with no brakes, and we’re grinning the whole way down.
Stephen Sol ‘Forever Changed’
Warning: “Forever Changed” may cause spontaneous staring out the window during a rainstorm, even if it’s sunny. Stephen Sol delivers a heartfelt indie folk gem that sounds like Ben Howard wandered into a candlelit therapy session. Equal parts soothing and soul-crushing, the track is a warm hug for anyone still emotionally invested in “what could’ve been.”
Peso The Misfit ‘New Age Love’
“New Age Love” by Peso The Misfit is like that cool friend who always smells good, gives great advice, and somehow turns every situation into a movie scene. Smooth R&B grooves meet hip-hop confidence in this flirty, laid-back track that’s built for warm nights, good company, and a little romantic chaos. Peso delivers a vibe that’s cheeky and charismatic, with just enough mystery to keep you hitting replay—and yes, there’s a line in here that’ll make you laugh out loud.
Zweng ‘Marianne’
Zweng’s Marianne is an achingly beautiful tribute to the maternal strength that often goes unnoticed. Written in honor of his mother, the track is a “persona” song that imagines what the partner she deserved—but never had—might have said. With tenderness and quiet grace, Zweng crafts a redemptive narrative, one that delves into the complex layers of generational pain, forgiveness, and love. The stripped-back arrangement lets his raw, emotive voice carry the weight of the song’s poignant message, while the subtle instrumentation adds a sense of timelessness to the track. Marianne is a soul-stirring meditation on healing and empathy, showcasing Zweng’s ability to transform personal experience into universal truth. It’s a song that quietly resonates, holding a mirror up to the often unspoken sacrifices of maternal love. Beautifully vulnerable and deeply reflective, Marianne is a standout moment in Zweng’s ongoing journey of self-discovery and artistic rebirth.
'Top 5' Weekly Music Round-Up
WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (19.06.26)
Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.
Carlotta Schmidt ‘Let Me Be Me’
Carlotta Schmidt’s “Let Me Be Me” is the kind of song that sneaks into your playlist and then refuses to leave. Blending Americana charm with singer-songwriter sincerity, Schmidt delivers an infectious anthem about embracing your true self without apology. The track feels warm, welcoming, and wonderfully human, while its crowd-powered music video—featuring 67 participants from around the world—adds an extra layer of heart. Honest, uplifting, and impossible not to smile at, “Let Me Be Me” proves that authenticity never goes out of style.
ZK Jade ‘Good Lover’
ZK Jade’s Good Lover is the soundtrack for everyone who’s ever stared at their phone wondering, “Wait… what are we?” Wrapped in glossy dark-pop production and irresistible Pop-R&B vibes, the track captures the chaos of modern dating with equal parts confidence and vulnerability. With cinematic production from longtime collaborator HILLOC and lyrics that hit a little too close to home, Good Lover is catchy, clever, and dangerously relatable—a pop gem that proves mixed signals have never sounded this good.
Molly Stone ‘I Got You’
Molly Stone turns friendship into a full-on pop moment in “I Got You,” blending catchy melodies with affectionate chaos and a sense of humour that keeps everything refreshingly alive. It’s upbeat, a little bit wild, and deeply warm at its core—basically the musical equivalent of your favourite person dragging you into a spontaneous adventure you didn’t know you needed.
Kuda-Kwashé ‘Afua’s Kitchen (Hosted by Ne-Yo)’
Kuda-Kwashé’s “Afua’s Kitchen (Hosted by Ne-Yo)” doesn’t just knock on the door—it walks straight in, fills the room with good vibes, and gets everyone dancing. Blending Afro-fusion flavours with cinematic production and feel-good storytelling, the Zimbabwean-born artist creates a track that feels effortlessly uplifting. There’s a genuine warmth running through every second of the song, making it the kind of record that works just as well at a summer cookout as it does through your headphones on a morning commute.
Austyn Gillette ‘Is It Enough’
“Is It Enough” opens Moments with quiet introspection, examining the endless pursuit of more and the emotional cost that often accompanies it. Anchored by thoughtful lyricism and understated melodies, the track poses universal questions about success, fulfillment, and contentment. It’s a poignant and timely meditation that lingers long after the final note fades.
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