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'Top 5' Weekly Music Round-Up

WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (30.05.25)

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Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.

Campana ‘ROPE’

Need something that hits the soul and the speakers? Campana’s “ROPE” is exactly that. Using love as a lifeline, the track wraps emotional vulnerability in lush production and a hook that begs for a slow head nod. It’s therapy disguised as a jam, with Dave Shanaé serving heavenly vocals and Dave B. dropping the kind of verse that deserves a rewind. This isn’t just a song—it’s your new late-night soundtrack.

Stephan Folkes ‘Somebody Out There’

With “Somebody Out There,” Stephan Folkes channels a thrilling blend of alternative rock, R&B, and soul into a spine-tingling tale of youthful curiosity gone awry. The track feels like a short film in audio form—rich in atmosphere, with vocals that carry both tension and tenderness. It’s a standout release from an artist who’s turning his unique life journey into a powerful, genre-defying musical identity.

Jake Exavier – ‘Just What U Like’

Jake Exavier’s ‘Just What U Like’ is a slow-burning R&B track that succeeds through its emotional clarity and polished production. Self-penned and subtly nostalgic, the song sees Exavier tapping into his influences — Chris Brown, PartyNextDoor, even shades of Donell Jones — while maintaining a personal, grounded tone. His vocals are restrained yet expressive, delivering a message of romantic certainty with both warmth and swagger. What elevates the single is its sonic craftsmanship: producers Rochad Holiday and Curtis “Sauce” Wilson lend a classic ’90s texture that feels fresh when filtered through Exavier’s contemporary lens. It’s not flashy, but that’s exactly the point — ‘Just What U Like’ makes its mark with nuance, sincerity, and an artist in full control of his sound.

Mimi’s Revenge ‘Dire’

‘Dire’ is like diving into a neon-lit dream where everything feels dangerously close to falling apart — and you love it. Mimi’s Revenge takes you on a ride with their sultry vocals, sharp beats, and a vibe that’s equal parts mysterious and magnetic. It’s the perfect anthem for those who thrive in the shadows, daring to feel it all with a slick, addictive soundtrack to match.

The Straights ‘Remedy’

If you ever wondered what happens when you combine garage rock grit with indie swagger, “Remedy” by The Straights has the answer. From the first crunch of the guitar to the final bang of the drums, this track is pure, unfiltered rock ‘n’ roll magic. The song’s lyrics are unapologetically raw, capturing the messy pursuit of healing through sound and sweat. It’s loud, it’s messy, and it’s everything you need when life gets chaotic — a perfect, rebellious anthem for anyone who just needs to let loose and rock out.

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'Top 5' Weekly Music Round-Up

WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (12.12.25)

Published

on

Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.

Maria Rosa La Kakiee ‘Trigger My Aria’

‘Trigger My Aria’ fuses hip-hop swagger and melodic sensitivity, proving Maria Rosa La Kakiee is a rising force in independent music.

Zuko Sian ‘Spill A Little Tea’

“Spill A Little Tea” is Zuko Sian at her unapologetic, cinematic best — think soul, jazz, and hip-hop all gossiping in one living room. She delivers truths like confetti: sharp, colorful, and impossible to ignore, while the production keeps your foot tapping even as your heart flutters. By the time the hook hits, you’ll be humming along, spilling your own secrets, and maybe even drafting a strongly worded group chat message — all while feeling like a total icon.

The Kid J The Don ‘Crash Out’

That Kid J The Don turns pain into power on “Crash Out,” delivering a record that’s equal parts confession, confrontation, and championship entrance music. You can hear the fingerprints of Atlanta, Miami, and New York all over the track, woven together with the discipline of a martial artist and the swagger of a seasoned MC. His voice sounds like grit in motion — relentless, emotional, and sharpened by experience. This is the kind of song that makes you straighten your back and walk like you’ve survived something.

Neil Friedlander ‘Totem’

“Totem” introduces Neil Friedlander’s The Change with a sense of wonder that mirrors the unusual circumstances of its creation: a tiny Brooklyn studio, pandemic silence, and a simmering pot anchoring the days. What emerged is a song that embraces uncertainty with charm and curiosity, anchored by witty lyrical imagery and a breezy, nostalgic pop-rock sheen shaped alongside producer Chris Camilleri. The track’s world expands even further in its beautifully realized music video, shot along New Jersey cliffs, where Friedlander ventures into a forest realm inhabited by graceful Muses brought to life by dancers Hayley Rose Brasher and Brandy Brown. Directed and edited by Friedlander himself, the video underscores “Totem” as both a personal awakening and a visual poem about finding direction in the unknown.

Dantiti ‘Big Big Tinz’

Think of “Big Big Tinz” as a masterclass in vibe-setting. The track’s pulsating rhythms, shimmering synths, and Dantiti’s effortlessly smooth delivery make it a perfect example of how Afrobeats can feel both global and deeply personal. It’s fun, it’s catchy, and it’s impossible not to hit repeat.

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