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'Top 5' Weekly Music Round-Up

WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (14.02.25)

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Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.

Niamh McKinney ‘Reliving’

Ethereal yet deeply grounded, ‘Reliving’ is a stunning exploration of self-awareness and the stories we tell ourselves. Niamh McKinney’s signature vocal style—both intimate and otherworldly—draws listeners into a liminal space where emotions swirl like mist over the Wicklow hills that inspire her work. The production, delicately layered yet powerfully immersive, allows every note to breathe, mirroring the song’s themes of fleeting permanence. With each release, McKinney refines her artistry, and ‘Reliving’ stands as her most hauntingly beautiful offering yet.

Riva Taylor ‘Valentine Road’

With ‘Valentine Road’, Riva Taylor masterfully transforms personal reflection into a universally relatable ballad of love and loss. Written on the very street that lends its name to the track, the song blends jazz and pop elements with a stirring sincerity that feels both classic and refreshingly modern. Taylor’s ethereal vocals float over a rich, atmospheric arrangement, capturing the essence of nostalgia and heartache while leaving room for hope. The single sets the stage for her upcoming EP, proving once again why her artistry continues to captivate audiences worldwide.

jacuzzi jefferson ft Chris Mazuera, Ghostface ‘Heavy’

Few albums in recent memory feel as adventurous and meticulously crafted as jacuzzi jefferson’s ‘dumbmachine’. With a cast of collaborators ranging from hip-hop legends to indie innovators, Jefferson constructs a soundscape that is both deeply immersive and refreshingly unpredictable. Tracks like ‘heavy’ showcase his signature approach—melding gritty rap cadences with dreamy, genre-defying instrumentals. Whether leaning into boom bap nostalgia, electronic experimentation, or indie-laced melodies, ‘dumbmachine’ never lingers in one place for too long, keeping listeners engaged with every twist and turn. It’s a bold, fearless statement from an artist who refuses to be confined by convention.

Lola Wild ‘Jump The Gun’

Few artists can weave heartbreak into something as effortlessly stylish as Lola Wild does with ‘Jump the Gun’. The track, lifted from her upcoming EP, Lost Signal, unfolds like a confessional whispered into a dimly lit bar, its reverb-soaked production amplifying the vulnerability at its core. Wild’s lyricism is both poetic and relatable, chronicling the weight of anticipation and self-doubt with aching sincerity. Sonically, the song is a love letter to the past, yet it never feels stuck there—its modern sheen and dynamic vocal delivery ensure it resonates beyond its vintage inspirations. Captivating and cathartic, ‘Jump the Gun’ is a dazzling showcase of Wild’s ability to turn personal reflection into universal nostalgia.

Dave Curl ‘Fool In Love’

Few artists can weave personal history into a song as effortlessly as Dave Curl does in ‘Fool in Love’. Originally penned decades ago, the track retains a raw authenticity, making it both a nostalgic confession and a timeless anthem. Curl’s emotive vocals drive the song’s emotional core, while its polished, upbeat production ensures it remains a compelling listen. The song’s introspective lyrics and catchy hooks strike a balance between heartfelt reflection and radio-friendly appeal, making ‘Fool in Love’ a testament to Curl’s ability to connect with audiences through genuine storytelling.

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'Top 5' Weekly Music Round-Up

WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (12.12.25)

Published

on

Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.

Maria Rosa La Kakiee ‘Trigger My Aria’

‘Trigger My Aria’ fuses hip-hop swagger and melodic sensitivity, proving Maria Rosa La Kakiee is a rising force in independent music.

Zuko Sian ‘Spill A Little Tea’

“Spill A Little Tea” is Zuko Sian at her unapologetic, cinematic best — think soul, jazz, and hip-hop all gossiping in one living room. She delivers truths like confetti: sharp, colorful, and impossible to ignore, while the production keeps your foot tapping even as your heart flutters. By the time the hook hits, you’ll be humming along, spilling your own secrets, and maybe even drafting a strongly worded group chat message — all while feeling like a total icon.

The Kid J The Don ‘Crash Out’

That Kid J The Don turns pain into power on “Crash Out,” delivering a record that’s equal parts confession, confrontation, and championship entrance music. You can hear the fingerprints of Atlanta, Miami, and New York all over the track, woven together with the discipline of a martial artist and the swagger of a seasoned MC. His voice sounds like grit in motion — relentless, emotional, and sharpened by experience. This is the kind of song that makes you straighten your back and walk like you’ve survived something.

Neil Friedlander ‘Totem’

“Totem” introduces Neil Friedlander’s The Change with a sense of wonder that mirrors the unusual circumstances of its creation: a tiny Brooklyn studio, pandemic silence, and a simmering pot anchoring the days. What emerged is a song that embraces uncertainty with charm and curiosity, anchored by witty lyrical imagery and a breezy, nostalgic pop-rock sheen shaped alongside producer Chris Camilleri. The track’s world expands even further in its beautifully realized music video, shot along New Jersey cliffs, where Friedlander ventures into a forest realm inhabited by graceful Muses brought to life by dancers Hayley Rose Brasher and Brandy Brown. Directed and edited by Friedlander himself, the video underscores “Totem” as both a personal awakening and a visual poem about finding direction in the unknown.

Dantiti ‘Big Big Tinz’

Think of “Big Big Tinz” as a masterclass in vibe-setting. The track’s pulsating rhythms, shimmering synths, and Dantiti’s effortlessly smooth delivery make it a perfect example of how Afrobeats can feel both global and deeply personal. It’s fun, it’s catchy, and it’s impossible not to hit repeat.

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