We Speak Actors
Writer-director Leonid Andronov on his post-pandemic pivot to writing books
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Leonid Andronov, who was born in Russia but now lives in LA, knows the film industry inside out, having worked in almost every role from sound recording to production. Best known for writing and directing, his first feature film was ‘29th Kilometer’ – based on his experiences of being in a rock band – which was followed by several short films shot and produced in Los Angeles. Since the pandemic, Leonid has been writing books, but he’s also looking forward to directing a horror movie later this year. He talks about telling stories, staying resilient, and how he gets his ideas…
Tell us about your latest projects?
“There are several projects. One of my books has just been published in Russia. It’s the story of a war reporter who has to come back to London after being injured in Africa. His rich grandfather, who hasn’t talked to him for years, hires him to conduct a private investigation into a stolen precious stone that their family owned for a century. Also, I’m finishing another novel in English now. It’s a thriller about a father and daughter going to Burning Man before her wedding. The daughter is bipolar and the father is a priest. Yes, that’s how crazy I am! And finally, when I was at the Cannes Film Festival, I got an offer to write and direct a small horror movie. We’re going to have a location-scouting in June and hopefully start shooting in September.”
With such a wide range of talents, how do you describe what you do?
“I always think of myself as a writer-director. In the 11 years since I moved to Los Angeles, I’ve worked in many positions. I recorded sound, drew storyboards, was a set dresser, a production designer, a driver, a first assistant director, I produced a little, and I’ve been writing, writing, and writing. But I came to the US after my first feature film was released in Russia. I started with a feature-length film, which not many people do! So I’m always working on a new thing. Now, since Covid, when everything changed and so many projects fell apart, I started turning some of my scripts into books. First, I published a two-volume fantasy novel in Russia in 2020-2021, now we are working on the English translation. Meanwhile, I’ve produced an audiobook for it, and besides I wrote a script for a comedy that was released in cinemas in 4 countries in 2022. After all, I’m still working on getting funds for my next films.”
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What was it like being at Cannes this year?
“It has such a unique atmosphere. I don’t know any other place like it; people are so excited and full of energy. And ideas pop up. For example, the horror-movie project was born when I was sitting with my executive producer Igor Yisark and a distributor at the Producers’ Lounge in the Palais talking about completely different things. Suddenly we started to talk about abandoned mines and towns in California. Igor is a big fan of off-road rides and he knows so many interesting places that nobody has ever seen. We began to talk about how cool it would be to shoot a movie, so… basically we are going to do it now!”
And you’re working on a French project?
“There was another idea that we discussed with my good friend Marianne Bourg, a well-known actress who lives between LA and Luxembourg. We want to take one of my theatre plays, translate the script into French (Marianne will help me with that) and shoot it in Luxembourg. Why not? It will be a challenge, and I’m very excited to try something new. It’s a universal story about a family – a grandmother, mother and son with troubled relationships based on their love and hate for each other. Can love kill? Sometimes.”
You’ve also won a few awards in the entertainment industry…
“Yes, but I’m more interested in getting my projects to the audience. I’m focused on making each of them valuable for a viewer or a reader. I must make my stories intriguing and interesting – that’s my job. If I’m going to get an award for my work, great. But the audience response is more valuable to me.”
We Speak Actors
‘Elkhorn’ star Travis Lee Eller talks Westerns, character-building, and the art of the perfect hat
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Travis Lee Eller isn’t just an actor—he’s a storyteller deeply immersed in the world of Westerns, both on-screen and off. Whether portraying rugged frontiersmen or crafting authentic, weathered cowboy hats through his business, Ugly Outlaw Hats, Eller understands that every detail—especially the right hat—helps define a character. Currently, you can catch him in ‘The Rebel’, a Star Wars fan film directed by Casey Oberhansli, now streaming on YouTube. Later this year, he’ll appear in two Western short films, ‘Darlin’’ and ‘Stubborn’, both directed by Robert Gamperl and set to make the film festival rounds before landing on streaming platforms. And, of course, fans of ‘Elkhorn’ can look forward to season two, premiering in late 2025 produced by Morningstar Entertainment on the INSP Network. We caught up with Eller to talk about his career, the legacy of Westerns in Hollywood, and why the perfect hat is more than just an accessory—it’s the finishing touch that brings a character to life.
You’re known for acting in Western film and TV projects. Which ones are you most proud of?
I don’t think I play favorites when it comes to my projects. What I remember most are the experiences on set, the incredible people I’ve worked with, and the lessons I’ve learned along the way. Each project pushes me to grow as an actor. That said, I’m especially proud of my latest script, ‘No Man Was Civilized’. It’s a story I’ve spent years developing, and I’m excited to see where it goes.
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What are you working on at the moment?
Right now, I’m filming season two of Elkhorn for the INSP Network. The series takes place in the 1880s and follows a young Teddy Roosevelt as he ventures west to prove himself as a cowboy. I play Joe Ferris, the town shopkeeper, and the story is rooted in true events. The new season is set to premiere in late 2025. Beyond acting, I recently finished writing a Western feature film called ‘No Man Was Civilized’, which weaves together four short stories into a single, cohesive narrative. Writing has been a long but rewarding process, and I can’t wait to see it take shape.
Your business, Ugly Outlaw Hats, is also connected to Western projects. In what way?
My hats are known for their worn, distressed look—it’s a craft I’ve spent years perfecting. Over time, actors, directors, and costume designers have reached out for custom pieces to fit specific characters. I even wear my own designs in my work. In fact, the hat I’m wearing in ‘Elkhorn’ season two is one of mine. I’ve always believed that in a Western, the hat is the final touch that defines a character. It tells a story before a single word is spoken.
How do you balance your business and acting career?
During my downtime, I’m usually making hats.The two never really interfere with each other—if anything, hat-making is therapeutic for me. I often find myself running lines in my head while working in my studio. If it weren’t for acting, I probably wouldn’t have started my business in the first place. Over time, I’ve found a rhythm that allows me to balance both without feeling overwhelmed.
What advice would you give to actors who want to appear in Westerns?
Every actor has their own approach to storytelling, character development, and capturing the right tone. There’s no single “right way” to do it. But for me, my love of Westerns comes from a deep passion for that era of American history. I grew up in a household where Westerns were always on TV, so it became part of my DNA. If I had to give one practical piece of advice? Don’t wear your hat backward. I see it happen in movies and TV shows all the time, and it always makes me cringe a little.
What upcoming projects do you have?
Right now, you can watch me in ‘The Rebel’, a Star Wars fan film directed by Casey Oberhansli, available on YouTube. Later this year, I’ll be in Darlin’ and Stubborn, two Western short films directed by Robert Gamperl, both of which will hit the festival circuit before streaming. And, of course, Elkhorn season two arrives in late 2025, produced by Morningstar Entertainment.
Beyond that, my agent, Beverly Brock, is always pitching me for new opportunities. I’m excited for whatever comes next and grateful for every step of the journey.
Featured photo credit: Morgan Weistling
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