We Speak Music
YARD Delivers Masterful Tune ‘BEND’
The sonic force that is YARD has unleashed their latest single, “Bend,” a track set to shake the electro-noise genre to its core. Known for their gripping live performances, YARD melds the raw intensity of noise rock with the relentless rhythms of techno, creating an auditory experience that leaves audiences both electrified and slightly unnerved.
At the forefront of their visual identity is Bucketman, the band’s enigmatic mascot, embodying the dark, boisterous energy that defines YARD’s sound. This surreal figure adds a visceral punch to their performances, distinguishing YARD in Ireland’s vibrant music scene.
YARD has shared the stage with notable acts like Shame, Psychotic Monks, and Mandy Indiana, leaving an indelible mark with their dynamic stage presence. Their rise in the music scene has been meteoric, earning them slots at prestigious international festivals such as Eurosonic and The Great Escape, with an eagerly awaited appearance at Primavera Pro in 2024. Drawing inspiration from the likes of SUUNS and Nine Inch Nails, YARD crafts a sound that is both fiercely infectious and refreshingly original.
“Bend” sees YARD weaving together elements of grunge, heavy rock, and pulsating electronica into a sound that is as fierce as it is captivating. The track opens with a barrage of blinding electronics, thunderous drums, and ferocious guitar riffs, all anchored by White’s powerful vocals. Just when listeners think they’ve grasped YARD’s musical identity, the band shifts gears, delivering surprises that confirm their status as a group to watch closely.
The single delves deep into the exhaustion and quiet desperation that accompanies the relentless demands of modern life. “Bend” becomes an anthem of defiance, with YARD channeling their high-octane energy into lyrics that resonate with anyone feeling overwhelmed by societal expectations.
A YARD live show is a sensory explosion, where the band’s energy whips the audience into a collective frenzy. Venues transform into sweat-drenched, pulsating arenas, where strangers become a temporary tribe, united in their head-bobbing devotion to the music.
With a packed tour schedule and more festival appearances on the horizon, “Bend” is poised to become a staple in fans’ playlists. YARD is not just making music; they’re spearheading a radical shift in how we experience live performances.
With “Bend,” YARD takes a stand against the pressures of the fast-paced world, delivering a defiant piece that pierces the superficial and connects deeply with those who feel suffocated by modern life. YARD is here, and they demand to be heard.
Listen here:
London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.
Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’
‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.
Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.
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