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4Play Drops Afro House Remix of AratheJay’s ‘Jesus Christ II’ with Black Sherif

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London-based music and production collective 4Play has started the year strong with an Afro House version of AratheJay’s hit track “Jesus Christ II” featuring Black Sherif.  

Known for their ability to seamlessly blend musical talent with cultural influence, the trio visited Ghana during the recent Detty December festivities.

They performed at major events, including the “iMullar Sound System” and the Gold Block Party, thrilling audiences with their dynamic sets.  

This remix showcases 4Play’s innovative approach to music production, adding a fresh, danceable twist to the already popular track. Their unique Afro House spin buzzing and captivating fans across the diaspora and the continent.

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EMEREE’s Cinematic Pivot in ‘Eyesore’ from Pop Star to Pop Assassin

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EMEREE doesn’t just make music—she curates moments. Her latest single “Eyesore” is a cinematic, sarcastic scorcher that sets a new tone for the rising Australian powerhouse. From the candy-coated production to the horror-tinged DIY music video, EMEREE is creating her own genre: camp pop noir.

The single is a masterclass in balancing artistry with attitude. Co-created with Christian Tjandrawinata, “Eyesore” proves EMEREE isn’t here to play safe. She plays sharp, with razor-lined harmonies and lyricism that stabs with a smile. It’s not just catchy—it’s calculated. The beat bounces, the vocals glide, but it’s the burn in the lines that lingers.

Visually, EMEREE doubles down. The music video is a bloody wink to 80s slasher films, with a narrative as satirical as it is symbolic. She doesn’t just kill her ex on screen—she kills the whole trope. Pop stars often tell stories of heartbreak. EMEREE turns it into performance art.

EMEREE says, “Eyesore” is the anthem for anyone who’s ever dated someone who treated them horribly and just wasn’t hot enough to get away with it.”

EMEREE is making noise for all the right reasons—and with creative backing from CAA and sessions alongside Nile Rodgers and Invisible Men, she’s not just rising. She’s plotting her pop empire. “Eyesore” is both a warning shot and a love letter to anyone who’s ever made revenge their aesthetic.

It’s the start of something bold—and we’re already obsessed.

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