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Acclaimed Belgium post-punk band DISORIENTATIONS on UK tour this week!

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New album ‘Lost Today’ out now

Disorientations is a post-punk band from Antwerp, Belgium, composed of lifelong friends Lukas Van Camp on bass, Tomas Serrien on drums and Niels Elsermans on vocals and guitar. The moniker came to exist while jamming endlessly as a way to process shared loss experiences.

Combining an old 80’s vibe with more alternative punk and noise music, their music became characterized by an intense and contemporary cold-blooded sound that comes to life during their intense and noisy performances.

Their debut album ‘Memory Lanes’ was released on [PIAS] Recordings in 2022, receiving critical acclaim, in and outside the underground scene. Their second album ‘Lost Today’ (out now) combines a harsh emotional sound, raw rhythmic power and captivating vocals with in-depth songwriting. ‘Lost Today’ is a collection of introspective and haunting songs. It embodies the compelling moods and emotions of the members of the band.

Disorientations’ music is a translation of contradictions in life. They sing about love & loss, about how to deal with the vast emptiness that manifests itself when you lose something fragile.

 ‘Lost Today’ is packed to the rafters with dark, intense, and electrifying songs. They combine sharp bursts of noise rock, the melancholic atmosphere of post-punk and an airy wall of sound reminiscent of the early 90s shoegaze vibe to something fresh, exciting, and urgent.

The band will venture over to the UK for shows this summer as follows:

Disorientations 2024 UK Tour:

08.08 @ Broadcast, Glasgow

09.08 @ The New Aldelphi Club, Hull

10.08 @ Quarry (Frogfest), Liverpool

We Speak Music

EMEREE’s Cinematic Pivot in ‘Eyesore’ from Pop Star to Pop Assassin

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EMEREE doesn’t just make music—she curates moments. Her latest single “Eyesore” is a cinematic, sarcastic scorcher that sets a new tone for the rising Australian powerhouse. From the candy-coated production to the horror-tinged DIY music video, EMEREE is creating her own genre: camp pop noir.

The single is a masterclass in balancing artistry with attitude. Co-created with Christian Tjandrawinata, “Eyesore” proves EMEREE isn’t here to play safe. She plays sharp, with razor-lined harmonies and lyricism that stabs with a smile. It’s not just catchy—it’s calculated. The beat bounces, the vocals glide, but it’s the burn in the lines that lingers.

Visually, EMEREE doubles down. The music video is a bloody wink to 80s slasher films, with a narrative as satirical as it is symbolic. She doesn’t just kill her ex on screen—she kills the whole trope. Pop stars often tell stories of heartbreak. EMEREE turns it into performance art.

EMEREE says, “Eyesore” is the anthem for anyone who’s ever dated someone who treated them horribly and just wasn’t hot enough to get away with it.”

EMEREE is making noise for all the right reasons—and with creative backing from CAA and sessions alongside Nile Rodgers and Invisible Men, she’s not just rising. She’s plotting her pop empire. “Eyesore” is both a warning shot and a love letter to anyone who’s ever made revenge their aesthetic.

It’s the start of something bold—and we’re already obsessed.

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