We Speak Music
Arathejay reclaims top spot on Apple Music with Jesus Christ II
Ghanaian artist Arathejay has reclaimed the top spot on Apple Music’s “Top 100: Ghana” with his hit single “Jesus Christ II” featuring Black Sherif.
Since its release in August, the track has become a national favourite, never dropping out of the top three, a rare feat that speaks to its anthemic appeal and the talent driving it.

This milestone crowns an already impressive year for Arathejay. After the success of his debut project, “Finding Nimo: The Capsule,” he has continued to rise, gaining recognition as Apple Music’s Spotlight Artist for October and attracting fans far beyond Ghana’s borders.
Now, as he gears up to drop a new single to close out the year, fans are eagerly waiting to see what he’ll deliver next. With a streak of hits and a growing reputation, Arathejay’s journey is only getting started and 2025 looks even brighter.
We Speak Music
Host Bodies’ track ‘On A Roll’ Gets a Psychedelic Reinvention from Soul Glitch
Ten years after Host Bodies first released the album Daily Apparatus, “On A Roll” has found a completely new groove.
For the Daily Apparatus: 10 Year Remixes project, multi-instrumentalist and producer Nicholas Hasty, under his Soul Glitch moniker, takes the original electronic-rock track and pulls it into deeper, more psychedelic territory.
The remix keeps the energy of Host Bodies intact while opening up the track with new beats, electronic textures and expressive saxophone solos. Electric guitar, bass and layered production give it a rich, genre-blurring sound that sits somewhere between indie electronic, jazztronica, soultronica and alternative dance.
There’s something particularly satisfying about hearing a decade-old track treated not as a relic, but as raw material. Soul Glitch reshapes “On A Roll” , finding new spaces within the original and bringing his own musical language into the mix.
The result is energetic, sensual, psychedelic and unapologetically expansive.
Ten years on, “On A Roll” proves that sometimes the best way to celebrate where a song came from is to find somewhere completely new for it to go.
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