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ASPEN and Liv Hanna Debut New Single “Endgame”

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Matt Liebman

“Endgame” is an EDM track that is on-brand for ASPEN, but it is a style of music that hasn’t been heard from AWAL’s Liv Hanna before. However, the thought-provoking lyrics and powerful, heartfelt vocals that are typical of a Liv Hanna record are present in “Endgame.” “Endgame” balances the poignant theme with chill, Tropical House sounds.

The song details the point in a relationship when one weighs staying or leaving. “‘Endgame’ weaves a narrative of internal conflict and indecisiveness, capturing the heartache of deciding whether to stay or part ways in a relationship,” ASPEN states. Liv Hanna further explains, “‘Endgame’ highlights the emotional turmoil that often accompanies profound connections.”

Follow ASPEN:

https://www.instagram.com/aspenofc

https://www.tiktok.com/@aspen.dj

Follow Liv Hanna:

https://www.instagram.com/livhannaaa

https://www.tiktok.com/@livhannasongss

We Speak Electronic

Dancing In Tongues Explore Fragility and Hope on New Single “Petri Dish”

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Brooklyn duo Dancing In Tongues return with their new single “Petri Dish” and it lands like a quiet exhale in a loud world.

Built from soft-focus electronics, delicate rhythms, and vocals that feel almost whispered into the room, “Petri Dish” is less a traditional single and more a suspended moment. It drifts, pulses, and holds its breath in all the right places.

The track is the first glimpse of their upcoming 4-track EP of the same name, due 3rd July, and was written and produced in Berlin with Lucas Herweg (LLUCID) and Jacob Bergson (TAUT), working together as Designer.

At its core, “Petri Dish” comes from something deeply personal: the duo’s experience with IVF. Rather than framing it in heavy-handed terms, the song captures the emotional weather of it all; the waiting, the hope that arrives faster than you expect and the strange stillness that sits alongside it.

That duality runs through everything here. The production feels weightless but never empty with shimmering synths that blur at the edges, textures gently fold into one another, and the rhythm never quite settles into certainty. It moves the way thoughts do when you’re waiting for news you can’t control.

Vocally, Sarah Martin-Nuss stays close to the mic, almost conversational at times, which makes the emotional impact feel even more direct. There’s no performance of grandeur here, just presence, honesty, and space to feel things as they are.

Dancing In Tongues have always worked in that in-between zone where electronic music becomes something more tactile and personal, and “Petri Dish” is no exception.

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