We Speak Music
Austyn Gillette Finds Meaning In The In-Between On ‘Moments’
Austyn Gillette’s Moments doesn’t arrive with dramatic declarations or oversized hooks designed for algorithmic consumption. Instead, the five-track EP unfolds like a series of journal entries written during long train rides, late-night walks, and quiet mornings spent taking stock of where life has been and where it’s headed.
That sense of movement is central to the project. Recorded after a year of travel across Europe and shaped by experiences stretching from Paris to Nashville to Los Angeles, Moments feels less concerned with destinations than with the emotional terrain between them.
Gillette has always excelled at writing songs that sound conversational without sacrificing depth, and here that quality reaches a new level of refinement. His reflections on fulfillment, love, friendship, and change are delivered with an understated confidence that invites listeners into the narrative rather than placing them at a distance.
The production mirrors that intimacy. Guitar lines drift effortlessly through shimmering synth textures, creating an atmosphere that feels simultaneously nostalgic and contemporary. Tracks like “Moments Last” and “Splinters” carry an easy melodic charm, but there’s a subtle complexity beneath the surface. The songs reward repeat listens, revealing new emotional details each time.
The project’s guiding influence—the Swedish concept of lagom—could easily have become a thematic gimmick. Instead, Gillette uses it as a lens through which to examine modern expectations around success, productivity, and happiness. “Is It Enough” becomes particularly resonant in that context, asking questions many listeners are likely already wrestling with themselves.
By the time “Imminent” closes the EP, Gillette seems less interested in providing conclusions than in accepting uncertainty. That’s ultimately what makes Moments feel so human. It’s a record about learning to live inside life’s transitions rather than constantly trying to outrun them.
For an artist whose work has consistently evolved with each release, Moments feels like another significant step forward—subtle, self-assured, and emotionally rich.
Find Austyn Gillette: Instagram, Spotify | PR: Decent Music PR
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Zahili Zamora Wins Two Global Music Awards and Brings Her Afro-Cuban Jazz Quartet to Regattabar
Afro Cuban jazz pianist Zahili Zamora brings her Afro Cuban Jazz Quartet to The Regattabar at The Charles Hotel in Harvard Square, Cambridge, on Friday, November 6 at 7 pm, with special guest Yosvany Terry on saxophone. The quartet features Gerson Lazo Quiroga on bass and Zack O’Farrill on drums. Tickets are $35 and $25 plus fees and are on sale now.
Zamora returns this week from a week in Seoul, Korea, where she was performing and auditioning students for Berklee. She has won two Global Music Awards for her recent album Overcoming, taking Silver Medals for Latin Jazz and Afro Cuban music and for album art and graphics. She is also nominated for the Boston Music Awards 2026 Latin Artist of the Year, with winners announced at Big Night Live on Wednesday, December 16, and WBUR has saluted her as one of its 2026 Makers, its annual series highlighting creatives of color making an impact in the local arts scene. Earlier this year she also won the InterContinental Music Award 2026 for Best of Latin America for her composition “Negra.”
The run of dates continues overseas and back in New York. The Zahili Zamora Afro Cuban Jazz Trio, with Gerson Lazo Quiroga on bass and Julien Miltenberger on drums, plays Upstairs at Ronnie Scott’s Jazz Club in London on Sunday, November 15, with shows at 2 pm and 8 pm. Zamora then plays duo sets with clarinetist Juan Fer Ruiz at So & So’s in New York on Saturday, November 28, Five Spot Jazz in New York on Sunday, November 29, Fat Swami’s Jazz Bar & Lounge in Guttenberg, New Jersey on Thursday, December 3, and The Delancey on Thursday, December 10.
About special guest Yosvany Terry, The New York Times has written that the Cuban saxophonist, percussionist and composer “has helped redefine Latin jazz as a complex new idiom.” Bassist Gerson Lazo Quiroga, a Chilean born Berklee Presidential Scholar, has performed at Carnegie Hall, SFJAZZ and the Montreal, Monterey, San Jose and Panama Jazz Festivals. Drummer Zack O’Farrill, son of pianist Arturo O’Farrill and grandson of composer Chico O’Farrill, performs regularly across the United States and the globe.
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