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Austyn Gillette Finds Meaning In The In-Between On ‘Moments’

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Austyn Gillette’s Moments doesn’t arrive with dramatic declarations or oversized hooks designed for algorithmic consumption. Instead, the five-track EP unfolds like a series of journal entries written during long train rides, late-night walks, and quiet mornings spent taking stock of where life has been and where it’s headed.

That sense of movement is central to the project. Recorded after a year of travel across Europe and shaped by experiences stretching from Paris to Nashville to Los Angeles, Moments feels less concerned with destinations than with the emotional terrain between them.

Gillette has always excelled at writing songs that sound conversational without sacrificing depth, and here that quality reaches a new level of refinement. His reflections on fulfillment, love, friendship, and change are delivered with an understated confidence that invites listeners into the narrative rather than placing them at a distance.

The production mirrors that intimacy. Guitar lines drift effortlessly through shimmering synth textures, creating an atmosphere that feels simultaneously nostalgic and contemporary. Tracks like “Moments Last” and “Splinters” carry an easy melodic charm, but there’s a subtle complexity beneath the surface. The songs reward repeat listens, revealing new emotional details each time.

The project’s guiding influence—the Swedish concept of lagom—could easily have become a thematic gimmick. Instead, Gillette uses it as a lens through which to examine modern expectations around success, productivity, and happiness. “Is It Enough” becomes particularly resonant in that context, asking questions many listeners are likely already wrestling with themselves.

By the time “Imminent” closes the EP, Gillette seems less interested in providing conclusions than in accepting uncertainty. That’s ultimately what makes Moments feel so human. It’s a record about learning to live inside life’s transitions rather than constantly trying to outrun them.

For an artist whose work has consistently evolved with each release, Moments feels like another significant step forward—subtle, self-assured, and emotionally rich.

Find Austyn Gillette: Instagram, Spotify | PR: Decent Music PR 

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2AP – Two Alien Planets Find Beauty in the Noise with “Sweet Harmony”

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What if the world isn’t too loud… what if it’s just your head?

Brno-based duo 2AP – Two Alien Planets tackle that familiar feeling in their new single “Sweet Harmony”: a warm, guitar-driven alternative track about finding your way back to the present when your mind refuses to switch off.

It starts with a bright guitar riff and Lenka K.’s airy soprano, sounding almost like a breath of fresh air. Then the song begins to expand. Guitars gather momentum, the rhythm lifts, and Jarek H.’s warm baritone joins the picture.

By the final chorus, it’s no longer one voice trying to quiet the noise. It’s two voices finding their way through it together.

And that’s where “Sweet Harmony” really hits.

The lyrics balance simple, beautiful things — wind, sunshine, rain, a strand of hair in the breeze — against a much less peaceful inner landscape: a “stormy brain,” angry birds and snakes of grief.

There are no wellness clichés here. No promise that everything suddenly becomes fine.

Instead, the song suggests something more realistic: maybe the beauty is already there. We just have to hear it.

Musically, 2AP blend the melodic warmth of alternative pop-rock with a cinematic indie atmosphere. It’s dreamy without drifting away, emotional without becoming gloomy, and driven by the chemistry between Lenka’s soprano and Jarek’s baritone.

Think 90s/2000s alternative warmth meeting contemporary indie songwriting, with enough guitar to keep things moving and enough space to let the lyrics breathe.

The artwork captures the same tension: warm flowers behind a dark fence. Beauty on one side. Something getting in the way on the other.

“Sweet Harmony” doesn’t ask you to tear the fence down.

It just asks you to look through it.

3:42 of dreamy guitars, two voices, and one very restless brain.

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