We Speak Music
Award-winning Aussie Americana artist HELEN TOWNSEND asks ‘Is This Love’ with new single!
Australian Americana artist Helen Townsend is that rare artist who can make large venues feel like lounge rooms. Get comfy and lean into her richly lyrical songs, get up and dance, sing along because she’s singing about you, fall in love with the stagecraft — whatever your desire, it’s all good because it’s just you and Helen. When the lights go up no one will ever know.
Townsend’s new single, ‘Is This Love’, asks the age-old question, the one we’ve all wanted answered sometime or another. Dressed up in irresistible honky tonk blues, ‘Is This Love’ is an instant dance-floor filler and the first leg of a musical oeuvre that has Townsend at the peak of her powers and will have audiences beaming and calling out for more.
Helen Townsend may have been late in picking up the tools of her trade but in a short time she has shown herself to be a master craftsman in a field too often crowded with cowboy-booted jacks and jills of all trades. Her sweet voice and tender picking rubs against songs that are filled with characters living with the costly results of impulsive choices and memories that just won’t let go. Her music takes you on a journey through beautiful valleys, coastal plains and soaring over mountains with a few deep, dark tunnels to keep you grounded.
She has carved out a reputation for edgy Americana music – one that has pushed the genre’s boundaries from roots-rock through blues and country to folk – with her upcoming album, Helen has broadened her style and flair even more so with catchy new melodies, tight harmonies and personal stories and lyrics that hook into your heart and tear up your soul. The new album builds from her previous 2 EP’s and her debut album, which scored her multiple awards and nominations including winner of WA Country Music Award for Best Emerging Artist and Song of the year.
Townsend has continued to extend her musical influence with her recent US shows and was part of the Sounds Australia Showcase at the coveted Americanafest in Nashville. All this on top of the US launch of her EP “Love, Lies ‘n’ Leaving” which found its way into the FAI top 10 Folk albums chart in the US for September 2022 has increased Helens popularity in Australia and abroad.
With ‘Is This Love’, Townsend is making her first exploration into UK territory, with plans for a UK tour and new album release to come next year. The video for the single is pure Americana nostalgia with Townsend and band arriving via a classic car to tear things up at a swinging rock ‘n’ roll bar. Through out it, we see Townsend question ‘Is This Love’ with her partner and fellow Australian musician Shannon Smith, as they share a dance, cocktails and eventually make plans to meet again. Much of Townsend’s forthcoming new album has been inspired by her new relationship with Shannon Smith, who has also channelled their love for each other in his own upcoming music project, both albums being written respectively from their different sides of the relationship, as these two musicians forged their bond.
In an era where overproduction and surface-level lyrics often dominate the music landscape, Toronto Tapes arrives like a breath of crisp Canadian winter air—raw, bracing, and honest to the bone. After years lost in personal turmoil, Zweng returns with a collection that fuses familiar melodies with unflinching self-exploration. It’s not often a cover album hits this hard, but Zweng isn’t just revisiting the past—he’s rewriting it.
Crafted during a year of sobriety and isolation in Toronto, the album was recorded at Kensington Sound Studios under the deft guidance of producer Will Schollar. Every sonic choice feels deliberate, from the ghostly reverb of Pet Sematary to the tender vulnerability of Jeanette. Zweng’s voice is both weathered and warm, like a lighthouse for the lost—rough enough to believe, melodic enough to stay with you.
The album’s strength lies in its duality: familiar songs presented with unfamiliar emotions. Back on the Chain Gang doesn’t just mourn love—it processes memory. Elevation isn’t a high—it’s a hymn to healing. And Take On Me, in Zweng’s hands, sheds its synth-pop skin to become a raw plea to be seen in one’s darkest moments. The songs are transformed, and in the process, so is Zweng.
But it’s the original compositions that truly anchor this emotional journey. Marianne and Jeanette delve into generational pain and maternal longing with the kind of lyrical intimacy that recalls early Elliott Smith or Jeff Buckley. These aren’t just songs—they’re emotional archeology, digging through family histories to find fragments of truth, and maybe a bit of peace.
The closer, Changes, doesn’t land like a neat resolution. Instead, it feels like an open door—a choice to keep evolving, one breath at a time. Zweng’s cover of Ozzy’s classic trades bravado for resignation, and in doing so, becomes the album’s thesis: we don’t become new people overnight. We change, painfully, slowly, and often without fanfare.
Toronto Tapes is less a comeback and more a coming home. It’s a vulnerable, gutsy, and beautifully fractured piece of work that insists on authenticity over perfection. For those in the midst of their own reckoning, Zweng’s voice may be the companion they didn’t know they needed.
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