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Beverly Hell Delivers Stunning New EP ‘Alice In Underland’

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Beverly Hell’s debut EP Alice In Underland arrives with the confidence of an artist who has already spent considerable time building her own universe. Across six tracks, the Los Angeles-based singer, producer, and multimedia creative blurs the boundaries between dream-pop, alternative R&B, and shadowy electronic experimentation, crafting a project that feels simultaneously intimate and cinematic. Inspired by the surreal imagery of Alice’s Adventures in Wonderland, the EP transforms familiar symbols into something deeply personal, reflecting themes of self-discovery, temptation, and transformation.

Opening track “Roses” sets the tone beautifully, favouring restraint over excess as Beverly Hell allows melody and atmosphere to do the heavy lifting. There’s a quiet magnetism to the song that gently ushers listeners into her peculiar world before “White Rabbit” dramatically shifts the landscape. Pulsing electronics and darker textures emerge from the shadows, introducing a more adventurous side of her songwriting without sacrificing cohesion. The transition feels seamless, highlighting her growing confidence as both producer and storyteller.

By the time “My Water” arrives, the EP settles into its most hypnotic stretch. The production feels fluid and immersive, surrounding Beverly Hell’s vocals with an air of mystery that perfectly complements the record’s dreamlike narrative. Rather than relying on obvious hooks, she draws listeners deeper through atmosphere and subtle emotional detail. The self-produced nature of the project becomes one of its greatest strengths here, allowing every sonic decision to feel purposeful and uniquely hers.

Lead single “Jezebel” serves as the EP’s centrepiece, injecting sharper edges into the collection without disrupting its flow. The track balances vulnerability with defiance, showcasing Beverly Hell’s ability to pair memorable songwriting with inventive production choices. Meanwhile, previously released cuts “Drug Opera” and “Alice” close the project by embracing R&B influences that add warmth and accessibility to the darker palette established earlier. Together, they provide a satisfying conclusion while reinforcing the record’s thematic continuity.

What makes Alice In Underland particularly compelling is its sense of authorship. Beverly Hell isn’t merely presenting songs; she’s introducing an artistic identity. Every track contributes another piece to an evolving mythology that feels meticulously considered yet emotionally authentic. As debut statements go, this is a remarkably assured one—an immersive first chapter from an artist whose creative vision already feels vividly realised.

Instagram, Spotify | PR: Decent Music PR

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SCARECROW’s John Blaze Delivers a Career Milestone With “Twisted” and Earns Josie Music Awards Song of the Year Nomination

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John Blaze has spent nearly four decades fronting SCARECROW, the New York hard-rock outfit he founded in 1989, and in 2026 he delivered one of the most ambitious releases of his career with “Twisted.” Now, the song has reached another major milestone: “Twisted” has been nominated for Song of the Year in the Metal/Alternative category at the Josie Music Awards.

The nomination places Blaze and SCARECROW among this year’s recognized independent artists and songwriters at the Josie Music Awards, with the awards ceremony set to take place at Nashville’s legendary Grand Ole Opry. For an artist whose career has been built on persistence, independence and decades of hard-rock storytelling, the recognition gives “Twisted” an entirely new chapter.

Written by John Blaze and Chaffin, “Twisted” pulls together a lineup of guest players that reads like a rock family reunion, built around Blaze’s long-standing friendship with Dee Snider and the legacy of Twisted Sister, a band woven into SCARECROW’s story from its earliest days.

That connection goes all the way back to the beginning. SCARECROW’s original lineup featured guitarist Eddie Ojeda, best known for his work in Twisted Sister, and the two camps have remained connected ever since. “Twisted” makes that history explicit: Dee Snider appears on the record with guest vocals during the track’s climactic second verse and chorus, lending the song an instantly recognizable jolt of arena-rock power.

Snider isn’t the only marquee name in the credits. Mark Wood, founding violinist of Trans-Siberian Orchestra, contributes electrifying violin work that gives “Twisted” a cinematic sweep uncommon in modern hard rock. Rounding out the track are TJ Jordan on lead guitar and Bobby Marks on drums, creating a powerful, road-tested foundation behind Blaze’s signature gritty vocal delivery.

The Josie Music Awards nomination feels particularly fitting because “Twisted” isn’t simply another SCARECROW release. It brings together different eras of Blaze’s musical life while pushing the band’s sound forward. There’s history in the recording, but there’s also urgency. It doesn’t sound like a band looking backward. It sounds like one with unfinished business.

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For Blaze, the nomination also represents recognition of a career that has largely been built outside the traditional machinery of the mainstream music business. Independent rock artists rarely survive for decades without a fierce commitment to what they do, and SCARECROW’s longevity speaks for itself. From the band’s early years and its 1991 debut, through the Blood, Sweat and 20 Years retrospective and the theatrical production I Am SCARECROW, Blaze has continued developing a world around the music rather than simply releasing songs.

That makes the Song of the Year nomination especially meaningful. After nearly four decades of building SCARECROW, Blaze now heads to the Josie Music Awards at the Grand Ole Opry with one of his most ambitious songs recognized in the Metal/Alternative category.

And there’s something wonderfully appropriate about the song that got him there.

“Twisted” connects SCARECROW’s beginnings to its present, reunites Blaze musically with figures tied to the band’s history, and demonstrates just how much fire remains in the project. With Snider and Wood contributing to the record and Blaze still driving the band he created from the ground up, the track feels less like a nostalgic reunion than a statement of survival.

Now it’s also an award-nominated song.

For John Blaze and SCARECROW, nearly four decades into the journey, “Twisted” has become more than another entry in the catalog. It’s a career milestone — and this September, that milestone is taking SCARECROW all the way to the Grand Ole Opry.

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