We Speak Entertainment
“To Love Is To Perform”: Jada Di’Larosa’s Poetic Meditation on Love, Identity, and Solitude
On April 17, 2026, independent artist Jada Di’Larosa introduces a deeply evocative new chapter in her creative journey with the release of To Love Is To Perform. Emerging from the rich cultural undercurrent of New Orleans, Di’Larosa delivers a project that feels intimate, cinematic, and emotionally unguarded—an album that quietly lingers long after the final note fades.
Blending elements of alternative, indie, and nu-jazz, the record is less about traditional structure and more about atmosphere and emotional storytelling. It unfolds like a series of late-night reflections—soft, immersive, and deeply personal. Each track carries a sense of stillness, where restraint becomes a powerful artistic choice, allowing listeners to fully absorb the subtle complexities within her sound.
Between the Spotlight and the Shadows
Jada Di’Larosa’s artistry is shaped by a compelling dual existence. As a professional dancer and showgirl, her nights are filled with performance, light, and spectacle. Yet beyond the stage, she retreats into solitude—writing music that mirrors her introspective nature. This contrast is the emotional backbone of To Love Is To Perform, where themes of identity, vulnerability, and perception are explored with striking honesty.
Rather than presenting a polished, conventional album, Di’Larosa embraces imperfection. The project carries the raw essence of demos—unfiltered, organic, and alive. In her own words, it is “a diary” of her experiences, offering a glimpse into a world that is both quietly glamorous and deeply introspective. That authenticity gives the album its emotional weight, transforming it into something profoundly human.
Sound as Atmosphere, Silence as Language
Musically, the album is guided by minimalism and mood. Piano and violin arrangements intertwine with her haunting vocal delivery, creating a soundscape that feels almost suspended in time. Di’Larosa’s voice is uniquely her own—delicate yet assured, drifting through each composition with a poetic cadence that enhances the storytelling.
Tracks such as “showgirl” and “movie star” reflect the tension between persona and reality, while “bayou st. john” grounds the album in a sense of place and memory. The title track, “to love is to perform,” offers a philosophical lens on relationships, suggesting that love itself can be an act shaped by roles and expectations. Meanwhile, “costume” emerges as a defining moment—an exploration of identity, illusion, and the masks we wear.
Tracklist
- showgirl
- movie star
- bayou st. john
- to love is to perform
- candy
- blackbird
- spinster
- a love noir
- costume
- curtain call
A Quietly Powerful Artistic Statement
What makes To Love Is To Perform so compelling is its refusal to conform. It does not chase trends or demand attention—it invites it. The album thrives in its subtlety, rewarding listeners who are willing to slow down and engage with its emotional depth.
There is a cinematic quality throughout the record, as if each track is a scene from an unseen film—rich with symbolism, mood, and introspection. It’s an experience designed not just to be heard, but to be felt.
Defining Her Own Space
In an industry often driven by visibility and constant output, Jada Di’Larosa stands apart through intentional distance and artistic focus. She allows her work to speak on her behalf, cultivating a sense of mystery that only enhances her presence.
With To Love Is To Perform, she offers more than music—she offers perspective. It is a body of work that explores the delicate balance between who we are and who we present to the world, capturing the beauty and complexity of both.
As the release date approaches, the album positions Di’Larosa as a distinctive voice in contemporary alternative jazz—an artist unafraid to embrace vulnerability, ambiguity, and the quiet power of self-expression.
Connect with Jada Di’Larosa
Official Website: www.jadadilarosa.com
Instagram: @jada.dilarosa
Available on Spotify, Bandcamp, SoundCloud, and YouTube
For inquiries: jadadilarosa@yahoo.com
We Speak Filmmakers
Malhar Talwalkar Releases Award-Winning Short Film Pink Trees, Exploring Addiction, Recovery and Survival in Los Angeles
Director and cinematographer Malhar Talwalkar presents Pink Trees, a compelling short film that takes an intimate and unflinching look at addiction, recovery, poverty, and survival in Los Angeles. Through the story of a recovering addict struggling to stay clean while living in a temporary housing motel, Talwalkar explores the difficult realities faced by individuals attempting to rebuild their lives in challenging circumstances.
Pink Trees follows Matthew “Job” Smith, a recovering addict battling for survival while living in a temporary housing motel surrounded by the harsh realities of urban poverty and crime. His journey reflects the instability and uncertainty that can accompany addiction recovery, particularly when individuals are attempting to overcome substance abuse without the security of stable housing and a supportive environment.
Rather than portraying recovery as a straightforward journey, Pink Trees examines the complicated circumstances that can influence an individual’s ability to remain sober. The film asks important questions about personal responsibility, environment, social institutions, and the systems that surround people struggling with addiction.
“With this film I tried to tackle the shaky and uncertain road of addiction recovery,” says Talwalkar. “My personal history with substance abuse and addiction made me keen to analyze how various individuals, based on their circumstances, deal with addiction and recovery and how much role institutions play in one’s goal to stay clean.”
Talwalkar’s personal connection to the subject matter brings an added layer of authenticity to Pink Trees. Instead of reducing addiction to a single cause or experience, the film considers the different circumstances that can shape an individual’s recovery and the challenges that can make staying clean an ongoing battle.
The short film has already earned recognition across the independent film festival circuit, receiving awards and honors from Indie Short Fest, Indie X Film Fest, LA Indies, New York International Film Awards™ (NYIFA), San Diego Movie Awards, Chicago Shorts, Latitude Film Awards, Independent Shorts Awards International Film Festival, Hollywood International Indie Film & Screenplay Awards, and Los Angeles Film Awards.
These accolades highlight the film’s growing impact within the independent filmmaking community and its ability to connect with festival audiences and industry professionals through its emotionally grounded storytelling.
At the center of Pink Trees is a question that extends beyond addiction itself: What does it really take for someone to stay clean when the circumstances around them make recovery so difficult? By placing Matthew “Job” Smith within an environment shaped by poverty, crime, and instability, Talwalkar invites audiences to look beyond stereotypes and consider the human and institutional factors that influence recovery.
Talwalkar is a Director and Cinematographer who graduated in the MFA Filmmaking Program at the New York Film Academy in Burbank, California. His work reflects a passion for telling meaningful stories that explore complex human experiences and socially relevant issues.
With Pink Trees, Talwalkar delivers more than a story about addiction. He creates a portrait of a person fighting to survive, recover, and find a path forward in an environment where simply staying clean can become a daily struggle.
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